The (certainly small) Detroit-area group of architecture and design enthusiasts will be jumping at the bit to check out the work of an often-overlooked figure in the history of Modernist design.
But we're willing to bet they won't be the only ones who can recognize the furniture on display in the new exhibit at the Cranbrook Art Museum.
Beginning Saturday, the work of mid-century modernist George Nelson will be shown at Cranbrook in Bloomfield Hills, Mich., in the "George Nelson: Architect, Writer, Designer, Teacher" exhibit. It is the first extensive look back at Nelson's work as a designer of classic office and home furniture with company Herman Miller. It's also a showcase for Nelson's writings, curation work and other ephemera.
"In my mind, he is one of the most important designers of the 20th century," said Greg Wittkopp, director of the Cranbrook Art Museum.
According to Wittkopp, the designer's influence is so pervasive that his genius may not immediately be obvious to someone looking at pieces in the exhibit.
"There were a couple of ideas of his that people are going to come and look at them, and some are going to scratch their heads and say, 'So what, there's an L-shaped desk, aren't all desks L-shaped'? Well, he's the person who came up with that idea," he said.
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Nelson had an influence on interior workspaces and also invented the space-saving storage wall. An avid writer, his work was grounded in research and reflected cultural changes after World War II, and again in the 60s, when he designed the Action Office, a style that can be seen in today's corporate office design.
The retrospective of his work, organized by the Vitra Design Museum in Germany, is divided into sections showing his home design, office design, corporate design with Herman Miller, his exhibition design, particularly of the 1959 American National Exhibition in Moscow, and his work as an author and editor.
"During his own lifetime he was often referred to as a 'Renaissance Man,'" Wittkopp said. "His curiosity went in so many directions."
While Nelson didn't have a direct relationship with Cranbrook, during his years as the Design Director at classic furniture company Herman Miller on the west side of the state, he played a role in getting two of the Academy's distinguished faculty, Charles and Ray Eames, to work with him at Herman Miller.
The museum has a complementary exhibit running at the same time, "Vision and Interpretation: Building Cranbrook, 1904-2012," which aims to show the history and development of the school's design (created in part by modernist architect Eliel Saarinen) through the eyes of founder and amateur architect George Booth.
"In many ways, Cranbrook is the birthplace of mid-century modernism, so it's a perfect place to welcome back the career of someone like George Nelson," Wittkopp said.
To get a sneak peek at some of Nelson's notable designs, check out the gallery below.
The "George Nelson: Architect, Writer, Designer, Teacher" exhibit was organized by the Vitra Design Museum in Weil am Rhein, Germany, and has shown in the U.S. at the Bellevue Arts Museum and Oklahoma City Museum of Art before it opens at the Cranbrook Art Museum, 39221 Woodward Avenue, Bloomfield Hills on Saturday, June 16 through October 14. "Vision and Interpretation: Building Cranbrook, 1904-2012" runs concurrently, and throughout the exhibit, Cranbrook will hold tours of the grounds every Sunday from 1 to 2:30 p.m. For more information, see the museum's website.
Photo of George Nelson courtesy Vitra Design Museum and the Cranbrook Art Museum. A retrospective of the Modernist designer George Nelson opens at the Cranbrook Art Museum in Bloomfield Hills, Mich. on Saturday, June 16.
Sideboard, 1946. Photo courtesy Vitra Design Museum and the Cranbrook Art Museum. George Nelson worked as the director of design at Herman Miller, where his designs for their line of office furniture became well known.
Bubble Lamps, ca. 1952. Photo courtesy Vitra Design Museum and the Cranbrook Art Museum. According to Cranbrook Museum of Art Director Greg Wittkopp, George Nelson designed these lamps with a wire frames base that would be rotated as they were sprayed with a synthetic material, new at the time. "On the one hand, it's reminiscent of Chinese lanterns and the like, but whats so different is the radical new technology," Wittkopp said.
Ball Clock, 1948 Greg Wittkopp explained that George Nelson's ball clocks came after he noticed that with the use of wristwatches, there was room for wall clocks to be more ornamental. Each clock uses the same central mechanism to streamline production, with a variety of hands and demarcations.
Action Office I, 1964. Photo courtesy Vitra Design Museum and the Cranbrook Art Museum.
George Nelson posing for Herman Miller advertisement "Traveling Men," ca. 1954. Photo courtesy Vitra Design Museum and the Cranbrook Art Museum.
Swaged Leg Group: Swaged Leg Chair, 1954, and Swaged Leg Desk, 1958. Photo courtesy Vitra Design Museum and the Cranbrook Art Museum.
Two staff members in GeNelson's office with a model for the American National Exhibition "jungle gym", Moscow, 1959. Photo courtesy Vitra Design Museum and the Cranbrook Art Museum. George Nelso
Coconut Chairs and Ottoman, 1956. Photo courtesy Vitra Design Museum and the Cranbrook Art Museum.
Marshmallow Sofa, 1956. The marshmallow sofa is one of George Nelson's most recognizable designs. Photo courtesy Vitra Design Museum and the Cranbrook Art Museum.
Storage Wall, published in "Life Magazine" 1945. Photo courtesy Vitra Design Museum and the Cranbrook Art Museum. According to Greg Wittkopp, Nelson came up with the idea for the storage wall, which eliminates clutter in an office, when realizing that the six inches of unused space in a wall could be extended slightly and put to better use.
Zoo Clocks, 1965. Photo courtesy Vitra Design Museum and the Cranbrook Art Museum.
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