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  <title>Jose Antonio Vargas</title>
  <link href="http://huffingtonpost.com/author/index.php?author=jose-antonio-vargas"/>
  <updated>2013-05-18T09:54:01-04:00</updated>
  <author>
    <name>Jose Antonio Vargas</name>
  </author>
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<entry>
    <title>What Would You Ask an Undocumented Immigrant?</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/jose-antonio-vargas-facebook-chat_b_2997232.html"/>
    <id>tag:www.huffingtonpost.com,2013:/theblog//3.2997232</id>
    <published>2013-04-02T07:10:40-04:00</published>
    <updated>2013-04-02T09:32:50-04:00</updated>
    <summary><![CDATA[Since disclosing my undocumented status, I've become a walking conversation eliciting countless uncomfortable, awkward, honest, sharp, pointed questions.]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[Immigration is the most controversial but least understood issue in America.<br /><br />
I've arrived at that conclusion after nearly two years of traveling across the country as an openly gay undocumented immigrant -- or, as I often describe myself to people I meet, "an American without papers." Born in the Philippines, I emigrated to the U.S. when I was 12 and graduated from a public middle school, high school, and college (through a private scholarship) in California. (At 32 years old, I am in the older bracket of undocumented youth known as "DREAMers," named after the more than decade-old DREAM Act.) I've worked and paid state and federal taxes here, like many other undocumented workers who've collectively paid billions of dollars in taxes, according to the non-partisan <a href="http://www.immigrationpolicy.org/just-facts/unauthorized-immigrants-pay-taxes-too" target="_blank" >Institute for Taxation and Economic Policy</a>. Even though I do not have a U.S. passport or a green card, I consider America -- more specifically the San Francisco Bay Area, where I grew up, and New York City, where I now live -- my home.<br /><br />
And since disclosing my undocumented status in <a href="http://www.nytimes.com/2011/06/26/magazine/my-life-as-an-undocumented-immigrant.html?_r=1&amp;amp;pagewanted=all" target="_blank" >an essay in the <em>New York Times Magazine</em></a> -- and subsequently starting a non-partisan campaign called <a href="http://www.defineamerican.com/" target="_blank" >Define American</a> with a small group of friends -- I've become a walking conversation eliciting countless uncomfortable, awkward, honest, sharp, pointed questions. Questions asked to me by a cab driver in Phoenix, Arizona, home to S.B. 1070, the anti-immigrant bill that began a wave of even more threatening state-drafted legislation in South Carolina and Alabama. Questions asked via emails, Facebook notes, and tweets. <br /><br />
Questions like: <br /><br />
<i>"Why haven't you gotten deported?" <br /><br />
"So you're not Mexican?" <br /><br />
"When did you cross the border?"<br /><br />
"Can't you marry your way into a green card?" <br /><br />
"Do you think you belong in a special group of people who can break any law you want?"<br /><br />
"What about 'illegal' don't you understand?"<br /><br />
"Why don't you just get in line to make yourself legal?"</i><br /><br />
If you have a question -- no matter how sharp or pointed, no matter how uncomfortable and awkward -- please come to <a href="https://www.facebook.com/joseiswriting" target="_blank" >my public Facebook page</a> on Tuesday, April 2, at 2:30 p.m. ET/11:30 a.m. PT. I am hosting a Q&amp;amp;A and look forward to your queries. <br /><br />
In this historic year for immigration, when talk of real reform is as close as it's ever been, all Americans need to engage with each other on this important and essential American issue. Immigration is not only a Latino issue. Immigration is not solely about the U.S.-Mexico border. Immigration is neither a Democrat nor a Republican issue. (<a href="http://tpmdc.talkingpointsmemo.com/2013/04/jose-antonio-vargas-mark-meckler-friends.php" target="_blank" >My friend Mark Meckler</a>, co-founder of the Tea Party Patriots, never fails to remind me of that.) Immigration is intrinsic to who we were, who we are, and where we are going, economically, politically, and culturally.<br /><br />
There is no one in our country -- regardless of background, no matter the political leaning -- who I will not listen or talk to.]]></content>
    <link href="http://i.huffpost.com/gen/969209/thumbs/s-JOSE-ANTONIO-VARGAS-mini.jpg" type="image/jpeg" rel="enclosure"/>
</entry>

<entry>
    <title>This Is Beyonce's Super Bowl</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/this-is-beyonces-super-bo_b_2612035.html"/>
    <id>tag:www.huffingtonpost.com,2013:/theblog//3.2612035</id>
    <published>2013-02-03T16:04:43-05:00</published>
    <updated>2013-04-05T05:12:01-04:00</updated>
    <summary><![CDATA[Three facts, all interconnected, will prove indisputable on Super Bowl XLVII, aka Beyoncé's largest concert. Beyoncé will break the Internet. Beyoncé will not lip sync. And Beyoncé will deliver the most memorable Super Bowl halftime show we are likely to see in our lifetimes.]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[Three facts, all interconnected, will prove indisputable on Super Bowl XLVII, aka Beyonc&eacute;'s largest concert.<br />
<br />
Beyonc&eacute; will break the Internet. No pop star -- not even tweet-happy, "little-monster"mommy Lady Gaga -- attracts the kind of attention, love and hate, that Queen Bey does online. This is a performer, after all, whose iconic, Kanye West-declared-"One of the Best Videos of All Time," "Single Ladies" dance inspired a YouTube phenomenon. She's the kind of star who can walk the red carpet, put her hand over her baby bump and generate the most tweets per second (TPS) ever recorded for a single event at the time: 8,868 TPS at 10:35 p.m. on August 28, 2011 at the MTV Video Music Awards. <a href="http://www.huffingtonpost.com/2011/08/29/beyonce-pregnancy-twiter-record-mtv-vmas_n_941064.html" target="_hplink">No joke</a>.<br />
<br />
Beyonc&eacute; will not -- absolutely, bar none, under no circumstances, not -- lip sync. She lip-synced on President Obama's second inauguration, she <a href="http://omg.yahoo.com/blogs/celeb-news/beyonc%C3%A9-knowles-sings-live-super-bowl-press-conference-205816708.html" target="_hplink">said in a press conference</a> on Thursday, because she didn't feel fully prepared. She's prepared for Beyonc&eacute; Bowl. (The greatest irony of the lip-syncing-heard-round-the-world is that Beyonc&eacute; is one of those rare vocalists who actually sounds better live than she does on her recordings.)<br />
<br />
And Beyonc&eacute;, arguably the best performer of her generation, male or female, will deliver the most memorable Super Bowl halftime show we are likely to see in our lifetimes. That's not an exaggeration, especially for a singer-dancer-performer who has set the bar for everyone else. The lip-syncing controversy has generated Beyonc&eacute; even more buzz, which will hit fever pitch online by the time she takes the spotlight away from San Francisco 49ers and Baltimore Ravens at the Mercedes-Benz Superdome in New Orleans. (A <a href="http://twitpic.com/c064fp" target="_hplink">recent poll</a> on the cable channel Bravo asked, "Who do you think will win the Super Bowl?" The 49ers got 18 percent of the vote and the Ravens took 31 percent. Beyonc&eacute; won with 51 percent.)<br />
<br />
But lip-syncing and the Internet aside, you don't have to like Beyonc&eacute;'s music to respect her work. You don't have to be a Beyonc&eacute; fan and a member of her <a href="http://www.beyonce.com/en/login" target="_hplink">Beyhive</a> to be awestruck by her talent.<br />
<br />
<strong>BOOTYLICIOUS</strong><br />
<br />
I've grown up listening to Beyonc&eacute;, which says less about my age (we share a birth year -- 1981) and more about how long Bey has been performing. Born in the Philippines, I moved to the U.S. in 1993, when her group <a href="http://www.youtube.com/watch?v=gWXPl18psZA" target="_hplink">Girl's Tyme</a> changed its name to Destiny's Child. To any immigrant seeking to assimilate, the quickest way to absorb American culture -- the sounds and sights of this new country -- is through television, movies, and music. For a Filipino-American kid growing up in California in the mid-1990s, pop equaled R&amp;B, the sounds of TLC, Boyz II Men, and Mariah Carey, the first mainstream singer to integrate rappers in her music. (There was no turning back after Ol' Dirty Bastard rapped "Me and Mariah go back like babies and pacifiers" in the remix of "Fantasy.")<br />
<br />
Destiny's Child, and particularly Beyonc&eacute;, was a part of that musical education for me. Nothing quite like using "<a href="http://www.youtube.com/watch?v=IyYnnUcgeMc" target="_hplink">bootylicious</a>" in a sentence to feel characteristically American. If Mariah was the commercial epitome of a post-Motown, modern R&amp;B -- a hip-hop-pop sound -- then Lauryn Hill was the critical and artistic apotheosis of it. For her part, Beyonc&eacute; bridged that gap and then some, defining this singular American sound for more than a decade and attaining both commercial and critical success. As the lead singer and song-writer of Destiny's Child, a group which her own father managed, she set the pace musically and aesthetically.<br />
<br />
