Over the last year, a bunch of new editors in chief have moved into big magazine jobs. There have been redesigns, overhauled staffs, office relocations and bold brand campaigns. With the dark days of magazine closures and 25 percent budget cuts behind (hopefully!), what better way to reboot a dormant magazine than with a youngish, fresh and TV-ready editor? What better way to revive business?
The question is still unanswered.
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