The Yams Collective, the largest of the eight collectives participating in the 2014 Whitney Biennial, has withdrawn over objections to the curatorial program, Hyperallergic has learned. The group, known in the Biennial as HOWDOYOUSAYYAMINAFRICAN?, was selected for inclusion by curator Michelle Grabner and presented a video piece titled “Good Stock on the Dimension Floor: An Opera.” They submitted their withdrawal to the Whitney yesterday, which Yams Collective member Maureen Catbagan said was driven by objections to the Biennial’s inclusion of Joe Scanlan’s “Donelle Woolford” piece, in which the white male Princeton professor hires black female actors to play the part of a fictional black artist named Donelle Woolford (the piece has been ongoing since 2005, according to the artist’s website).
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