She declared her independence with her first solo album, <em>Dangerously in Love</em>, whose kinetic, genre-busting first three songs ("Crazy in Love," "Naughty Girl" and "Baby Boy") established her career on high gear. Before she turned 30, she was one of the best-selling female singers in the world. Along with Dolly Parton, she holds the record for the most Grammy nominations for a female artist (45) and has won <a href="http://xfinity.comcast.net/blogs/music/2012/02/10/surprising-grammy-facts-and-trivia/" target="_hplink">16 statues herself</a> -- behind country's Alison Krauss, opera's Leontyne Price and the original Queen of Soul, Aretha Franklin, who has 18.<br />
<br />
The dancing and performing aside, her distinct yet familiar, mainstream yet idiosyncratic sound has been at the core of her appeal.<br />
<br />
<strong>B'Day </strong><br />
<br />
Who sounds like Beyonc&eacute;?<br />
<br />
No one.<br />
<br />
Bey's sound is expansive in its reach, encyclopedic in its references, "like Broadway meets the jump rope game in Brooklyn," "<a href="http://www.npr.org/blogs/therecord/2011/07/07/137658822/beyonces-twin-kingdoms-pop-and-hip-hop" target="_hplink">Halo</a>" then the soul and blues of "<a href="http://www.youtube.com/watch?v=6WH3zr_X17A" target="_hplink">I'd Rather Go Blind</a>," then the scat-filled, jazz-like rendering of "<a href="http://www.youtube.com/watch?v=o1T8nG-2VNg" target="_hplink">Deja Vu</a>," then the rap-sing syncopated, "A Milli"-like groove of that <a href="http://www.youtube.com/watch?v=ZWn-MAgENVA" target="_hplink">out-Minajs even Nicki herself</a>. (Or, for that matter, just compare her take on Tina's "<a href="http://www.youtube.com/watch?v=tqpJaeYr2ps" target="_hplink">Proud Mary</a>" to her reading of Barbra's "<a href="http://www.youtube.com/watch?v=dlHyN1eJgTI" target="_hplink">The Way We Were</a>.")<br />
<br />
Who else but Beyonc&eacute; could have given us the eclectic and eccentric "<a href="http://www.youtube.com/watch?v=2QNXMTzWvNM" target="_hplink">Countdown</a>"?<br />
<br />
Among female singers, Beyonc&eacute;'s how-does-she-do-that virtuosity is only matched by <a href="http://www.huffingtonpost.com/jose-antonio-vargas/audra-mcdonald-the-best-s_b_1495050.html" target="_hplink">Audra McDonald</a>, the five-time Tony Award-winning Broadway star. (Interesting side-note: Beyonc&eacute; and Audra have both played Deena Jones, the prim-and-proper, Diana Ross-like character in <em>Dreamgirls</em>. With varying success and obvious strain, you can almost hear their cords fighting to get out of that vocal straightjacket. No wonder Beyonc&eacute; recorded the bombastic songs of <em>B'Day</em> -- from "Get Me Bodied" to "Freakum Dress" -- shortly after filming <em>Dreamgirls</em>. )<br />
<br />
Two of the most perceptive critics of Beyonc&eacute;'s oeuvre -- Jody Rosen, who's written for <em>Entertainment Weekly</em> and <em>Rolling Stone</em>, and Sasha Frere-Jones, the pop music critic of the <em>New Yorker</em> -- have run out of superlatives to describe Bey's sound. "You'd have to search far and wide -- perhaps in the halls of the Metropolitan Opera -- to find a vocalist who sings with more sheer force," <a href="http://www.ew.com/ew/article/0,,1516025,00.html" target="_hplink">Rosen writes</a> in his review of <em>B'Day</em>. For her third album, the less musically impressive if not more commercially successful "I Am... Sasha Fierce," the headline of Frere-Jones' review summed up his verdict: <a href="http://www.newyorker.com/arts/critics/musical/2009/02/09/090209crmu_music_frerejones" target="_hplink">"The Queen."</a> Beyonc&eacute; is "pop's A student," Frere-Jones writes, "a strange and brilliant musician" on her way to the Genius Lounge that's crowded by "the moody, the male, and the dead."<br />
<br />
And Queen Bey is most definitely alive, dancing with the kind of jubilance and enraptured energy that often masks the difficulty of her enterprise. On stage, she's like a tall can of Red Bull served over ice, always lit from within, a sprint runner in search of a marathon. Through her dances, lyrics and music, she exemplifies a kind of female empowerment that is at once accessible and mysterious. How does she do it? We don't know. She's Beyonc&eacute;.<br />
<br />
<strong>RUN THE WORLD</strong><br />
<br />
Beyond Beyonc&eacute; the performer, however, there's Beyonc&eacute; the global celebrity, with a carefully crafted image that she has honed for over a decade. She's a professional who can be a homebody, akin to the business executive-turned-first lady Michelle Obama, whom Beyonc&eacute; has <a href="http://www.beyonce.com/news/the-ultimate-example" target="_hplink">repeatedly praised</a>. She's an entrepreneur with an expanding brand, a young Oprah for the 21st century: a clothing line, a production company, endorsement deals -- hello Pepsi. While Sheryl Sandberg, the COO of Facebook, advises women to "Lean In," the title of her new book, Beyonc&eacute; idealistically tells girls that they can "<a href="http://www.youtube.com/watch?v=VBmMU_iwe6U" target="_hplink">run the world</a>." It's that hard-working, hard-charging personal narrative that now powers her <a href="http://www.youtube.com/watch?v=iniGJdFmy44" target="_hplink">upcoming HBO documentary</a>, written, produced, and directed by, of course, Beyonc&eacute;. In the age of Katy Perry and Rihanna, her (somewhat) contemporaries, Beyonc&eacute; has rarely misstepped. She's the glamorous yet down-to-earth girl next door, the elder sister to Taylor Swift, and the one Adele grew up idolizing. She can duet with Gaga, Alicia Keys, and Shakira, all different artists with different visions, but more than hold her own. No wonder she ended marrying Jay-Z, making her possibly the only woman who can, <a href="http://www.youtube.com/watch?v=nOflZxqym9U" target="_hplink">literally, figuratively, and musically, "upgrade" him</a>. The woman has got swag.<br />
<br />
In a relatively open and honest interview with <em>GQ</em> -- in the past Beyonc&eacute; has taken "guarded" to a whole new level -- Queen Bey, with little trace of self-awareness, says: "I now know that, yes, I am powerful. I'm more powerful than my mind can even digest and understand."<br />
<br />
More than any other pop star, Bey has made a business out of being perfect in an imperfect world. That's why the lip-syncing controversy made headlines the way it did -- Beyonc&eacute;, faking the perfection? And that is precisely the tension that will keep watching Beyonc&eacute; so thrilling. The tension between her studied, choreographed, hard-earned perfection and the surprising, liberating abandon of a continually evolving artist striving to be authentically herself. Nobody is that perfect, not even Beyonc&eacute;, but for her sake and ours, she sure will keep trying.<br />
<br />
What's next? Her own record company? A Broadway show, an original one-woman musical that traces the genesis of the black female performer, from Diana Sands and Josephine Baker to Whitney Houston? More albums, more acting, more concerts?<br />
<br />
The answer is, the possibilities seem limitless. The struggle for perfection continues.<br />
<br />
She is, after all, only 31 years old.<br />
<em><br />
This post was originally published at <a href="http://uninews.us/X6kLXU" target="_hplink">Univision/ABC</a>.</em>]]></content>
    <link href="http://i.huffpost.com/gen/972311/thumbs/s-BEYONCE-SUPER-BOWL-mini.jpg" type="image/jpeg" rel="enclosure"/>
</entry>

<entry>
    <title>What Does It Mean To Be An American?</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/jose-antonio-vargas-meaning-of-american_b_1647894.html"/>
    <id>tag:www.huffingtonpost.com,2012:/theblog//3.1647894</id>
    <published>2012-07-04T10:13:36-04:00</published>
    <updated>2012-09-03T05:12:07-04:00</updated>
    <summary><![CDATA[As we celebrate America's Independence Day -- as we explore what it means to be American on the most American of all days -- I also celebrate my independence from the word "illegal."]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[Today's Fourth of July holiday, our country's birthday, marks a new beginning for undocumented Americans like me.<br />
<br />
Last month, TIME magazine featured an unprecedented photograph of 36 undocumented young people, myself included, on the cover of its U.S. and international editions. <a href="http://www.huffingtonpost.com/2012/06/14/time-magazine-cover-featu_n_1596453.html" target="_hplink">"We are Americans," the headline declared.</a> "Just not legally." Shortly after, President Obama, in the most significant step in the fight for immigrant rights since President Reagan signed the Immigration Reform and Control Act in 1986, issued a directive to stop the deportation of an estimated 1 million DREAM Act-eligible undocumented youth and welcome them to our workforce. <a href="http://www.defineamerican.com/blog/post/-america-embraces-1-million-dreams-/" target="_hplink">America, in turn, embraced 1 million dreams</a>. And in last week's Supreme Court decision on Arizona's immigration law, Justice Anthony Kennedy wrote in the majority opinion for the highest court in the land: "As a general rule, it is not a crime for a movable alien to remain in the United States."<br />
<br />
As we celebrate America's Independence Day -- as we explore what it means to be American on the most American of all days -- I also celebrate my independence from the word "illegal."<br />
<br />
Academics and lawyers will be quick to point out that I, in fact, was never a "criminal." Being in the U.S. without authorization is not a crime, but rather a civil offense for the country's estimated 12 million undocumented residents. Yet for too long, the rhetoric around immigration has been shrouded in and synonymous with criminality. As a cable news producer on Aaron Sorkin's "The Newsroom" tells a colleague in the show's most recent episode, we've grown accustomed to talking about human beings as if "we're talking about scraping gum off our shoes."<br />
<br />
