One of the most interesting things about writing books is the macroscopic picture that emerges when you’re done. Larger patterns begin to reveal themselves, bigger questions start to arise.
Take "Tomorrowland," my latest book. While technically an examination of those moments in time when science fiction became science fact, the book inadvertently became a study in a very playful form of countercultural rebellion. To put this in simple terms, the larger pattern that revealed itself when I was writing this book is the undeniable fact that the men and women who have invented the future didn’t come from the mainstream.