`Billy Elliot' wins 10 Tonys; `Carnage' best play

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MICHAEL KUCHWARA | 06/ 7/09 11:38 PM | AP

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Geoffrey Rush accepts his Tony award for Best Performance by a Leading Actor in a Play for his role in "Exit the King" at the 63rd Annual Tony Awards in New York, Sunday, June 7, 2009. (AP Photo/Seth Wenig)

NEW YORK — "Billy Elliot," the big British musical about a coal miner's son who dreams to dance, bowled over Broadway on Sunday, winning 10 Tonys, including best musical and a unique best actor prize for the three young performers who share the title character.

The trio _ David Alvarez, Trent Kowalik and Kiril Kulish _ traded off thank-yous during their acceptance speech, shyly thanking people associated with the show only by their first name. They also acknowledged siblings and parents. Finally, Kulish told the cheering crowd at Radio City Music Hall: "We want to say to all the kids out there who might want to dance, 'Never give up.'"

"Billy Elliot" collected eight other awards, including director of a musical, book of a musical and choreography, but its composer Elton John was upset for best score. That award was taken by "Next to Normal" _ which seemed to stun "Normal" composer Tom Kitt and lyricist Brian Yorkey. Alice Ripley, who portrays battling mental illness in "Next to Normal," received the actress musical prize.

"God of Carnage," Yasmina Reza's savage comedy of manners about two liberal, middle-class couples whose children get into a fight, was named best play and picked up two other major awards, one for its director, Matthew Warchus, and the other for actress Marcia Gay Harden.

Reza, who previously won a best-play Tony for "Art," said: "Maybe you missed my accent; you wanted to hear it again. I'm very grateful for all the people who gave their best for the production."

"The Norman Conquests," Alan Ayckbourn's trilogy, received the revival-play prize, while "Hair," the iconic 1960s rock extravaganza roared to a win in the musical-revival category.

The director/musical award went to Stephen Daldry of "Billy Elliot."

"I have been blessed in my life to spend the majority of last 10 years of my life working on the story of 'Billy Elliot,'" said Daldry, who called it "a long, extraordinary journey."

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He said the award belonged to everyone connected to the show and especially to "three great gifts of Broadway, our three little Billys."

"Billy" also received prizes for featured actor (Gregory Jbara), sets, lighting, sound and a tie with "Next to Normal" for best orchestrations, which Kitt shared with Michael Starobin.

Geoffrey Rush's extravagant portrait of a dying monarch in "Exit the King" took the top actor prize.

"I want to thank Manhattan audiences for proving that French existential absurdist tragicomedy rocks," Rush said.

Angela Lansbury received her fifth Tony, this time for her performance as the dotty medium Madame Arcati in a revival of Noel Coward's "Blithe Spirit." Her win in the featured-actress category tied the record for acting prizes held by Julie Harris, who has five plus a special lifetime achievement award given in 2002.

"Who would have thought," the 83-year-old Lansbury began, drowned out by a standing ovation. "Who knew that (at) this time in my life that I should be presented with this lovely, lovely award. I feel deeply grateful."

An emotional Liza Minnelli accepted the prize for special theatrical event for her show "Liza's at The Palace."

"This is exquisite," Minnelli said, asking for a list of people to thank because she didn't think she was going to win. "Lastly, I want to thank my parents and the greatest gift they ever gave me, Kay Thompson," her godmother. Minnelli recreated part of Thompson's club act as part of her Palace entertainment.

Roger Robinson's portrayal of a mystical shamanlike character in "Joe Turner's Come and Gone" was honored with the featured-acting prize.

"It has taken me 46 years to come from that seat, up these steps, to this microphone," said Robinson, who thanked his mother in Bellevue, Wash., "who's 98 years old ... who encouraged me and raised seven children single-handedly."

Featured actress-musical went to Karen Olivo as the spitfire Anita in the revival of "West Side Story."