"These people chose to take a huge risk to become Americans," the producer notes, "and they deserve a better descriptor than 'illegals.'"<br />
<br />
To me, what it means to be an American goes beyond your place of birth or the documents you have, back to when throngs of Irish, Italian and Eastern Europeans crossed the Atlantic Ocean in search of a better life, no papers asked. What it means to be an American is less about who you are than what you are about-- how you live your life, how you contribute to this country, how you pledge allegiance to a flag hoping and praying it will make room for you. What it means to be an American is in the hearts of the people who, in their struggles and heartaches, in their joys and triumphs, fight for America and fight to be American every day.<br />
<br />
A few weeks after I "came out" in June 2011 about my undocumented status <a href="http://www.nytimes.com/2011/06/26/magazine/my-life-as-an-undocumented-immigrant.html?_r=1&amp;pagewanted=all" target="_hplink">in an essay in the New York Times Magazine</a>, Washington state revoked my driver's license. Among the first people to reach out to me was Aaron Sorkin. I've interviewed Sorkin before. He told me he was working on a new show about a cable news program, and that the second episode is set on the day Gov. Jan Brewer signed the Arizona immigration bill into law. He asked for my thoughts on immigration. In an email later, I told him about the first time I watched one of his films. It was 1997, not too long after I discovered that I didn't have the proper documents to live in America. I was watching "The American President," a movie starring Michael Douglas, and toward the end of the film, Douglas, as the president, says: "America isn't easy. America is advanced citizenship. You gotta want it bad, 'cause it's gonna put up a fight." I was 16, lost and disoriented, and I told Sorkin that hearing those words helped me realize that I had to fight -- that America was a fight and that America had to be earned.<br />
<br />
Undocumented Americans, aspiring citizens like me, have been fighting and will continue to fight for this country we call home. And, as more and more undocumented Americans and the people who support us -- the Good Samaritans in our lives, the teachers, pastors, neighbors and friends who make up our underground railroad -- "come out" and tell our stories, America's view of immigration and the nature of citizenship itself grows increasingly more complex and nuanced. It becomes about human beings.<br />
<br />
Together with a small group of friends, I founded a campaign called <a href="http://www.defineamerican.com/" target="_hplink">Define American</a>, which seeks to elevate conversation on immigration. And elevating and broadening the conversation means engaging different types of audiences from all walks of life. <a href="http://latino.foxnews.com/latino/politics/2012/06/19/jose-antonio-vargas-bill-oreilly-agree-on-immigration-solution/" target="_hplink">After appearing on "The O'Reilly Factor"</a> last month, I received an email from Dennis Murphy of Omaha, Nebraska. The email reads:<br />
<br />
<blockquote>"Mr. Vargas:<br />
<br />
As founder and former state chairman of the Nebraska Minutemen, now merged with the Nebraska Tea Party, I was positively impressed by your interview with Bill O'Reilly. If I understand your situation correctly, you [were] brought into the United States by your parents when you were a young child, and they chose for whatever reason to do so in a fashion that avoided our immigration law. You now refer to yourself in your blog as "an undocumented American," which I believe is a fair and accurate assessment."</blockquote> <br />
Thank you, Mr. Murphy, for considering me one of your fellow Americans. Let's keep the conversation going. Let's keep exploring what it means to be an American.<br />
<br />
<center>-----</center><br />
<HH--236SLIDEEXPAND--236367--HH><br />
<br><br />
<strong>WATCH: Jose Antonio Vargas and others define 'American':</strong><br />
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</entry>

<entry>
    <title>Our Facebook -- Led by Mark Zuckerberg, We Define an Era</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/facebook-ipo-mark-zuckerberg_b_1514931.html"/>
    <id>tag:www.huffingtonpost.com,2012:/theblog//3.1514931</id>
    <published>2012-05-14T11:56:00-04:00</published>
    <updated>2012-07-14T05:12:04-04:00</updated>
    <summary><![CDATA[This week's scheduled IPO is merely an extension of what's been happening in the past 8 years -- ordinary people from around the world investing on Facebook with their lives. It's not only Zuckerberg's Facebook -- it's our Facebook.]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[In our increasingly open, more connected, borderless digital era -- the Facebook era -- Mark Zuckerberg follows as much as he leads.<br /><br />
There's no doubt that the Facebook founder and CEO, <a href="http://www.huffingtonpost.com/2012/05/14/mark-zuckerberg-birthday-age_n_1514232.html?ref=technology" target="_blank" >who turns 28 today</a>, defines a generation. But this is not a one-way street. As the users of the largest social network the world has ever known, we, individually and collectively, are constantly defining Facebook. This symbiotic, give-and-take dynamic -- an unprecedented relationship between creator and product, on such a grand scale, in record-setting time -- is crucial in understanding Facebook's worth.<br /><br />
So with north of 900 million users, how much is Facebook worth? Well, what value do we place on privacy and our identity? Is there a price tag for our connections and our relationships?<br /><br />
These are important questions to keep in mind as a barrage of news on everything Zuckerberg continues hits a boiling point. (Henry Blodget's cover story for <em>New York</em> magazine, "<a href="http://nymag.com/news/features/mark-zuckerberg-2012-5/" target="_blank" >The Maturation of the Billionaire Boy-Man</a>," is worth the read.) Facebook is expected to go public on Friday in an initial public offering that marks not just a financial boom -- the company could be valued at nearly $100 billion, more than Goldman Sachs and McDonald's -- but also a watershed cultural moment.<br /><br />
With Zuckerberg at the helm and Facebook ahead of the pack, the social media era has matured. And this IPO is unlike any technology-related public offering Wall Street has ever seen. Unlike Apple, Microsoft, and Google, Facebook is personal. (You go to Google to, say, search for a doctor; you go to Facebook to interact with a friend.) Which brings up a rarely mentioned point in most of the news coverage: This week's scheduled IPO is merely an extension of what's been happening in the past 8 years -- ordinary people from around the world investing on Facebook with their lives. It's not only Zuckerberg's Facebook -- it's our Facebook.<br /><br />
Indeed, the Ivy League dorm room project turned Silicon Valley behemoth has become a social utility for millions of people outside of the influential and powerful confines of Harvard and the Valley. That's been especially true for Millennials, those born in the early 1980s who grew up with the Internet and make up about half of the world's population, many of whom had never had quite a platform for expression. Facebook is, at heart, what you make of it. The site is only as serious or as trivial as the people who populate it. For many it's nothing more than an addictive and irresistible distraction. For others, however, it's downright revolutionary and liberating. (Ask the young Egyptians who, as <a href="http://www.nytimes.com/2012/02/19/books/review/how-an-egyptian-revolution-began-on-facebook.html?pagewanted=all" target="_blank" >chronicled</a> by a Google executive named Wael Ghonim in his book <em>Revolution 2.0,</em> helped overthrow a dictator by using Facebook.) Facebook is as much a creature of Andy Warhol -- everyone gets more than their share of 15 minutes of fame -- as it is of E.M. Forster: "Only connect, and the beast and the monk, robbed of the isolation that is life to either, will die." We constantly worry about privacy because it's how we choose to define ourselves. Whatever Facebook is -- you'd be hard-pressed to find three people agree on one definition -- it's staggering just how embedded and ingrained the service has been in our daily existence. You wake up, you Facebook.<br /><br />
All this online activity now adds up to a multibillion-dollar business. And business, as Zuckerberg likes to say, is not merely for business' sake. The very first sentence of <a href="http://www.huffingtonpost.com/2012/02/01/mark-zuckerberg-letter-to-investors-facebook_n_1248186.html" target="_blank" >his letter to potential investors</a> reads: "Facebook was not originally created to be a company." But the accidental company, he goes on, comes with a "social mission -- to make the world more open and connected."<br /><br />
Reading the 2,100-word letter, which Zuckerberg wrote himself, I was reminded of an hour-long walk I took with Zuckerberg nearly two years ago. I was working on <a href="http://www.newyorker.com/reporting/2010/09/20/100920fa_fact_vargas" target="_blank" >a profile of Zuckerberg for the <em>New Yorker</em></a>. As we took a stroll from his office to his home, he told me about his first trip to Silicon Valley: winter break, January 2004, a month before Facebook's launch. He was 19 years old.<br /><br />
"I remember flying in, driving down 101 in a cab, and passing by all these tech companies like Yahoo. I remember thinking, Maybe someday we'll build a company. This probably isn't it, but one day we will," he said. "I see a lot of entrepreneurs who want to build a company, but I don't think it starts with wanting to build a company. I think it starts with wanting to make a change in the world that you really care about, and I really think it's only people who really care about what they're doing who could ever do this."<br /><br />
