After Years Behind The Scenes, Seth Sikes Brings His Love Of Judy Garland To The Spotlight

04/02/2015 10:27 am ET | Updated Feb 02, 2016
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If Seth Sikes is truly “a piano bar addict,” his new cabaret act could very well be the equivalent of a 90-minute bender.

With that in mind, it may come as a surprise to many that the titular star of “Seth Sikes is Still Singing Judy Garland” is best known in New York theatrical circles for his work behind the scenes, and does not consider himself an actor or a singer by trade.

“I always wanted to work in theater and musicals, so I went to school to be an actor,” the Texas-born Sikes, 31, told The Huffington Post in an interview. “However, I realized pretty quickly that I didn’t like acting that much. Auditioning and rejection are terrible, and if I wasn’t going to be the best at it, then I didn’t want to do it at all.”

Sikes performed “Zing! Went the Strings of My Heart” at his October 2014 concert.

Instead, Sikes turned his focus backstage, serving as an assistant director on “The Nance,” starring Nathan Lane, and “Sondheim: The Birthday Concert,” among other shows. Despite a stream of consistent gigs and a day job, Sikes said the spotlight once again beckoned.

The result was “Seth Sikes Sings Judy Garland,” which played to capacity crowds at New York’s 54 Below last fall. A revamped version, which Sikes co-conceived with Tony-winning lyricist Lisa Lambert, returns to the venerable nightspot on April 16 and once again focuses exclusively on Garland’s legendary songbook.

Like many gay men, Sikes has had an affinity for Garland and her fabled career since his adolescence, but he hopes audiences don’t misinterpret his performance as an inspired karaoke act. Although he channels the energy of the superhuman Judy as she was captured on 1961’s “Live at Carnegie Hall,” Sikes doesn’t aim for a direct impersonation, but rather a heartfelt homage with a contemporary feel.

Songs like “Come Rain or Come Shine,” “The Man that Got Away” and “Get Happy” are featured prominently, while others are performed in Garland’s original key, which is a notable feat for any singer. One tune Sikes won’t do, however, is “Over the Rainbow,” deeming the “Wizard of Oz” classic “too sacred to touch.”

Sikes croons “After You've Gone.”

As to how his interpretations stack up against Rufus Wainwright, who famously re-created Garland’s Carnegie Hall concert on both sides of the Atlantic, he noted, “I love Rufus. Still, every time he sings a [Judy Garland] song, I think, ‘I can do that better.’”

The response has been, by all means, positive. Sikes said he originally set out to do only one 54 Below performance -- “I thought it would probably be ridiculous, I probably wouldn’t be very good but at least I’ll get it out of my system” -- but audience turnout was solid enough to get him invited back for a second, and now third, engagement.

Following his April 16 show, Sikes would like to take “Seth Sikes is Still Singing Judy Garland” on the road, aiming first for venues in Provincetown, Massachusetts and other gay resort destinations.

“Sometimes I think, ‘Seth, you’re doing the most stereotypically gay show in the world,’” he quipped. “But then I go the other way, and I ask, ‘What else would I do?’ And I think about how I get an opportunity to keep these songs alive. I do them as me, and people seem to react.”

Directed by Eric Gilliland, “Seth Sikes is Still Singing Judy Garland” plays New York's 54 Below on April 16. Singer-songwriter Nellie McKay will be the evening's special guest.

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