"I'm completely unprepared for this. ... I just want to dedicate this to everyone who has a dream," Olivo said, thanking the production's 91-year-old director, Arthur Laurents, and then dissolving in tears.

The Tonys twittered this year, with Mark Indelicato of "Ugly Betty" as the night's uber-tweeter from backstage. He offered such timely nuggets as "NPH's (host Neil Patrick Harris) favorite beverage while warming up for the start of Tonys? RED BULL, natch!" Jane Fonda, nominated for lead actress in a play, offered: "The trick is to be Zen about it. Winning is sometimes not the prize."

Bret Michaels injured himself in the show's opening production number when he rocked it out with a number from "Rock of Ages." The extent of his injury was not immediately known.

Broadway had a surprisingly robust 2008-2009 season.

Attendance during the 2008-2009 season slipped a bit (to 12.15 million from 12.27 million the previous year) but not as much as was feared because of the recession. And grosses for plays and musicals actually were a bit higher than a year earlier, setting a record of $943.3 million.

Forty-three shows opened during the season, the highest number of new productions since 50 opened during the 1982-83 season.

The awards were voted on in 27 competitive categories by more than 800 members of the theatrical community, including producers, actors and journalists. The Tonys are presented by the League and the American Theatre Wing, a nonprofit service organization. The Wing founded the Tonys in 1947.

NEW YORK — "Billy Elliot," the big British musical about a coal miner's son who dreams to dance, bowled over Broadway on Sunday, winning 10 Tonys, including best musical and a unique best actor ...
NEW YORK — "Billy Elliot," the big British musical about a coal miner's son who dreams to dance, bowled over Broadway on Sunday, winning 10 Tonys, including best musical and a unique best actor ...
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Go Billy!

Hope it makes it to Chicago.

    Favorite    Flag as abusive Posted 07:02 PM on 06/08/2009

LOVED IT! LOVED IT! LOVED IT!!!!! NPH was brilliant and his closing number was both sweet and bitchy! I loved his dig at wanting to eat sushi all the time for energy and he'd never miss a show if he did! I actually HOWLED! I wonder if Jeremy Piven heard me? .....hmmmm. There were some problems with the sound in the beginning, but that's the beauty of live theater. You roll with the punches, or in Bret Michels case, whatever hits you in the face.

All in all, this is the only awards broadcast people should watch, because it is all about the arts and entertainment community. Who would have known who are Roger Robinson or Alice Ripley before tonight. Congrats to them and their fellow castmembers. West Side Story and Guys and Dolls got a 21st century reboot and the Norman Conquests conquered another generation of theater goers. Kudos to the three young actors who portray Billy Elliot. All three were charming and funny and oh so sweet. This show is full to the seams with all types of characters and personalities and they give the rest of us the best gift; live theater.

By the way, NPH should host the show from now on. Not only is he talented, self depreciating, and witty, he's in TV. That makes him cheap to rent for the evening. :)

    Favorite    Flag as abusive Posted 05:10 PM on 06/08/2009
- Steamboater I'm a Fan of Steamboater 189 fans permalink
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I'm just surprised no one carcked a joke about Piven.

    Favorite    Flag as abusive Posted 05:53 PM on 06/08/2009
- paganmist I'm a Fan of paganmist 67 fans permalink

Wow. I didn't know they'd made a play of Billy Elliot. The movie makes me cry. I've loved it from the moment I saw it. Wow, just wow. I am going to have to see it, if it's good enough to win 10 Tonys.

    Favorite    Flag as abusive Posted 02:22 PM on 06/08/2009
- MsIrisMG I'm a Fan of MsIrisMG 20 fans permalink
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it's been playing in London for, I don't know, about five years?! Why was this a secret? Well, I guess if one doesn't follow theater...never mind.