"This" meant creating Facebook.<br /><br />
When I asked Zuckerberg how Facebook is going to be different from Yahoo and other companies, he replied: "I think the biggest difference between Facebook and other companies is how focused we are on our mission . . . Different companies care about different things. There are companies that care about, just really care about having the biggest market cap. Or there are companies that are really into process or the way they do things. Hewlett Packard, right? The thing that you always hear about them is 'the HP Way.' . . . Google, I think, is very tied to their culture -- they really love that. For us, it is the mission: building a company that makes the world more open and connected. The articulation of that has, I think, changed over time. But that's really been, like, the belief the whole time."<br /><br />
I first wrote about Facebook in July 2005, as part of <a href="http://www.washingtonpost.com/wp-dyn/content/article/2005/07/20/AR2005072002556.html" target="_blank" >a front-page story</a> on online popularity for the <em>Washington Post</em>, where I covered technology culture. A month later,<a href="http://thefacebook.com/" target="_blank" > thefacebook.com</a> became Facebook, and I've been fascinated by its evolution ever since. In July 2007, inspired by a newly-elected senator from Illinois, a junior at Bowdoin College in Maine created a Facebook group called "Students for Barack Obama" that became <a href="http://www.washingtonpost.com/wp-dyn/content/article/2007/02/16/AR2007021602084.html" target="_blank" >one of the most effective organizing facets of Obama's pioneering online campaign</a>. I still remember spending the night of the Iowa caucuses <a href="http://voices.washingtonpost.com/44/2008/01/post-260.html" target="_blank" >inside a caucus site</a> when, much to the surprise of Sen. Hillary Clinton's older supporters, a group of young students who organized on Facebook took over precinct 211 in West Des Moines and secured Obama's victory. Facebook's rise came at a time when the Internet began defining student life. More than a decade ago, it became standard for colleges to issue .edu email addresses to their students, many of whom carry their WiFi-connected laptops like their second selves.<br /><br />
The Web is a playground -- sexual, political, psychological -- and a source of experimentation and, if they're lucky, entrepreneurship.<br /><br />
That was certainly the case for Zuckerberg, a coder at heart whose idea of a relaxing time is "building things." The teenager who used to describe his job as "Founder, Master and Commander [and] Enemy of the State" on his Facebook page -- and as a joke carried a card that read "I'm CEO... Bitch" -- is now <a href="http://www.huffingtonpost.com/jose-antonio-vargas/zuckerberg-millennial-ceo_b_794384.html" target="_blank" >the reigning Millennial CEO of the digital generation.</a> He's considered the second coming of Bill Gates (Harvard drop-out, computer whiz), with the visionary zeal and obsessive compulsion (think product, product, product) of Steve Jobs. Both have served as mentors. But Zuckerberg may prove more consequential to our lives than either Gates or Jobs because he's not just dealing with computer software or gadgets -- he's dealing with people, and our evolution from being private citizens to having public identities. <br /><br />
Everything is better with your friends, Zuckerberg likes to say, and he envisions the Web as becoming more and more social. To that end, Zuckerberg has created a Web of his own, launching products and applications in which people's relationships are at the core.<br /><br />
"Early on, when Facebook was only available in colleges, we saw this pattern where there is a set of people who would change their profile photo every day," Zuckerberg told me. "Well, why are they doing that? Clearly, the reason is they want to share more than just one photo. We had to figure out that the most relevant thing we can do with photos is allow users 'to tag' each other," which meant identifying the people in the photos.<br /><br />
Facebook Photos lacked many features when it was unveiled in late 2005. Users couldn't print the photos. They couldn't sort them. Photos were not in high-resolution. Still, people flocked to the new feature. They tagged and shared photos of themselves with each other -- their faces, their names, their identities, all in one page.<br /><br />
Zuckerberg has also led us to places where we didn't think we wanted to go. In September 2006, two weeks before Facebook opened its site to anyone over age 13 with an email address, he introduced the "news feed." With the feed, Facebook became a living medium.<br /><br />
More than any other feature, the feed was a defining moment for Facebook and for Zuckerberg's leadership, both internally and externally. There was a major user revolt immediately after it went live. Users created Facebook groups asking that the feature be killed. A group called "Students Against Facebook news feed" drew more than 700,000 members in four days. Even Facebook employees felt the heat.<br /><br />
For Zuckerberg, the feed was a critical step in Facebook's growth. For 60 days after its launch, he distributed data to a group of senior executives that examined 10 key metrics to study significant trends. User growth was key. What they found was that instead of losing users, they were adding them at a rate of more than 50,000 a day. The level of engagement increased, too. What's getting better is how Zuckerberg navigates his relationship with Facebook's users. Every announcement on privacy settings will attract even more scrutiny. And not just because Facebook will be a publicly traded company but because it will only keep growing. Facebook should break the 1-billion-user mark by the end of the year.<br /><br />
"I think it's our job to be ahead," Zuckerberg once told me. "I think we're the leader in the space because we have been ahead historically."<br /><br />
Our investment -- Facebook's users investment -- has brought Facebook to where it is now, on the brink of a mammoth IPO. How Facebook continually iterates and evolves -- and how much it's worth -- depends on how carefully and respectfully Zuckerberg follows and leads. Because at the end, the 28-year-old will answer to more than the ups and downs of the stock market. When it comes to privacy and identity, Zuckerberg answers to us.]]></content>
    <link href="http://i.huffpost.com/gen/268710/thumbs/s-FACEBOOK-mini.jpg" type="image/jpeg" rel="enclosure"/>
</entry>

<entry>
    <title>Gay Marriage and a New American Majority</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/gay-marriage-new-american-majority_b_1510977.html"/>
    <id>tag:www.huffingtonpost.com,2012:/theblog//3.1510977</id>
    <published>2012-05-11T19:02:27-04:00</published>
    <updated>2012-07-11T05:12:13-04:00</updated>
    <summary><![CDATA[A different American majority is emerging, and what it means to be a minority in a country that will soon be minority-majority is being redefined.]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[<p>Amid the flood of coverage on President Obama's endorsement of gay marriage is a historical fact that warrants close attention: the country's first minority president, a son and student of the civil rights movement, openly addressing the need for full rights for another minority group fighting its own civil rights battle. </p><br />
<br />
<p>Of course the two movements intersect. Which is precisely why I instantly thought of James Baldwin upon hearing the president's welcome (though inevitable) embrace. Baldwin, arguably the most influential writer of the civil rights era, was African American and openly gay at a time when America wrestled with the black part and all but ignored the homosexual part. Baldwin came in full. He spoke, wrote and challenged a largely white and largely straight America to see him as a human being deserving of equal rights. He evoked truths that resonate with other minorities, may they be Asians or Latinos or undocumented immigrants -- anyone who's considered a minority, anyone who's felt rejected and thought of as "the other" in America.</p><br />
<br />
<p>All my life I've been a minority. Though I have a Hispanic name, I'm actually Asian -- Filipino, to be exact. ("What are you?" is a question that usually greets me when I visit predominantly white towns, particularly in the Midwest and the South.) In high school, I came out as gay. Twelve years later, after spending my 20s feeling shameful and fearful, I came out for the second time <a href="http://www.nytimes.com/2011/06/26/magazine/my-life-as-an-undocumented-immigrant.html?pagewanted=all" target="_blank" >as an undocumented immigrant</a>. As I write this, I still remember the jolt I felt while reading the text of a speech Baldwin once gave.</p><br />
<br />
<p>"Before we can begin to speak of minority rights in this country, we've got to make some attempt to isolate or to define the majority," Baldwin <a href="http://bit.ly/Kg9rFA" target="_hplink">said</a>. "We cannot discuss the state of our minorities until we first have a sense of what we are, who we are, what our goals are, and what we take life to be."</p><br />
<br />
<p>He titled the speech "In Search of a Majority." </p><br />
<br />
