Her name is plain and simple -- not flashy like Lady Gaga or diva-esque like Madonna -- but Mary Lambert will be a household name soon enough.

Best known "as the girl who sings on that Macklemore song," the Seattle-based songstress and spoken word artist has captured the attention of the LGBT community and the nation, with critics buzzing that she's the next Adele. Her voice squeezes the heart until eyes are on the brink of tears, leaving fans yearning for a pint of ice cream and a couch to curl up on.

"I like to think that my music allows people that cathartic cry," Lambert said.

During her sold out show at Hotel Cafe in Hollywood, her first performance in Los Angeles, she even encouraged the audience to cry.

"It cleans your eyes -- at least that's what I tell myself," she said, laughing.

Lambert, a self-proclaimed "femme lesbian," has used her talents to heal from a childhood wrought with rejection and abuse.

"I've always had a little bit of darkness and I've always been someone who was grieving. I had kind of had a tumultuous upbringing living in an abusive home, so for me writing has always been a point of catharsis," she said.

Lambert now hopes her music can help others who were victims of molestation or are struggling with "coming out" to their family and friends.

"I hope people learn the power of vulnerability through my songs," Lambert said. "I think vulnerability can save the word. Empathy helps people connect with each other."

Lambert warned the crowd that her shows are very "bipolar," and Friday night was manic. During her nearly two-hour set, Lambert got people weeping then quickly laughing, prompting fans to want a hug or a cigarette to ease their nerves. At one point, during her rendition of "Teenage Dirtbag," the whiny one hit wonder released by Wheatus, she managed to get people to giggle and tear up with an emotional performance on the piano that provided a haunting tune as she crooned: "I'm just a teenage dirtbag, baby."

At age 24, Lambert is making a name for herself both as a musician and a proponent for equality thanks to her hook on "Same Love" by her fellow Seattleites Macklemore & Ryan Lewis, the fourth single on their 2012 debut studio album "The Heist." The song advocates for same-sex marriage and was recorded during the campaign for Washington Referendum 74, which resulted in legalized gay marriages in Washington state last year.

Lambert later expanded on that chorus to complete the very personal song, "She Keeps Me Warm," about being in love with a woman. The song's video has attracted more than 2 million views on VEVO and YouTube since the single dropped in July.

But even on Friday before her own show, Lambert had to re-park her car to avoid a ticket and then paid for a space in the public garage behind the venue. It's a common story for the up-and-comer.

Just last month, despite having performed with Jennifer Hudson during MTV's Video Music Awards Lambert said she to had to show her ticket to a guard to reclaim her seat at the awards show. She told fans that the cast of "Glee" saved her from getting kicked out.

Maybe an appearance on "Glee" is in her near future?

It's certainly on her wish list, along with hopes to collaborate with Drake, Feist and James Blake, among others.

In the meantime, Lambert has enjoyed performing with other rising artists and on Friday welcomed Los Angeles' own Fay Wolf, whom Lambert admits she kind of stalked.

"I got lost on the Internet and looked up artists for some inspiration and fell in love with her music. I totally followed her like a creeper," Lambert said, laughing.

Wolf was honored to sing backup vocals for Lambert's new song, "Beautiful Bird."

"She's intensely talented," Wolf said. "She has a really long musical life ahead of her."

Lambert continues her solo tour until mid-October and then hits the road with Macklemore & Ryan Lewis on Oct. 22 for a nearly two-month stint around the country with stops in Los Angeles on Dec. 4, San Diego on Dec. 5 and San Francisco on Dec. 7.

"I just feel there's this fire," she said. "I'm just ready to go." ___

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  • 'I'm Coming Out,' Diana Ross (1980)

    Nile Rodgers, who also produced smash hits for David Bowie and Madonna among other artists, is said to have come up with the idea for the song after noticing three different drag queens dressed as Diana Ross at a New York club. In 1997, the Notorious B.I.G. sampled this on the track "Mo' Money Mo' Problems," which became a No. 1 hit in the U.S.