    Favorite    Flag as abusive Posted 10:12 PM on 06/08/2009
- 1sparrow I'm a Fan of 1sparrow 20 fans permalink

i had never heard of "next to normal" till last night. even with a two minute scene i could tell how well composed and compelling it must be. even sir elton john said something about having more musicals of it's quality at his acceptance speech. i will look for it.

    Favorite    Flag as abusive Posted 02:20 PM on 06/08/2009
- havegonedc I'm a Fan of havegonedc 3 fans permalink
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Alice Ripley... WOW!

    Favorite    Flag as abusive Posted 01:47 PM on 06/08/2009
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Not my favorite Tonys broadcast. Too much screeching in the performances and a little overdone at times.

I'll have to give "Next to Normal" a listen, although the performance last night seemed a little rough to me.

Could've done without the "Shrek" and touring production's performances.

"West Side Story" picked the wrong number to feature, they should have done the "Quintet", or organized a new medley to show off the spanish more. "Billy Elliot" had the same problem.

I keep wondering why they don't show a better preview of each play every year.

Neil Patrick was great. So nice to see Angela, Liza, and Jerry get the recognition they deserve, they are living legends. The Billy Elliot kids are adorable.

    Favorite    Flag as abusive Posted 01:07 PM on 06/08/2009
- Steamboater I'm a Fan of Steamboater 189 fans permalink
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Screeching? You mistake what a stage perfomer has to do from someone in film for example who doesn't have to project as much. Stage actors always have to give a little more than film actors. You've heard the term "too stagey" haven't you? That comes from some film versions of some plays when the actors are giving too much and book film hasn't been opened up from the stage version. In a sense, the film version of "Molly Brown" with Debbie Reynolds was like that. Her film performance was just too over the top. That works on stage, not film.

    Favorite    Flag as abusive Posted 01:42 PM on 06/08/2009
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No argument on "Molly Brown". I understand what your saying Steamboater, but at times, especially during "Next to Normal", it did, to me sound a little too screechy. The "Guys and Dolls" number seemed like that too, and also stagey. When I was involved in theater productions in the past, it seemed pretty clear who was overdoing performances and who was playing it naturally. That came through even on stage. "Stagey" moments are best used sparingly.

    Favorite    Flag as abusive Posted 02:08 PM on 06/08/2009
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I enjoyed trying to understand what Liza was saying.

    Favorite    Flag as abusive Posted 11:14 AM on 06/08/2009

Question - where was Carol Channing? I can't believe she wasn't there to present Jerry Herman with his award!?!

    Favorite    Flag as abusive Posted 10:35 AM on 06/08/2009
- Scott3843 I'm a Fan of Scott3843 9 fans permalink

I thought Angela was an even better choice for Jerry's tribute. Of course, it would have terrific to have both Channing AND Lansbury, but Angela's a class act all on her own.

    Favorite    Flag as abusive Posted 11:26 AM on 06/08/2009
- yorkie I'm a Fan of yorkie 5 fans permalink

I think she's not in the most robust shape these days,,,but was touring shows a few yrs back,,,I am sure she was asked etc....Wish Jerry Herman could do another musical again ,,,eh writes wonderful melodies ,easily hummable tunes that reverberate in our hearts over and over....One wonders where's the next new show that high schools and community theater groups will be performing decades from now ??? ---this is the proof in the pudding of longevity and lasting appeal !!! On this test few in past 35 yrs pass !!

    Favorite    Flag as abusive Posted 01:27 PM on 06/08/2009
- SKOC211 I'm a Fan of SKOC211 8 fans permalink

I am a New Yorker and a huge fan of the theatre but last night's show was just terrible. The opening number was a train wreck. Most of the performances were awful and did absolutely nothing to induce me to go see some of these shows. Shrek was a waste. I wanted to see more of Billy Elliot but all we got was that completely spastic dance number. Would have preferred to see more of West Side Story but instead we get the Dance at the Gym which anyone who has seen the movie has already seen before - really I know the original choreography is iconic but is there really no one out there that could come up with something new? I was almost insulted by the "clips" they showed of the nominated plays, they can't get more than a few seconds but we have to sit through touring productions performances from Mama Mia, Legally Blonde, and Jersey Boys? Sit Down You're Rocking the Boat from Guys and Dolls was just plain tacky. Really the only highlight was the performance from Next to Normal - absolutely stunning. And Neil Patrick Harris, of course, was to die for. If only they had given him more time because his closing number was hysterical.