<p>Diversity is destiny in 21st century America. More women will hold positions of power. African Americans will keep breaking barriers. Demographically, the country will look more Latino and more Asian -- most of them documented, many of them without papers. And more members of the LGBT community, of all colors, not just gay and lesbian but also transgender people, will continue to come out, insisting that they, too, be seen as fully human, capable of love and worthy of marriage. A different American majority is emerging, and what it means to be a minority in a country that will soon be minority-majority is being redefined. </p><br />
<br />
<p>As a gay undocumented American, my generation is indebted to pioneers like Baldwin -- to older generations of LGBT activists who, through tears and agony, fought to be seen and treated fully. I'm thinking of well-known icons like Harvey Milk, the first openly gay man to be elected to public office in California, and Larry Kramer, the AIDS activist who forever changed the way we advocated for our lives and our health. But I'm also thinking of lesser-known trailblazers like Barbara Gittings, who worked tirelessly to disassociate being gay with being abnormal (a fight she helped win when the American Psychiatric Association dropped homosexuality as a mental illness in 1972), and Frank Kameny, arguably the godfather of the modern civil rights movement. A lifetime ago, Kameny, who was fired from his job with the Army Map Service because he was gay, picketed the White House, always in a three-piece suit, carrying signs that read "First Class Citizenship for Homosexuals" and "Homosexual Americans Demand Their Civil Rights." Those signs have become part of history, displayed in the Smithsonian. Kameny died last year, on National Coming Out Day.</p><br />
<br />
<p>In a profile for the <em>Washington Post</em> nearly seven years ago, Kameny, standing in his dusty attic and showing me his historic signs, <a href="http://www.washingtonpost.com/wp-dyn/content/article/2005/07/22/AR2005072202010_pf.html" target="_blank" >told me</a>: "The one thing that I want to be remembered for, if only one, is that in 1968, inspired by the slogan 'Black Is Beautiful,' I coined the term 'Gay Is Good.' "</p><br />
<br />
<p>To be sure, the fight for gay rights is far from over. Though Obama said he now supports gay marriage, he also pointed out that issue is to be decided by the states. The federal government still does not recognize same-sex marriage. It is illegal in some 44 states. Still, how I wish Kameny were alive to have watched his president acknowledged his full humanity.</p>]]></content>
    <link href="http://i.huffpost.com/gen/359417/thumbs/s-BALDWIN-mini.jpg" type="image/jpeg" rel="enclosure"/>
</entry>

<entry>
    <title>Audra McDonald: The Best Singer You Don't Know (But Should)</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/audra-mcdonald-the-best-s_b_1495050.html"/>
    <id>tag:www.huffingtonpost.com,2012:/theblog//3.1495050</id>
    <published>2012-05-07T09:00:55-04:00</published>
    <updated>2012-07-07T05:12:01-04:00</updated>
    <summary><![CDATA[Who is Audra McDonald? In a fairer, more purely artistic world -- one in which popularity is directly proportional to talent -- such a question would border on heresy.]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[<em>Inspired by <a href="http://www.huffingtonpost.com/barbara-mossberg/emily-dickinson-birthday_b_1140653.html" target="_hplink">one professor's infectious enthusiasm for Emily Dickinson</a>, Obsessed is a HuffPost Culture series exploring the idiosyncratic, all-consuming passions of public figures and unknowns alike. Through a mix of blogs and interviews, these pieces will highlight the elusiveness of whatever it is you just can't live without -- whether it's blue jays, Renaissance fairs, fan fiction, or in the case of <a href="http://www.huffingtonpost.com/david-lynch/coffee_b_1216532.html" target="_hplink">David Lynch, coffee</a>. If you have an obsession to share, drop us a line at culture@huffingtonpost.com.</em><br />
<br />
Who is Audra McDonald?<br />
<br />
In a fairer, more purely artistic world -- one in which popularity is directly proportional to talent -- such a question would border on heresy. You may have seen McDonald briefly in movies (blink and you'll miss her in the latest Woody Harrelson flick "Rampart") or recognize her from television, where she most recently starred in the "Grey's Anatomy" spin-off "Private Practice" for four seasons. You may have seen her on the concert stage, where she's as fluent and lauded tackling Brecht and Poulenc for opera houses as she is swinging Ellington and interpreting Sondheim for symphonies and orchestras. You may be familiar with McDonald's barrier-breaking work on Broadway, where she has blazed the trail for color-blind casting while drawing comparisons to Barbra Streisand (McDonald "is the closest thing that the New York music theater world has produced in nearly four decades to a meteoric talent with a promise comparable to that of the young Streisand," <a href="http://www.nytimes.com/2002/03/02/arts/pop-review-getting-happy-with-lupone-and-a-surprise-guest.html" target="_hplink">writes Stephen Holden of the <em>New York Times</em></a>) and Meryl Streep ("If movies were as color-blind as they should be, McDonald, with her incredible skill, soul, and purpose, could easily become her generation's Meryl Streep," <a href="http://www.newyorker.com/arts/critics/theatre/2007/05/21/070521crth_theatre_als?currentPage=all" target="_hplink">writes Hilton Als of the<em> New Yorker</em></a>).<br />
<br />
A professional performer for two decades, McDonald is the most critically acclaimed singing-actress of her generation. She's the best singer you've probably never heard of. <br />
<br />
Luckily for those of us who've closely followed her eclectic career -- I've obsessed over McDonald since 1998, when I found her debut CD under the "Easy Listening" section at Tower Records and after repeated listenings told a sales clerk that the CD was in the wrong section -- McDonald's name has been in the headlines like never before.<br />
<br />
Last week, the four-time Tony Award-winning actress (two for musicals, two for plays, all for featured roles) <a href="http://www.huffingtonpost.com/2012/05/01/tony-award-nominations-2012_n_1467096.html" target="_hplink">was nominated for her leading role</a> in "The Gershwins' Porgy and Bess." Barring any surprises, she'll win her record-tying fifth Tony, putting the 41-year-old performer in the company of considerably older theater giants Julie Harris and Angela Lansbury, both 86. That piece of good news was preceded by even better news: Aretha Franklin, the closest thing America has to a musical poet laureate, <a href="http://www.huffingtonpost.com/2012/04/30/aretha-franklin-audra-mcdonald-biopic_n_1465391.html" target="_hplink">placed McDonald atop her highly publicized wish-list of actresses to play her in a still-in-the-works biopic</a>. More familiar names have been attached to the role, including Oscar winners Halle Berry and Jennifer Hudson. But Franklin saw a recent performance of "The Gershwins' Porgy and Bess" and praised McDonald's stage presence and voice.<br />
<br />
And what voice. It's often described as inherently operatic and technically pure, which can be attributed to her Julliard training. But that categorization is too simple, too easy. Hers is arguably one of the  fullest and most versatile voices in music today. Covered throughout, it can go low or aim high, with a belt, a swing, a tone, a soul, all its own. It's a voice that defies "Easy Listening" because it challenges the listener. It's a singular voice singularly serving whatever emotion -- or emotions -- it mines. Like an athlete adjusting to a playbook, like a writer wrestling with structure, it's a voice always in search of a soul. No wonder Franklin, the Queen of Soul, was impressed.<br />
<br />
<strong>YouTube "Audra McDonald" and find out who she is. Watch the seven videos below and add your own favorite McDonald video.</strong><br />
<br />
<HH--236SLIDEPOLLAJAX--224776--HH>]]></content>
    <link href="http://i.huffpost.com/gen/596291/thumbs/s-AUDRA-MCDONALD-mini.jpg" type="image/jpeg" rel="enclosure"/>
</entry>

<entry>
    <title>SB 1070: How Do You Define American?</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/supreme-court-arizona-immigration-law_b_1451638.html"/>
    <id>tag:www.huffingtonpost.com,2012:/theblog//3.1451638</id>
    <published>2012-04-25T08:31:05-04:00</published>
    <updated>2012-06-25T05:12:02-04:00</updated>
    <summary><![CDATA[As one of the country's 12 million undocumented immigrants who call this country home, walking around Ellis Island was a deep, sobering experience. It was a reminder of why immigration must remain the purview of the federal government, not individual states like Arizona and Alabama.]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[<p>America, as only America can, constantly renews itself.</p><br />
<br />
<p>That was chief in my mind as the crowded ferry left Battery Park, the southern tip of Manhattan, and headed toward the Statue of Liberty and Ellis Island. I live in New York City. My dear friends Karen and Matt, visiting from Seattle during their daughter Bridget's spring break, insisted I come along. This was Bridget's first time seeing Lady Liberty. It was a first for me, too. Though my apartment is just a few subway stops from Battery Park, it was my inaugural pilgrimage to Ellis Island, the country's first federal immigration station, the "Island of Hopes, Island of Tears" where nearly 1 in 3 Americans can trace their European ancestors during one of the largest migrations in history. In the early 1900s, some 5,000 new immigrants arrived at Ellis Island each day in search of a better life. Most didn't speak English; they needed translators to pass a basic literacy test. Many had little to no money. All told, between 1892 and 1954, about 12 million people were inspected, registered and welcomed to America.</p><br />