  • Jimmy Roland: "Partners For Life"

    A wedding/commitment song that was also used in an off-Broadway Gay comedy play. (c) 2003 Jackie's Music Publishing - BMI //E. Story & J. Roland

  • 'Born This Way,' Lady Gaga (2011)

    Though it faced substanial criticism for its perceived similarities to another ambitious blonde singer's 1989 anthem, "Born This Way" has certainly achieved its own place in pop history. Not only are we pretty sure it's the first time a song of this caliber has ever included the word "transgender," but it's also gone on to become the name of Lady Gaga's anti-LGBT-bullying foundation.

  • 'Let's Have a Kiki' - Scissor Sisters

    The song that taught the world what a kiki is, last summer's earworm that took over gay brunches around the world. Sadly though, shortly after the song was released Scissor Sisters announced an indefinite hiatus.

  • 'Believe,' Cher (1999)

    Named by <em>Billboard</em> magazine as "the best darn thing that Cher has recorded in years," the song -- which sold over 10 million copies worldwide -- breathed new life into the diva's music career, re-inventing her as a disco queen and making her the only recording artist to hit No. 1 on the pop charts in each of the past six decades.

  • 'Over The Rainbow,' Judy Garland (1939)

    It's shocking to think now, but Judy Garland's signature tune was initially deleted from "The Wizard of Oz" because MGM executives thought it slowed down the action of the film. Ranked by the American Film Institute as the "greatest movie song of all time," it has since been recorded by Eva Cassidy, Patti LaBelle, Kylie Minogue, Matthew Morrison and others.

  • 'Same Love feat. Mary Lambert' - Macklemore & Ryan Lewis

    With the smash hit "Thrift Store," Macklemore & Ryan Lewis released this collaboration with singer, Mary Lambert, a song about the preconceived notions of what it means to be gay, and how everyone is equal, despite who they love.

  • 'Take Your Mama Out,' Scissor Sisters (2004)

    The glam rock band is known for their upbeat, retro-sounding tunes, but perhaps none of their hits is better suited as a gay anthem than "Take Your Mama Out," which is said to be about a young gay man growing up in a conservative household.

  • 'Don't Rain On My Parade' from 'Funny Girl,' Barbra Streisand (1968)

    Years before it became known to teen audiences as a staple of "Glee" star Lea Michele, "Don't Rain On My Parade" was a signature tune for Barbra Streisand, who crooned it in both the stage and screen versions of the musical "Funny Girl."

  • 'Dancing Queen,' ABBA (1976)

    ABBA's only No. 1 U.S. hit, "Dancing Queen" originally contained another verse which was scrapped in the final recording: "Baby, baby, you're out of sight/hey, you're looking alright tonight/when you come to the party/listen to the guys/they've got the look in their eyes..."

  • 'Beautiful,' Christina Aguilera (2002)

    Penned by 4 Non Blondes frontwoman Linda Perry (who is openly gay), "Beautiful" earned Christina Aguilera a 2004 Grammy Award for Best Female Pop Vocal Performance, while its accompanying video -- which featured both gay and transgender characters -- nabbed the star a GLAAD Media Award.

  • 'I Will Survive,' Gloria Gaynor (1978)

    Gaynor's smash because the first -- and only -- song to ever receive the Grammy Award for Best Disco Recording in 1980, as the award was discontinued the following year. Interestingly, the success of "I Will Survive" was sheer luck: the song was originally released as the B-side to a cover version of the Righteous Brothers' "Substitute," but club and radio DJs opted to play the other side of the record instead.

  • 'The Man That Got Away,' Judy Garland (1954)

    "A Star is Born" helped revive Judy's then-floundering movie career in 1954 (though she lost out on an Oscar to Grace Kelly in "The Country Girl") and this memorable solo number quickly became a regular part of her concert repertoire going forward. Interestingly, the song has also been covered by a number of men, including Rufus Wainwright and Broadway performer Raul Esparza, without changing the gender.

  • 'Last Dance,' Donna Summer (1978)

    The theme song to the film "Thank God It's Friday" was one of the first disco songs to also feature slow-tempo segments. Although the song cemented Summer's "Queen of Disco" moniker, the star is said to have always resented that reputation. "I do not consider myself a disco artist," she once told <em>Time</em> magazine. "I consider myself a singer who does disco songs."