For me, at least, it epitomized everything that is wrong with Broadway today. Incredibly talented people stuck with campy and poorly written material.

    Favorite    Flag as abusive Posted 09:56 AM on 06/08/2009
- Ed438 I'm a Fan of Ed438 3 fans permalink
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I agree with SKOC! I wasn't able to watch more than an hour of this expensive junk and the opening number, despite the sound failures and despite the fact that I'd turned the volume down, was an exercise only in sheer noise transmission. It was a circus, not a decent presentation, with many different things coming at the audience all at once.

Do the powers that be think that this incredibly inept attempt at "razzle-dazzle" is going to sell more tickets? Maybe they are right but does one get nothing quieter at all? And is it impossible to find anyone that can write a decent tune nowadays?

And why, in a revival such as West Side Story which is head and shoulders above Shreck and company (They all seemed pretty 'schrecklich".), can they not present it at Radio City attractively instead of what they actually did? The new Spanish adaptations were mentioned; why were these not presented, at least briefly?

Perhaps it got better as it went along but the beginning lost me and I couldn't tell you if it actually did.

A waste of time, money and talent!

    Favorite    Flag as abusive Posted 10:53 AM on 06/08/2009
- Ed438 I'm a Fan of Ed438 3 fans permalink
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I did see the closing song done by Neil and did feel that "Tonight" was finally done "properly". Yes, with different words and they clearly had to be improvised by NPH or hastily written and memorized as they recounted the winners and losers of the evening's Tonys.

    Favorite    Flag as abusive Posted 02:19 PM on 06/08/2009
- deeppeace I'm a Fan of deeppeace 55 fans permalink
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As a former NY-er stuck 2,500 miles away in my own private Northern Exposure he||, it was just fine. The long shots inside RCMusic Hall stopped my heart and every musical number, every clip from a show, made me cry. One night a year I am reminded of when those fabulous stages were my playground, and I weep. Even bad is good for those of us outside of NY.

    Favorite    Flag as abusive Posted 12:18 PM on 06/08/2009
- Steamboater I'm a Fan of Steamboater 189 fans permalink
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Continuation of previous post)

"Sit Down You're Rockin The Boat" improved tremendously after the actor who sang it found his comfort after the mess-up with the sound and it was just hilarious to see that DIFFERENT version of it with the Salvation Army woman with the big voice doing her stuff and smacking her ass. That was unique and something that would have never been done in the original production. As much as I don't care for Disney, the actor who did that number from Shrek was amazing. It must be so difficult to do an entire number like that on your knees and I admired him, and he can sing. True, I wanted to see more of the scenes from the dramas but you have to remember this is TV too and musicals get the audiences from outside NY to Broadway. When they're there, they often go to these dramas albeit not as much as New Yorkers do.

    Favorite    Flag as abusive Posted 01:09 PM on 06/08/2009
- andvoodoo2 I'm a Fan of andvoodoo2 122 fans permalink
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I agree with you as to the "Billy Elliot" number. It did NOTHING for me and I LOVED the movie so, I wanted to like the number from the play. I also disliked the number from "Next to Normal". It was a terrible musical piece!

But, for the most part, I enjoyed seeing the awards. I have to agree with you overall - "Incredibly talented people stuck with campy and poorly written material."