<br />
<p>Nearly 60 years after the island's closing, America is faced with the migration of another 12 million people -- this time immigrants without papers, not just from Europe but from all around the world, especially Mexico. Today, the U.S. Supreme Court reviews Arizona's immigration law, SB 1070, which at the time of its passing was the strictest anti-illegal immigration bill in modern U.S. history. If the high court does not strike down the controversial provisions at the heart of the Arizona law, anyone who's suspected of being undocumented can be stopped and asked for papers; police, without a warrant, can arrest anyone they believe is deportable; and immigrants without papers are guilty of a state crime. </p><br />
<br />
<p>This is more than a "show-me-your-papers" law. Within immigrant communities, not just in Arizona but across America, SB 1070 is shorthand for "They don't want us here." As the law spawned copycat legislation around the country -- five other states from Alabama to Utah passed similar bills -- SB 1070 has become synonymous with anti-immigrant fervor, with racial profiling, with being brown, with being Latino -- with being "the other" -- as a crime in a demographically changing America. The law has also galvanized the growing immigrants rights community like nothing else before it. Aside from undocumented immigrants, the American citizens who make up what I call <a href="http://www.youtube.com/watch?v=lnFN8kHnJJY" target="_blank" >the 21st century Underground Railroad of supporters</a> -- people like <a href="http://www.huffingtonpost.com/2011/11/16/immigration-debate-define_n_1096534.html" target="_blank" >Julie Erfle</a>, who advocates for humane immigration policies even though her husband, a cop in Phoenix, was killed by an undocumented immigrant -- are standing up and speaking out. The case before the high court may be titled "<em>United States v. Arizona</em>." But more accurately, it's really "<em>United States v. United States</em>" because what's at stake is American identity itself -- how we <a href="http://www.defineamerican.com/" target="_blank" >define American</a>.</p><br />
<br />
<p>Defining American, not coincidentally, has been a struggle for our country the moment it was founded. Even before America was America -- before the Declaration of Independence was signed and the Constitution was ratified, before Border Patrol and the U.S. Immigration and Customs Enforcement were created -- this country has always been about the struggle between the natives and the newcomers, the old and the new. This was made abundantly clear as I visited, confronted and came to terms with Ellis Island. <a href="http://www.nytimes.com/2011/06/26/magazine/my-life-as-an-undocumented-immigrant.html?pagewanted=all" target="_blank" >As one of the country's 12 million undocumented immigrants who call this country home</a>, walking around the country's first immigration station was a deep, sobering experience. It was a reminder of why immigration must remain the purview of the federal government, not individual states like Arizona and Alabama. It was also a reminder of our country's history, of how America's immigration policies provoked a national debate during the late 19th and early 20th centuries after throngs of undocumented European immigrants were processed in Ellis Island. </p><br />
<br />
<p>On the second floor of the main building, under the exhibit "Peak Immigration Years," the public debate back then over immigration -- over "foreigners" who were crowding America, "foreigners" who were undermining American wages, "foreigners" who were taxing social service agencies -- eerily echoes our national consciousness now. Just replace "illegals" with "foreigners." Before talk radio and cable news facilitated our national conversation on immigration, the debate back then raged in editorial cartoons, "restrictionist literature" (a cover of an example from 1885 read: "Restrict All Immigration! Protect Yourself and Your Children Against Ruinous Labor") and even popular music. A song from 1923 called "O! Close the Gates" went like this: </p><br />
<br />
<p><i>"O, what will become of our country in a few more years to be</i></p><br />
<br />
<p><i>If foreign immigration isn't barred from the U.S.A.</i></p><br />
<br />
<p><i>Our flag they do not honor</i></p><br />
<br />
<p><i>Our rights they will betray</i></p><br />
<br />
<p><i>O! close the gates of our nation</i></p><br />
<br />
<p><i>Yes before that awful day..."</i></p><br />
<br />
<p>"When I give tours over at Ellis Island, I will often tell people, 'Think about how much has changed since then, but also think about how much has stayed the same,'" David Lawrence, a self-described "history geek," told me. He's a park guide and gives tours in both Ellis Island and Liberty Island. "The arguments that were going on back then, are the same arguments that we have now: who should be admitted in, who should be excluded, how do you determine that, what regulations should be in place."</p><br />
<br />
<p>History, indeed, is repeating itself. And Americans of all stripes -- from various backgrounds, undocumented and documented -- are standing together, in solidarity, to differentiate between the fair, welcoming America of Ellis Island and the unjust, un-American America of SB 1070. </p><br />
<br />
<p>Since finding out that I was undocumented when I was 16 years old, I've benefited from the kindness and generosity of American citizens. One of the earliest members of my Underground Railroad was Karen, whom I met at the local community newspaper that we both interned for in the late 1990s. Since she was older, she was in charge of me. She would tell me later that I was the very first person she was in charge of in a work setting. We became fast friends. I sang at her wedding. She and her husband Matt hosted my high school graduation on their yard. And they took me to my first trip to Ellis Island.</p><br />
<br />
<p>After telling their 8-year-old daughter about her family's immigrant roots -- Karen's grandfather came through Ellis Island from Holland, Matt's family came from Ireland and Scotland -- Bridget picked out some treats for me from a gift shop. Under the spring sun last week, the second-grader handed me an American flag, a pin that says "Ellis Island" and a golden coin that reads: "United States of America, A Nation of Immigrants." </p><br />
<br />
<p>She calls me Uncle Jose, and she says I'm her favorite immigrant.</p><br />
<br />
<HH--236SLIDEPOLLAJAX--208753--HH>]]></content>
    <link href="http://i.huffpost.com/gen/401901/thumbs/s-NEW-YORK-DREAM-ACT-mini.jpg" type="image/jpeg" rel="enclosure"/>
</entry>

<entry>
    <title>How Do You Define American? Share Your Story</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/how-do-you-define-america_b_1099844.html"/>
    <id>tag:www.huffingtonpost.com,2011:/theblog//3.1099844</id>
    <published>2011-11-18T08:05:43-05:00</published>
    <updated>2012-01-18T05:12:01-05:00</updated>
    <summary><![CDATA[Illegal immigration is not just about undocumented immigrants like me who contribute to society and pay taxes. It's also about countless American citizens -- from principals to pastors, coaches to classmates, all members of the 21st Century Underground Railroad.]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[<p>Mine was merely one story, in which I chronicled <a href="http://www.defineamerican.com/page/feature/jose-story" target="_blank">my life as an undocumented immigrant</a> for the <em>New York Times Magazine</em>. I'm just one person. From the very beginning, <a href="http://www.guardian.co.uk/world/2011/jul/26/jose-antonio-vargas-undocumented-immigrant" target="_blank">as I told <em>The Guardian</em></a>, "if I'm going to come out with this, I'm going to do it in a big way. And not just for myself. This can't just be my story."</p><br />
<br />
<p>Earlier this week <a href="http://www.defineamerican.com/" target="_blank">Define American</a>, a campaign I founded with a small but diverse group of friends, launched an ambitious effort that lives up to that promise: <a href="http://www.defineamerican.com/stories" target="_blank">a Stories feature</a> that enables any immigrant, immigrant ally or citizen to digitally share their story via videos, audio, photo or text. </p><br />
<br />
<p>We have a goal of collecting 500 stories -- yep, 500 -- in the next week, with multimedia testimonials that elevate how we talk about immigration. Among the first participants include entrepreneur and Occupy Wall Street supporter <a href="http://www.defineamerican.com/story/post/391/russell-simmons-defines-american/" target="_blank">Russell Simmons</a> and Internet pioneer <a href="http://www.defineamerican.com/story/post/372/craig-newmark-how-i-define-american/" target="_blank">Craig Newmark</a> of Craiglist, in addition to <a href="http://www.defineamerican.com/story/post/376/elisa-camahort-page/" target="_blank">Elisa Camahort Page</a>, co-founder of the influential BlogHer network, and Hollywood director <a href="http://www.defineamerican.com/story/post/395/chris-weitz--how-i-define-american/" target="_blank">Chris Weitz</a>, who followed up his blockbuster hit "The Twilight Saga: New Moon" with the must-see "<a href="http://www.facebook.com/ABetterLifeMovie?sk=app_4949752878" target="_blank">A Better Life</a>," which tells the story of an undocumented gardener and his American-born teenage son. <a href="http://www.defineamerican.com/story/post/381/stephen-colbert-defines-american/" target="_blank">Stephen Colbert</a>, always good for a sharp laugh, recorded a video, too. Via Skype, I asked <a href="http://www.defineamerican.com/blog/post/secretary-of-state-hillary-rodham-clinton-defines-american-video/" target="_blank">Secretary of State Hillary Rodham Clinton </a>how she defines American. In the coming weeks and months, we will continue to get videos from high-profile celebrities, politicians and technocrats. But some of the most touching videos have come (and will continue to come) from ordinary people -- documented and undocumented, of all ages and backgrounds, Democrats and Republicans -- whose lives are touched by illegal immigration yet whose voices are often inadequately represented in the media. </p><br />