  • 'Supermodel (You Better Work)' - RuPaul

    The 1992 single that shot RuPaul to stardom. A song sung by a drag queen, about supermodels and "sashaying" was an unexpected hit in the early 90s.

  • 'Y.M.C.A.,' Village People (1978)

    Though "Y.M.C.A." is often understood as a reference to the Young Men's Christian Association's perceived reputation as a popular gay cruising and hookup spot, the Village People's lead singer Victor Willis (who appeared both as "The Cop" and "The Naval Officer") has claimed the song was written rather as a reflection of young urban black youth.

  • 'We Are Family,' Sister Sledge (1979)

    "We Are Family" wasn't just a dance smash, it was also the theme song for the 1979 Pittsburgh Pirates. As if to cement its reputation as a gay anthem, the song was featured in both the 1996 film "The Birdcage," starring Robin Williams and Nathan Lane, and the 1997 film "The Full Monty," about a group of working-class British men who decide to form a male striptease troupe.

  • 'Vogue,' Madonna (1990)

    One of the Material Girl's seminal (and, arguably, most gay-encompassing) smash hits almost didn't see the light of day on radio, as it was originally planned as the B-side to "Keep It Together," the fifth and final single off her 1989 "Like A Prayer" album. Madonna was introduced to "voguing" by two of her Blond Ambition Tour dancers at the New York City club Sound Factory, and her endorsement helped spark a major dance craze.

  • 'It's Raining Men,' The Weather Girls (1982)

    "I thought, 'Nobody is going to buy this song. Nobody is going to believe this,'" Martha Wash now recalls of recording the song -- which had previously been rejected by Barbra Streisand, Cher and Donna Summer among others -- with her fellow Weather Girl Izora Armstead, who died in 2004. Wash's doubts were quickly proven wrong, however, as the single nabbed the top spot on the Billboard dance charts and has since been covered by RuPaul and former Spice Girl Geri Halliwell, whose version was featured on the soundtrack of "Bridget Jones' Diary."

  • 'Freedom '90,' George Michael (1990)

    Oddly, George Michael refused to appear in the music video for "Freedom '90," so director David Fincher recruited a number of supermodels (including Cindy Crawford and Naomi Campbell) and male fashion models to star in it instead. The song was later covered by British pop star Robbie Williams, who left boy band Take That to achieve global success as a solo star, much as Michael did following his split with Wham!

  • 'And I Am Telling You I'm Not Going' from 'Dreamgirls,' Jennifer Holliday (1982)

    One of the few recent Broadway ballads to achieve success on the pop charts, "And I Am Telling You..." made a superstar out of Jennifer Holliday, who originated the role of Effie White in the musical "Dreamgirls," in 1982, and then did the same nearly 25 years later for Jennifer Hudson, who portrayed the character in the acclaimed movie version.

  • 'I Am What I Am' From 'La Cage Aux Folles,' Gloria Gaynor (1983)

    Arguably the best-known song from the 1983 musical "La Cage aux Folles," "I Am What I Am" didn't quite repeat the chart success of "I Will Survive" for Gaynor, but nonetheless went on to become the second of her singles to achieve gay anthem status.

  • 'I Want To Break Free,' Queen (1984)

    Queen frontman Freddie Mercury remains an LGBT icon for many reasons -- as one of rock music's first performers to not only acknowledge his bisexuality, but also embrace it in his flamboyant stage presence. Mercury's openness was certainly envelope-pushing in the world of 1970s and '80s arena rock, and it only seemed to further his band's popularity among the masses. The video for the song, which featured Freddie and other band members in full drag, was considered controversial in the U.S. and initially banned by MTV.

  • 'Together Again' - Janet Jackson

    The smash 1997 song Janet wrote about her friends who had died from AIDS. The single is one of the best selling singles of all time, with over six-million copies sold worldwide.

  • 'Defying Gravity' from 'Wicked,' Idina Menzel (2003)

    A song about living without limits and going against the grain has undoubtedly immediate resonance to the gay community -- let alone a ballad sung by a famed "Wizard of Oz" villain in the Broadway musical version of "Wicked," which re-casts the Wicked Witch of the West in a more sympathetic light than in previous incarnations of the story. A remix version of Idina Mendel's classic was the official anthem of 2007 Gay Pride Parade and Festival in Los Angeles, and was also performed by both Rachel (Lea Michele) and Kurt (Chris Colfer) in the hit series "Glee."