    Favorite    Flag as abusive Posted 12:59 PM on 06/08/2009
- Steamboater I'm a Fan of Steamboater 189 fans permalink
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This former New Yorker loved theTony Show. Some technical glitches aside, the performaces were fresh and bright and the Dance At The Gym from "West Side Story was superb. Sure, a a lot of people have seen the film and and a lot haven't. It was wonderful to see to very good singers in the roles of Tony and Maria too because I never cared for the orginal lead vocals from the stage version. These two though are very good. When you revive a musical by a reknown choreographer you want to stay as close to the orginal choreography as possib;le and especially with a dance show like "West Side Story" because although the songs are terrific it was dance that gave it such verve.

    Favorite    Flag as abusive Posted 01:09 PM on 06/08/2009
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The film, "Slumdog Millionaire," and the play [and the film, too], "Billy Elliot," are the two of the best, feel-good works of art I've ever seen.

    Favorite    Flag as abusive Posted 09:25 AM on 06/08/2009

They show golf on TV. I wish they wouldn't, but they do. So if they can televise golf they can televise the Tonys, the closet much of America gets to a Broadway show...

    Favorite    Flag as abusive Posted 08:56 AM on 06/08/2009
- All4ME I'm a Fan of All4ME 6 fans permalink
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The show was depressing. For all the amazing theater talent, they could have put on a more entertaining production.
I agree w dtrobert -- someone needs to remember that the Tony show is the greatest marketing opportunity Broadway has -- it's their best chance to sell Broadway shows to a nationwide audience. A lot of people vacation in NY and buy tickets to shows, not to mention see traveling productions.

Really, based on last night, would anyone willingly pay $100/ticket to see Shrek? That was excruuuuciating. I wouldn't take a child I liked to that show, pass the migraine tablets! It's pretty bad when you have to keep saying "The movie was better". Examples:
Shrek
Guys & Dolls
West Side Story
Billy Elliot

Some of the shows looked like Revenge of the Cave People, Hair and Rock of Ages. Please, it is not funny when hairy people storm the audience. Don't break that 4th wall! Be a show, don't make us the show. Legally Blonde, Mamma Mia -- whimper. I've seen better on American Idol auditions.

The dramas weren't dramatic and the musicals weren't musical. The Yazmina Reza play looks intriguing, but what a ghastly backdrop.

Shows worth seeing (from a fan): The Producers, Les Miserables, The Lion King, Phantom of the Opera (taste-free but fun). Feel free to add your own recommendations. Theater needs help.

    Favorite    Flag as abusive Posted 08:23 AM on 06/08/2009
- seachild I'm a Fan of seachild 28 fans permalink
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no thank you...expert (not)

    Favorite    Flag as abusive Posted 08:31 AM on 06/08/2009
- bluguy8 I'm a Fan of bluguy8 25 fans permalink

Shrek has discount tickets for it-- they need someone to see it

the Nathan Lane/ Faith Prince --Guys & Dolls was a 10--this a 1

Everyone I know that has seen WSS has walked out .

If you want to se a great show go to Hair--a fun evening and worth the price

    Favorite    Flag as abusive Posted 08:35 AM on 06/08/2009
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If i were smarter i wouldn't comment here, but the one thing that i feel this annoying urge to comment on first was how wonderful the nathan lane/ faith prince production of Guys and Dolls was. Enormously fun and entertaining.

i think this version of Guys and Dolls is probably the most dreadful thing i have ever seen. all around. the lack of talent was astounding.

i have had friends tell me how awful and talentless this production is but i said it could not be that bad.

its worse.

sorry.

    Favorite    Flag as abusive Posted 01:38 PM on 06/08/2009
- Alvin4NY I'm a Fan of Alvin4NY 24 fans permalink
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I guess you will be happy watching "Judge Judy" and re-runs of "Murder She Wrote" - The show was as good as it gets!

    Favorite    Flag as abusive Posted 08:49 AM on 06/08/2009

HAIR:
Get up on stage and dance. We've all been through so much the last 8 years. It's a great moment of renewal, community and hope -- kinda like the Obama era.