<br />
<p>Take the story of Julie Erfle, a former journalist. Her husband Nick, a Phoenix police officer, was shot and killed by a previously deported undocumented immigrant in 2007. His death helped sparked the anti-immigrant wave in Arizona that culminated in the passage of SB1070 last year. People expected Julie, a white middle class woman, to ride the wave. Instead, she has called for the need for consensus and finding common ground -- for humanity. </p><br />
<br />
<p><iframe width="550" height="312" src="http://www.youtube.com/embed/7lpet6NHKe8" frameborder="0" allowfullscreen></iframe></p><p></p><br />
<br />
<p>Take the story of Victor, who I met a few weeks ago <a href="http://www.defineamerican.com/blog/post/judge-who-ruled-on-alabamas-law-was-mistaken/" target="_blank">while on a reporting trip to Alabama</a>, which surpassed even Arizona in passing the country's most draconian immigration law. Thirteen years ago, Victor crossed the border with his parents and settled in the South. He's 19 now, smart as a whip, the kind of student who earned the highest score during a citizenship test in his U.S. History class. "Even though I'm undocumented -- 'illegal' as many people say -- I love this country. I've studied the history of this country," he told me. He wants to be a history teacher, but he's not in college right now. Like most states, Alabama does not grant in-state tuition to undocumented students. Yet despite the challenges, he keeps a positive outlook. "I define American as the betterment of the self," Victor said in his video. "America to me is a country, as well as an idea, as a belief. A belief and a notion that you can move upwards."</p><br />
<br />
<p><iframe width="550" height="312" src="http://www.youtube.com/embed/4iN0aZMyRKM" frameborder="0" allowfullscreen></iframe></p></p><p><br />
<br />
<p>Theirs are voices that we don't offer hear in such a polarized, controversial issue. Yet theirs are precisely the voices we need to hear to come up with common-sense, practical solution to our <em>shared</em> immigration problem. And it is, in fact, a <em>shared</em> problem. Illegal immigration is not just about undocumented immigrants like me who contribute to society and pay taxes. It's also about countless American citizens -- from principals to pastors, coaches to classmates, <a href="http://www.youtube.com/watch?v=lnFN8kHnJJY&amp;amp;feature=youtu.be" target="_blank">all members of the 21st Century Underground Railroad</a> -- who are forced to deal with a broken immigration system that our government has consistently failed to fix. Using new technologies, undocumented immigrants like me and the citizens who aid us are increasingly telling the truth about our broken system. And by telling the truth -- by telling and sharing our stories -- we are standing up for justice, and for each other.</p><br />
<br />
<p>So tell your relatives, friends and co-workers to share their stories on Define American. And, while you're at it, please tell us your story, too, by answering these questions and sharing here: <a href="http://www.defineamerican.com/stories" target="_blank">http://www.<wbr>defineamerican.com/stories</a></p><br />
<br />
<p>How do you define American? </p><br />
<br />
<p>Why is America special to you? </p><br />
<br />
<p>What's your immigration story? </p><br />
<br />
We've received more than 100 stories since <a href="http://mashable.com/2011/11/15/define-american-youtube/?fb_ref=FBRecohome%3Bcolorscheme%3Dlight" target="_blank">our launch Tuesday</a>. We need more. <br /><br />
This golden age of story-telling, in this era of Facebook, Twitter and YouTube, is also the golden age of story-sharing. Our future, in many ways, depend on it. As James Baldwin, one of my journalistic oracles, once said: "Our history is each other. That is our only guide."</p>]]></content>
</entry>

<entry>
    <title>Jose Antonio Vargas: A DREAM Act Deferred?</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/2011/09/01/jose-antonio-vargas-a-dre_n_945499.html"/>
    <id>tag:www.huffingtonpost.com,2012:/theblog//</id>
    <published>2011-09-01T15:06:44-04:00</published>
    <updated>2011-11-01T05:12:01-04:00</updated>
    <summary><![CDATA[This piece comes to us courtesy of Education Nation's The Learning Curve blog. Jose Antonio Vargas, Define American founder...]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[<em>This piece comes to us courtesy of <a href="http://www.educationnation.com/index.cfm?objectid=20E329A0-6149-11E0-BB14000C296BA163" target="_hplink">Education Nation&rsquo;s The Learning Curve blog</a>. Jose Antonio Vargas, Define American founder and former journalist for the San Francisco Chronicle, the Huffington Post and the Washington Post, writes.</em><br />
<br />
[Ed. Note: On Wednesday, the California Senate passed AB131, one half of the California DREAM Act, which would allow undocumented students to apply for public aid. The bill will now go to the Assembly, which has previously approved it.] <br />
<br />
In a seminal poem tied to the very early years of the civil rights movement, Langston Hughes wrote: &ldquo;What happens to a dream deferred?&rdquo;<br />
<br />
Just ask the estimated 24,000 undocumented students who graduate each year from California's public high schools. Most of them -- English-speaking students who grew up in this country and call America their home -- have difficulty pursuing higher education. It is not because they don&rsquo;t want to; it is not because they lack will or talent. On the contrary. These students aspire to be doctors and lawyers, engineers and teachers. But their dreams are dashed, their future limited, because they lack the legal status to qualify for financial aid. They came to America without documents as minors and, through no fault of their own, are being punished for it.<br />
<br />
Congressional leaders in Washington tried to right this wrong. A bipartisan bill called the DREAM (Development, Relief and Education for Alien Minors) Act was introduced in the summer of 2001, just a month before the September 11th attacks. Ten years later, the bill is still stalled in Congress, and bipartisanship is tougher to come by. Sen. Orrin Hatch (R-Utah), in particular, no longer supports the bill he originally co-introduced. Meanwhile, individual states have wrestled with the issue.<br />
<br />
Unlike most states, California allows undocumented students who graduate from public high schools to pay in-state tuition at the Golden State&rsquo;s public colleges and universities. However, they are still not eligible for financial aid.<br />
<br />
Over the latter half of the past decade, former Gov. Arnold Schwarzenegger vetoed five different bills designed to offer some form of financial aid to undocumented students. Progress finally came this year, when state assembly member Gilbert Cedillo (D-Los Angeles) introduced the California DREAM Act in two bills.<br />
<br />
<strong>This piece has been truncated. <a href="http://www.educationnation.com/index.cfm?objectid=20E329A0-6149-11E0-BB14000C296BA163" target="_hplink">Read the full piece at Education Nation's <em>The Learning Curve</em>.</strong></a><br />
<br />
<iframe width="560" height="345" src="http://www.youtube.com/embed/stWOtFnw1YE" frameborder="0" allowfullscreen=""></iframe>]]></content>
    <link href="http://i.huffpost.com/gen/342584/thumbs/s-JOSE-ANTONIO-VARGAS-mini.jpg" type="image/jpeg" rel="enclosure"/>
</entry>

<entry>
    <title>The America in Me</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/the-america-in-me_b_889880.html"/>
    <id>tag:www.huffingtonpost.com,2011:/theblog//3.889880</id>
    <published>2011-07-04T16:16:49-04:00</published>
    <updated>2011-09-03T05:12:02-04:00</updated>
    <summary><![CDATA[As we celebrate our country's birthday and reflect on how we define American, I'd like to honor the heroes in my life. They are members of my personal underground railroad who refuse to sit back and allow undocumented immigrants to slip into the cracks of a broken system. ]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA["You've been trying to write yourself into America," my dear friend Teresa Moore said after she read an early draft of the <a href="http://www.defineamerican.org/page/feature/jose-story" target="_hplink">essay</a> I ended up submitting to the <a href="http://www.nytimes.com/pages/magazine/index.html" target="_hplink"><em>New York Times Magazine</em></a>. <br />
<br />
I first met Teresa in 1999, when I was a high school senior and wanted to freelance for <a href="http://www.youthoutlook.org/news/" target="_hplink">YO!</a>, short for Youth Outlook, the monthly magazine she edited. She was my very first editor, the one who can most attest to how much I struggled with writing, with finding just the right words, phrases and punctuation (should I use a comma or a dash or a semi-colon?) with trusting the texture and timbre of my own voice. Then and now, Teresa was always exacting, always insightful.<br />
<br />
"You're still trying to write yourself into America."<br />
<br />
Indeed, I am, perhaps now more than ever.<br />
<br />