  • 'Firework,' Katy Perry (2010)

    Perry revealed in an interview that the hit song, which she's said was inspired by Jack Kerouac's novel "On the Road," included the line "like a firefly," rather than "like the Fourth of July," which made the final cut. The song's colorful video was shot in Budapest, Hungary and features aerial shots of several of the city's landmarks, including Buda Castle and the Chain Bridge.

  • 'Relax,' Frankie Goes To Hollywood (1984)

    When it was initially released, "Relax" sparked controversy for what some interpreted as graphic lyrics -- "When you want to come," for instance, was thought to be a reference to orgasm. In addition, the original version of the video showed lead singer Holly Johnson cavorting in a leather bar along with other blatant homoerotic imagery, and was banned by MTV.

  • 'True Colors,' Cyndi Lauper (1986)

    Although Lauper's smash single has long been embraced a gay anthem, co-writer Billy Steinberg (who also penned Madonna's "Like A Virgin" and the Bangles' "Eternal Flame" with Tom Kelly) is said to have written the song about his own mother. The song's title also became the name of Lauper's New York City-based foundation for homeless LGBT youth.

  • 'New York City Boy,' Pet Shop Boys (1999)

    There's plenty of gayness to admire in the lyrics to "New York City Boy," but the Pet Shop Boys' embrace of the gay community doesn't stop there. The English electronic dance music duo has collaborated with some of the most beloved gay icons of all time, including Elton John, Liza Minnelli, Kylie Minogue, Madonna and Lady Gaga.

  • 'Your Disco Needs You,' Kylie Minogue (2001)

    From 1987's "I Should Be So Lucky" to 2010's "Get Outta My Way," Kylie has a number of great tunes which could be considered anthems. But none cemented the Aussie pop diva's status as a gay icon quite as effectively as 2001's "Your Disco Needs You," which had limited chart success at the time despite quickly becoming a fan favorite. The song got an extra layer of gay endorsement when it was covered by original Village People member Randy Jones in 2008.

  • 'Single Ladies,' Beyonce (2009)

    The choreography seen in the video for "Single Ladies" was inspired by Bob Fosse, who directed Liza Minnelli in the Oscar-winning movie music "Cabaret" as well as well as her "Liza With A Z" television concert, which won four Emmy Awards. Things came full circle in 2010 when Liza covered the smash song for the soundtrack of "Sex and the City 2," and performed it -- with the full Fosse-inspired choreography -- for the film's gay wedding scene.

  • 'Call Me Maybe,' Carly Rae Jepsen (2012)

    Undeniably one of the songs that will define summer 2012, Jepsen's smash has already prompted a number of inspired covers, with everyone from Justin Bieber to Harvard University baseball players to gay porn stars crooning along. Of course, Jepsen's video isn't lacking in gay appeal, either, featuring a hunky handyman with a little secret of his own.

  • 'Proud' - Heather Small

    Former lead singer of M People, Heather Small released the single, "Proud" from her solo album, with the song become a worldwide pride anthem.

  • 'Judy Garland' - Get Happy

    (user submission) JUDY GARLAND "GET HAPPY" Though it's called Summer Stock, this marvelous "let's put on a show" musical - the final one that showcased the peerless pair of Judy Garland and Gene Kelly - is a delight for all seasons. The story is simple: a homespun farm family allows a Broadway production company to rehearse its new show on their property - if the performers "pay" their way by pitching in with all the farm chores! But the pleasures are abundant: a show-stopping, all-star "Battle of the Dances" that starts out as a square dance and blossoms into a cavalcade of high-stepping dance favorites; Kelly's marvelous song and later dance to "You, Wonderful You;" four of the most popular comedic screen actors ever: Phil Silvers, Eddie Bracken, Hans Conried and Marjorie Main; and Garland's incomparable "Get Happy," a smashing sequence that's one of her peak movie moments.

  • 'Ray of Light' - Madonna

    From 1998's album of the same name, Madonna's Grammy-winning classic was a return to form for the world's number one pop star.

  • Rise Up

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