    Favorite    Flag as abusive Posted 12:05 PM on 06/08/2009
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I completely agree.

    Favorite    Flag as abusive Posted 01:39 PM on 06/08/2009
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I completely agree.

i did not mean for this to be about belows comment. i love the show

    Favorite    Flag as abusive Posted 01:42 PM on 06/08/2009
- Scott3843 I'm a Fan of Scott3843 9 fans permalink

A little out of touch there, All4ME. While I agree with most of your assessment of last night's show, your recommendations of shows to see is remarkably off-kilter.

The Producers has been closed for two years now, and the revival of Les Miz has been gone for a year and a half. The Lion King is a tired and Phantom is boring tourist trap crap. They're both big on visuals, but seriously lacking, substance-wise.

See IN THE HEIGHTS for a very enjoyable evening at the theater. Well worth the ticket price.

We're seeing BLITHE SPIRIT, HAIR, NEXT TO NORMAL, BILLY ELLIOT and WEST SIDE STORY in a couple of weeks. I hope the live (and in-context) performances come across better than they did last night!

    Favorite    Flag as abusive Posted 11:13 AM on 06/08/2009
- All4ME I'm a Fan of All4ME 6 fans permalink
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Thanks for the update! You're right, I saw most of those shows in Londonl. Lion King I saw in N.Y., and it people in my group thought it was good. Also Wicked, which is not my thing, but some people like it.

Most musicals are "seriously lacking, substance-wise". I think people attend for the spectacle, and as I said -- taste-free. My take on last night's performances though, was that the musical on Broadway is seriously in trouble. Mamma Mia? Legally Blonde? Shrek? The dance numbers from Billy Elliot -- again based on only what was shown last night -- would not have made me purchase tickets.

That's my point. If you want people to attend B'way shows, offer something that you could stand in line for, and spend 2 hours of N.Y. time watching.

Thanks for the tip about "In the Heights". I would see "Joe Turner's Come & Gone". Meanwhile, I regional theater has a lot to offer. People should check out Arena Stage, Ogunquit, The Guthrie and please add your own.

Hair? Meh. We already had the 60's. Time for something new.

I would be happily show up for a redo of Speed-the-Plow (Goldblum + Spacey at the Old Vic), Arcadia (London), The Wiz, or Rent.

    Favorite    Flag as abusive Posted 01:03 PM on 06/08/2009
- Steamboater I'm a Fan of Steamboater 189 fans permalink
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You've never seen stage productions of "West Side Story' and "Guys And Dolls" have you? Film is a whole other world. As good as the film versions were and the "Guys and Dolls" film version wasn't that great at all; Brando was terrible, you don't get the full value of these musicals until you're seen them on stage. It's a totally different experience to see dancers doing their stuff live. The book, singing, dance, it all impacts so much better coming from a stage. You also have to have been in that audience seeing actors jump off the stage and almost naked onto the laps of a few of the audience members. That was different when "Hair" first came to Broadway and it was also meant to shock. After all, these were hippies and anything goes Today it's not shocking or new at all and just has that wonderful nostalgic feel of a time come and gone.

    Favorite    Flag as abusive Posted 01:21 PM on 06/08/2009
- All4ME I'm a Fan of All4ME 6 fans permalink
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Funny you say that. I have seen fantastic productions of those shows in colleges; some university theater is faaaaabulous. Saw a superb production of "Summer and Smoke" (Tennessee Williams) at Yale, and a wonderful new piece called "Thursday" there.

The best "West Side Story" I ever saw was at a high school full of highly-talented kids in London. They were the right age, they had the moves, the tension was there, and the pathos.

The film G&D -- Brando was tune-less, but so charming. Stubby Kaye in "Siddown", Sinatra...come on. It's a classic. Might as well fight "My Fair Lady" (I'm a Marni Nixon fan, yeah)

I'm not debating the value of live theater. It just distresses me when it seems there's so little I would see on Broadway these days, but I love regional, college, experimental, and British theater.

