American historical films are forever refighting old wars, congratulating themselves for being on the right side, and encouraging viewers to pat themselves on the back for being on the right side, too. They view the war from the general's tent up on a distant hill and imagine that they're right in the thick of it. That's how Paul Haggis' "Crash" swept the Oscars in 2006 -- by serving up a contemporary story of Los Angelenos who said and did brazenly racist things in public constantly, as if it were 1967 and everyone was wearing love beads, Afros and hard hats.
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