"Trouble With the Curve" didn't hit a home run at the box office.

The new Clint Eastwood movie co-starring Amy Adams and Justin Timberlake took in $4.1 million on Fri., Sept. 21, according to TheWrap. The movie is projected to make around $12.6 million for the weekend, but it hasn't been a hit with critics.

"If 'Moneyball' was made completely wrong, and written by someone who didn't know baseball, it just might have been 'Trouble With the Curve,'" Jim Slotek said in a Jam! Showbiz review.

Jennifer Lawrence's "The House At The End of the Street" made $4.6 million, taking first place on Friday, according to EW. Jake Gyllenhaal's "End Of Watch" also pulled in $4.6 million.

EW reports "Finding Nemo" came in third place with $2.4 million.

The "Judge Dredd" reboot, "Dredd 3D," opened with $2.1 million viewers.

For more "Trouble With the Curve," check out Huffington Post's Mike Ryan's 25 questions about the flick.

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  • 'End Of Watch'

    The new cop drama from "Training Day" writer David Ayer has earned some fairly strong reviews -- especially for the relationship between partners Jake Gyllenhaal and Michael Pena -- but not everyone is in love. "'End of Watch,' if you compare it to an average episode of, say, 'Criminal Minds,' is pretty good," <a href="http://www.film.com/movies/review-end-of-watch-2012" target="_hplink">wrote Jordan Hoffman for Film.com</a>. Despite the tepid praise, Hoffman did find something to like in the end: "If you don't have tears in your eyes by the big, blood-soaked ending, you don't have feelings."

  • 'The Perks of Being a Wallflower'

    Another strongly reviewed release this week is Stephen Chbosky's "The Perks of Being a Wallflower," but not everyone is falling under its spell. "Adequately directed by Chbosky, the movie relies heavily on music and the appeal of its too-old-for-high-school cast," <a href="http://www.npr.org/2012/09/20/161272403/the-pangs-and-perks-of-high-school-revisited?ft=1&f=1045" target="_hplink">writes Mark Jenkins from NPR</a>. According to Jenkins, "Perks" tries to pass off scenes of "wish-fulfillment" as reality, though people who have seen the film might disagree with many of the third-act reveals qualifying as wish-fulfillment.

  • 'Dredd'

    "Dredd" has received mostly favorable notices, but not from <a href="http://www.nypost.com/p/entertainment/movies/you_ll_dredd_this_disaster_1PfzUN2Ft1g7MPEDueoUcO" target="_hplink">Kyle Smith of the <em>New York Post</em></a>. "You'll 'Dredd' this disaster," reads the headline on Smith's one-star review. Per the critic, the action film with Karl Urban in the leading role is -- wait for it -- <a href="http://www.nypost.com/p/entertainment/movies/you_ll_dredd_this_disaster_1PfzUN2Ft1g7MPEDueoUcO" target="_hplink">"dedd."</a>

  • 'Trouble With The Curve'

    Clint Eastwood's return to the big screen isn't a home run. "If 'Moneyball' was made completely wrong, and written by someone who didn't know baseball, it just might have been 'Trouble With the Curve,'" <a href="http://jam.canoe.ca/Movies/Reviews/T/Trouble_With_the_Curve/2012/09/21/20218151.html" target="_hplink">notes Jim Slotek in Jam! Showbiz</a>.

  • 'House at the End of the Street' Most Official Trailer 3

    How is the new horror film "House at the End of the Street"? Allow <a href="http://blogs.indiewire.com/theplaylist/review-house-at-the-end-of-the-street-is-like-twilight-meets-the-devils-rejects-except-totally-awful-20120921?utm_source=feedburner&utm_medium=feed#" target="_hplink">Drew Taylor from The Playlist</a> to inform you: "Forget about what happens in the movie, the mere act of watching 'House at the End of the Street' is an act of torture."

  • 'Cruel Summer'

    Kanye West released his G.O.O.D. music compilation <em>Cruel Summer</em> this week, though the emphasis of the album was too much on the compilation side for <a href="http://www.nytimes.com/2012/09/19/arts/music/kanye-west-and-the-album-cruel-summer.html?_r=1&partner=rss&emc=rss" target="_hplink"><em>New York Times</em> critic Jon Caramanica</a>. "This being a crew album, with a lot of voices to acknowledge, Mr. West is often nowhere to be found, and more crucially, nowhere to be felt," <a href="http://www.nytimes.com/2012/09/19/arts/music/kanye-west-and-the-album-cruel-summer.html?_r=1&partner=rss&emc=rss" target="_hplink">he wrote</a>.

  • 'Up All Night'

    Will Arnett, Maya Rudolph and Christina Applegate returned for a second season of "Up All Night" on NBC, but not all critics were pleased. <a href="http://www.grantland.com/blog/hollywood-prospectus/post/_/id/58212/nbc-comedy-recap-the-beginning-of-the-end-of-must-see-tv-thursdays" target="_hplink">Here's Andy Greenwald from Grantland</a>: <blockquote>Like its underdeveloped protagonists, the show is torn between the workplace and the home, between story-generating, partying youth and story-reacting, responsible middle age. So far in Season 2 -- as Arnett parades around in jockey shorts and starts a business with his browbeaten bro-in-law and Applegate and Rudolph hug over individual servings of Greek yogurt -- the problems remain the same: The grown-ups want to be kids, and the kid, well, so far she has nothing much to say.</blockquote>

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