There is a lot of that "audience interaction" schtick now, and I find it so gimmicky. A mostly-mediocre "Lord of the Rings" (redeemed by stage design and fantastic Gollum) musical in London was almost ruined for my group by the Hobbits playing with the audience. Ditto the Pirates in a "Pirates of Penzance" in pro summer stock last year. Why do they do this? It's like mime, who needs it?

    Favorite    Flag as abusive Posted 02:15 PM on 06/08/2009
- dtrobert I'm a Fan of dtrobert 8 fans permalink

No one really cares about the Tonys. It's a self-congratulating affair for the New York "In" crowd, no more, no less. Ratings for the show are systematically in the toilet, which should tell you something about their importance. They should not be televised, or if they are, they should be on a local New York arts channel, where they truly belong.

    Favorite    Flag as abusive Posted 06:46 AM on 06/08/2009
- missette I'm a Fan of missette 22 fans permalink

So just because something's not to your taste it shouldn't be televised? You do have probably 100 or so other channels to choose from if you must, you know. I really enjoy the Tonys and always look forward to the sketches from the shows.

And I also disagree with your insinuation that quality is measured strictly by ratings. I've never watched a minute about that family with eight kids but according to you, because its ratings are great it must be high-quality, thought-provoking, intelligent television. Somehow, I doubt that's the case.

    Favorite    Flag as abusive Posted 07:37 AM on 06/08/2009
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LOL! Another popularity = quality/relevance argument. The Tony's are a promo for live theatre as much as anything. The majority of America's couch potatoes probably haven't been to a live dramatic performance since middle school. Too bad for them.

    Favorite    Flag as abusive Posted 08:17 AM on 06/08/2009
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*******, I really care about the Tonys, and I live in rural Tennessee. It is the one time a year I get to see what is current, and while it may not be selling me tickets, it is selling me soundtracks.

Why does everyone complain? Did they pre-empt your favorite Sunday night CBS shows? Doubtful. Because I don't care, I could argue that no one really cares about Game 2 -- but I'm not nearly as arrogant as you.

    Favorite    Flag as abusive Posted 08:26 AM on 06/08/2009
- Steamboater I'm a Fan of Steamboater 189 fans permalink
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And there's plenty of people like you from outside NY who do too. 'preciate ya! :)

    Favorite    Flag as abusive Posted 01:26 PM on 06/08/2009
- Scott3843 I'm a Fan of Scott3843 9 fans permalink

WRONG.

What a sweeping generalization. Lots of people care about the Tonys and look forward to them year after year. They have NEVER been a ratings giant, yet they continue to be broadcast annually, so obviously the show does have its fan base. I'd rather sit through a bad Tony Awards presentation than through most of the crap network TV shows on a nightly basis. If you don't like them, don't watch them, but to say that no one cares is just plain wrong.

Also, it's clear you're no fan of the Tonys, so why click on an article about the Tony broadcast AND take the time to make snide comments just to be a b*tch? You've brought nothing to this discussion but non-constructive and inaccurate points. Surely, you can put your thought processes and typing skills to subjects on which you might be a little more qualified to opine.

    Favorite    Flag as abusive Posted 11:23 AM on 06/08/2009
- Steamboater I'm a Fan of Steamboater 189 fans permalink
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High ratings don't make for a good show; Kate and what's-his-face- is a perfect example.

    Favorite    Flag as abusive Posted 01:24 PM on 06/08/2009

The categories in which Billy Elliot, The Musical won are :
http://celebrise.com/blog/2009/06/08/billy-elliot-the-musical-won-10-tony-awards.html

    Favorite    Flag as abusive Posted 05:39 AM on 06/08/2009
- Mij13 I'm a Fan of Mij13 72 fans permalink
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I'm glad Liza won. I think she deserved it.

    Favorite    Flag as abusive Posted 03:36 AM on 06/08/2009
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