Big Jim Rennie (Dean Norris) probably isn't going to win any father of the year awards on "Under the Dome," but watching his dysfunctional relationship with troubled son Junior (Alexander Koch) has been one of the most compelling aspects of the CBS series so far.
In the August 5 episode, "Imperfect Circles," Big Jim says and does what we've all been wanting to do and puts Junior in his place after the teenager's disturbing treatment of Angie (Britt Robertson) -- but will it teach Junior a lesson, or just worsen his behavior?
Outside the Rennie family, huge developments occur in other areas of the "Dome," according to executive producer Neal Baer, who told HuffPost TV that the episode has key moments that will leave fans buzzing.
"Not only does it grab your heart, but it sets up the path for the future of the show, in a way," Baer said in an interview. "It's a huge turning point for the show, because our kids, who've had the 'pink stars are falling' seizures -- something occurs [with the kids] that changes everything," Baer said.
In a separate story, the characters played by Samantha Mathis, Aisha Hinds and Mackenzie Lintz "go through such emotional turmoil" in the episode, Baer added. "You're going to weep."
In upcoming episodes, new characters played by Mare Winningham and Natalie Zea turn up, and Baer said that those characters "have been hiding for good reason."
Check out our exclusive clip above and then tune in at 10 p.m. ET on Monday, August 5 to see what's ahead for the inhabitants of Chester's Mill.
Read an episode description for "Imperfect Circles" below:
Big Jim takes matters into his own hands when he feels his authority slipping away, and the dome displays its power as a newborn arrives.
"Big Jim doesn't see himself as a bad guy. He thinks he's doing right, he thinks he is the chosen leader of the town. He does save the town a number of times. Certain people, if they keep the trains running, see themselves as the right person for the job even though the way they go about doing that isn't necessarily all that kosher. There's a side of him that's as dark as ever. He has moments where he'll go to the dark side like that, which is really the fun part about playing him. I would really like the audience to go, 'Big Jim's a sweet guy, he's not really a bad guy,' then all of a sudden, in a heartbeat, the reptilian part comes out."
"The dome is a device, it's a fish bowl, and you put a bunch of fish in a fish bowl and bang on it and you see how they react. You'll see some fish eat other fish, you'll have other fish fight the fish that are eating the other fish, but that's kind of what this is, an experiment. But, also, we're dealing with the added element of what is this thing, where did it come from, is it man-made, is it other-worldly? What are the limitations of this world in which we now find outselves?"
"How do I play a character who is so determined not to examine her own life and her own choices and how far will I go in pursuit of a story to avoid that? The more my own life starts to fall apart in the show, the more obsessed I have to be with the dome and everything that's happening in Chester's Mill. We flirt with every possible outcome that thing could be. We examine it in many, many, many ways and it's still standing at the end of the day, so draw your own conclusions as to what that is, why that is, how that is, but as far as where we are in episode 10 right now, we're still perplexed and finding out some interesting stuff."
"There are two sides to Junior, the public persona that his dad wants him to be, the town jock and bully jerk, and there's the broken child that is inside Junior that he probably is more connected to because of past history with family and losing his mother at a young age. He finds this thing in Angie that fills this gap that's missing in his heart. He gets obsessed and wants to keep that quality. He wants to keep that love as much as he can so he does what he does."
"It's not like we have a clear trajectory of where we're going. We just get to play it episode by episode, which is awesome. It's so much more fun that way because we're living it as the characters are. In a show like this, we can go at any moment. I'm not dead yet..."
"I felt he was kind of simple, but because of his lack of parents (who are on the outside) and his sister isn't around, he has to grow up a little bit. He has to figure things out. So Joe does a lot of growing up in the first episodes. He goes on his instincts. Joe loves this. The dome may be a scary thing but it's also the most exciting thing that's ever happened in Chester's Mill. It's something to talk about, to think about; what is this thing and how can he figure it out? What does he have to do?"
"With Linda, what you see is what you get. As to why I stayed in town and why I became a cop, why I'm such a tough girl and I don't have parents, there's a story to be had there. But for the most part, what you see is what you get. It's very vulnerable, when you have somebody that doesn't have a clear past or history, it's like, Where are you gonna go? Who are you, really? Is the dome going to change you?"
"It's interesting where [the writers are] going; we make our speculations and we're totally wrong and blown away. There are some skills you have in life and in a crisis situation, they're heightened. [Dodee] gets a line to the outside world. Technology makes sense to her, people don't. Stepping out of the radio station and getting to interact with everyone, it's different. Because she doesn't necessarily trust anyone. She's keeping everything that she's finding pretty close to her and not really trusting everyone. She has some unique skill sets that she doesn't want everyone to know that she has."
"A lot of times, network TV isn't notable for bravery because what happens is you have a lot of executives who feel like the concept is a Christmas turkey. This is the most beautiful Christmas turkey I have ever seen. Let's sit down and have dinner. And when dinner is over, we're going to turkey sandwiches, and then the next day we're going to have turkey meatloaf and the day after that we're going to have turkey tetrazzini, turkey soup until there's nothing left but the bones. There's a tendency to run things until they're threadbare. I have no idea how far they're going to go or what they're going to do with it. But the one thing I've said to all the writers and to the people, the executives who are involved with this is, let's be thinking ahead all the time about how we're going to button this up. Because what guys like me do is, I run the story. And there's always more surprise. There can always be another story. And if you like 'Under the Dome' well then maybe there'll be something else that will come along. Who knows?"