ARTS & CULTURE

Meet Darcilio Lima, The Obscure Brazilian Artist Who Helped Shape Surrealism

04/13/2015 08:48 am ET | Updated Apr 13, 2015

lima

Darcilio Lima had his first art show at 10 years old. He was a crucial player in Rio's hedonistic underground art scene in the 1960s. He spent a significant period of time in the 1970s in Paris, sleeping in a graveyard. Like any legit surrealist, he was friends with Salvador Dali. And, yet, the Brazilian artist's name remains widely unknown, despite the captivatingly fine lines and hypnotically twisted figures that ooze forth from the darkest depths of his subconscious.

Thankfully, an exhibition entitled "Opus Magnun" at Stephen Romano Gallery in New York City will explore the macabre labyrinths of Lima's mind, hopefully bringing the artist, who died in 1994, the recognition he's long deserved.

red rock

"Many artists are relegated to obscurity after they die," curator Stephen Romano explained to The Huffington Post. "Lima's legacy was dormant for many years as there was no one to perpetuate or to advocate for them. I found three works in an obscure auction several years ago and was completely mesmerized, i felt in some ways he had found me not the other way around."

Lima was born in an impoverished coastal town in Brazil in 1944. In his mid-twenties, he was living the life you'd imagine for a bohemian surrealist, experimenting with drugs, sexuality and identity, while pursuing a deeper spiritual knowledge. The overwhelming ferocity of it all led to a nervous breakdown, at which time Lima took up in an outpatient facility for disturbed creatives, where his art truly reached new, very strange heights.

lima

In the '70s, Lima finally garnered international attention, when -- seemingly out of nowhere -- he disappeared from the art world completely. "Years later, a journalist who was doing a story on him found him in his northern costal birthplace," Stephen Romano Gallery explained in a statement, "rumored to be haunted by a giant underground serpent, disheveled and unkept, writing his ramblings on the walls of a dirt-floored back room of a church, living off the generosity of the community."

Although Lima attempted to destroy all of his works shortly after being rediscovered, many survived. The artist died in 1994 after a freak accident, but his art lives on. Wolf heads morph into a woman's body topped off with a fish tail, while an unexplained penis dangles from a thread nearby. If you have an aesthetic soft spot for astrological imagery, nipple squeezing, decapitation and hybrid beasts -- well, that's odd -- and, you're in luck. With all the nightmarish beauty of William Blake and the hybrid monsters of Moebius, Lima's drawings prove that while artistic trends change over time, the hauntings of the mind are timeless.

lima

"Darcilio Lima was a quintessential 'outsider artist,' someone who's marginalization was at the very core of their art making," said Romano. "By embracing his own madness as an essential component of his own identity, Lima was extremely courageous about rendering an often frightening truth , often going far past the edge in illustrating what would still be considered 40 years later as taboo. However, by anchoring his art in astonishing technical proficiency, the art of Darcilio Lima, while being the product of a true visionary, has an aura of credibility as well since it is so elaborately and obsessively crafted. The combination of those two elements. visionary subjects and technical mastery, leaves the viewer in no doubt they are in the presence of something rare and special not often seen in this day and age."

Darcilio Lima "Opus Magnun" runs through April 30, 2015, at Stephen Romano Gallery. See an exhaustive roundup of his works below. Warning: some works contain graphic imagery.

Also on HuffPost:

  • Crazy Crazy Crazy Minerva, 1971, Memories of Surrealism, Dali at NAC, photo by Andrew Werner
  • Issachar, Twelve Tribes of Israel, 1972, Dali at NAC, photo by Andrew Werner
  • Simeon, Twelve Tribes of Israel, 1972, Dali at NAC, photo by Andrew Werner
  • Surrealistic Flower Girl, 1971, Memories of Surrealism, Collection of Carole and Alex Rosenberg, Dali at NAC, Photo by Andrew Werner
  • Preliminary pencil study for CORPUS HYPERCUBUS, 1953, Dali at NAC, photo by Andrew Werner
  • Preliminary pencil study for CORPUS HYPERCUBUS, 1953, Dali at NAC, photo by Andrew Werner
  • Figure with Diamonds, Pen and Ink, 1950s, Private Collection, Dali at NAC, photo by Andrew Werner
  • Head of a Girl, Etching, 1926, Collection of Walter Saphire, Dali at NAC, photo by Andrew Werner
  • Poemes Secret D'Appolinaire, Hand colored etching, 1967, Dali at NAC, photo by Andrew Werner
  • Cheval Royale, Experimental print, 1960s, Inscribed to Walter Maibaum, Collection of Walter Maibaum and Carol Conn, Dali at NAC, photo by Andrew Werner
  • Cranes Mous Et Harpe Crainenne, 1935, Proof Impression, Dali Exhibit, Collection of Walter Maibaum and Carol Conn, photo by Andrew Werner
  • Selection from Les Chants Maldoror, 1934, Collection of Walter Maibaum and Carol Conn, Dali at NAC, Photo by Andrew Werner
  • Les Chants Maldoror, 1934, Collection of Walter Maibaum and Carol Conn, Dali at NAC, photo by Andrew Werner
  • Les Chants Maldoror, 1934, Collection of Walter Maibaum and Carol Conn, Dali at NAC, photo by Andrew Werner
  • Les Chants Maldoror, 1934, Collection of Walter Maibaum and Carol Conn, Dali at NAC, photo by Andrew Werner
  • Hand colored etching, Collection of Lawrence Saphire, Dali at NAC, photo by Andrew Werner
  • Frontispiece, Memories of Surrealism, Collection of Carole and Alex Rosenberg, Dali at NAC, Photo by Andrew Werner
Suggest a correction
Comments

CONVERSATIONS