Beyond the fireworks, parades and barbecues, Independence Day, the 235th birthday of the United States of America, carries a whole new meaning for me this year. Personally, it has meant telling my story in hopes of illuminating the stories of countless undocumented immigrants across the country. We tell stories, after all, to recognize ourselves, our common humanity, in each other. I grew up here. This is the place I call home. I love America. For our small <a href="http://www.defineamerican.org/page/about/our-team" target="_hplink">team</a> here at Define American, it means living up to our mission of elevating the conversation around immigration. Stripped of polarizing politics and heated, angry rhetoric, immigration has been one of the evolving stories of our country since its inception. That America is "a nation of nations," built on an idea and "founded on the printed word," is cause for continued celebration and much-needed reflection.<br />
<br />
And as we celebrate our country's birthday and reflect on how we define American, I'd like to honor the heroes -- the everyday American heroes -- in my life. They are members of my personal underground railroad, the principals and pastors, the coaches and colleagues, who <a href="http://www.defineamerican.com/blog/post/its-time--the-text-of-my-dream-graduation-speech" target="_hplink">refuse</a> to sit back and allow undocumented immigrants like me to slip into the cracks of a broken system. <br />
<br />
They are the ones who, early on, recognized the America in me; who, in the case of <a href="http://www.poynter.org/latest-news/everyday-ethics/137556/peter-perl-i-have-not-been-fired-or-suspended-or-fined-for-keeping-vargas-secret/" target="_hplink">Peter Perl</a>, a senior manager at the <a href="http://www.washingtonpost.com/" target="_hplink"><em>Washington Post</em></a>, risked his own career to ensure that I had mine and that I kept on growing; who, in the cases of <a href="http://www.youtube.com/user/DefineAmerican#p/u/1/DDT3bIlbAXw" target="_hplink">Pat Hyland</a> (my former high school principal) <a href="http://www.youtube.com/user/DefineAmerican#p/u/0/mHCH6UADbT8" target="_hplink">Rich Fischer</a> (my former high school superintendent) and <a href="http://www.youtube.com/user/DefineAmerican#p/u/2/KClq-UDXm50" target="_hplink">Jill Denny</a> (my former choir teacher) all educators, guaranteed that I got an education like the rest of the students who showed up at <a href="http://www.mvla.net/mvhs/Pages/default.aspx" target="_hplink">Mountain View High School</a>, regardless of my undocumented status; and who, in the case of Teresa Moore, whom I <a href="http://newamericamedia.org/2011/07/acclaimed-journalist-vargas-to-news-mediaimmigrant-struggles-about-us-not-them.php" target="_hplink">confided</a> my secret to years ago, when the guilt and shame, the fear and frustration of working as an undocumented immigrant in the nation's capital weighed heavily on me, encouraged me to keep writing -- to keep telling stories. <br />
<br />
I am an American, in my heart if not on paper, because of them. There are Peter Perls, Pat Hylands and Teresa Moores all across America. They define American. <br />
<br />
<center><iframe width="560" height="349" src="http://www.youtube.com/embed/DDT3bIlbAXw" frameborder="0" allowfullscreen></iframe></center><br />
<br />
<br />
<em>This blog originally appeared on <a href="http://defineamerican.com/" target="_hplink">DefineAmerican.com</a>.</em>]]></content>
    <link href="http://i.huffpost.com/gen/295419/thumbs/s-JOURNALIST-mini.jpg" type="image/jpeg" rel="enclosure"/>
</entry>

<entry>
    <title>Egypt, the Age of Disruption and the &quot;Me&quot;-in-Media</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/egypt-age-of-disruption-me-in-media_b_819481.html"/>
    <id>tag:www.huffingtonpost.com,2011:/theblog//3.819481</id>
    <published>2011-02-07T09:33:05-05:00</published>
    <updated>2012-05-15T14:48:35-04:00</updated>
    <summary><![CDATA[A few months and seemingly a lifetime ago -- before the Oscar bait "The Social Network" hit theaters, before Time...]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[A few months and seemingly a lifetime ago -- before the <a href="http://www.huffingtonpost.com/2011/01/25/oscars-2011-nominees-list-academy-awards-nominations_n_813399.html" target="_hplink">Oscar bait "The Social Network"</a> hit theaters, before <em>Time</em> declared the Facebook cofounder and CEO<a href="http://www.time.com/time/specials/packages/article/0,28804,2036683_2037183_2037185,00.html" target="_hplink"> "Person of the Year,"</a> before the Middle East and the Arab world were <a href="http://www.huffingtonpost.com/news/egypt-protests" target="_hplink">turned upside-down in a matter of weeks</a> -- I asked <a href="http://www.huffingtonpost.com/news/mark-zuckerberg" target="_hplink">Mark Zuckerberg</a> what role he plays in what he's called <a href="http://www.zdnet.com/blog/btl/facebooks-zuckerberg-uncorks-the-social-graph/5156%20" target="_hplink">"the Facebook movement."</a> When he introduced Facebook as a platform in the spring of 2007, addressing a gathering of geeks and techheads in Silicon Valley, that was his pitch: Facebook was a movement.<br />
<br />
"How do you see yourself in this movement?" I asked last fall. "Are you the leader of this movement?"<br />
<br />
"No, I am not," he answered quickly. As is often the case, Zuckerberg spoke less of himself and more of the company he runs. "I think Facebook has taken on a leadership role to some extent," he said. "But we always think about it in the context of what's going on with the Internet and society in general."<br />
<br />
I asked Zuckerberg how Facebook will iterate as cultural nuances get trickier.<br />
<br />
"Well, I think an idea needs to be fairly simple in order to resonate at a large scale," he said. "But I think that the single reason why [Facebook] was able to go from being just a college thing at the beginning to now spreading to rural villages in India is because of like the common humanity there, and that, like, people share just the same basic thing, which is that they all have friends and family and they want to stay connected."<br />
<br />
"Common humanity."<br />
<br />
In other words, it's not the tools, it's the people. <br />
<br />
Here in the America, where "freedom of the press" and "freedom of speech" are not just printed in the U.S. Constitution but ingrained deep in the psyche -- so much so that we often mock them, or worse, take them for granted -- there's something that can seem downright trite about all of this hyper-communication. Americans already over-communicate. And the irony is, the more ways we communicate, the less it seems we understand each other. Facebook? Twitter? What a waste, the general line of criticism goes -- nothing but Narcissism 2.0! <br />
<br />
Zadie Smith, <a href="http://www.nybooks.com/articles/archives/2010/nov/25/generation-why/" target="_hplink">writing in The New York Review of Books</a>, speaks for the gang of social media naysayers and doubters when she wonders if "the whole Internet will simply become like Facebook: falsely jolly, fake-friendly, self-promoting, slickly disingenuous." The first time I read those words, I thought perhaps Smith was using Facebook in a "falsely jolly, fake-friendly, self-promoting, slickly disingenuous way." Facebook, after all, is what you make it out to be. If your relationships on the social networking site seem trivial and superfluous, maybe it's because they are. Facebook merely exposed it.<br />
<br />
Since Tunisia's uprising unfolded in real-time -- and as the people-powered, grassroots-oriented upheaval spread to Egypt -- many have struggled to contextualize technology's impact on the events of recent weeks. Overall, much of the discourse have fallen on two sides of the same proverbial coin, symptomatic of the kind of right-versus-left, black-or-white false equivalency that passes for much of the political analysis in our discourse.<br />
<br />
On one side are those who hail, in varying degrees, <em>"The Twitter Effect!"</em> or<em> "The Facebook Revolution!"</em> (though, curiously, the folks at Twitter and Facebook know better than to make those kinds of simplistic arguments themselves). "Cyber-utopians," they are called. And on the other side are those who continue to understate and devalue the role of social media and mobile technology as communication and organizing tools. They are the "cyber-skeptics" whose writings are accompanied by head-scratching headlines such as <a href="http://www.wired.com/dangerroom/2011/01/social-media-oppression/" target="_hplink">"What's Fueling Mideast Protests? It's More Than Twitter"</a> (Wired's David Kravets) to <a href="http://www.newyorker.com/online/blogs/newsdesk/2011/02/does-egypt-need-twitter.html" target="_hplink">"Does Egypt Need Twitter?"</a> (New Yorker's Malcolm Gladwell, who last year wrote about social media, activism and "weak ties." Turns out, what was weakly tied -- and I write this as a certified Gladwell fan -- was <a href="http://www.newyorker.com/reporting/2010/10/04/101004fa_fact_gladwell" target="_hplink">his 4,453-word essay</a>).<br />
<br />
The <a href="http://www.guardian.co.uk/technology/2011/jan/13/evgeny-morozov-the-net-delusion" target="_hplink">most lauded cyber-skeptic</a> of them all -- and one whom Gladwell quoted in his much-discussed and much-maligned essay, at least in the Twittersphere -- is <a href="http://neteffect.foreignpolicy.com/blog/5386" target="_hplink">Evgeny Morozov</a>, a blogger for Foreign Policy and author of newly published "The Net Delusion: The Dark Side of Internet Freedom." It's tempting but unfair to say that it's a contrarian book written for the sake of being contrarian; Morozov, a visiting scholar at Stanford University, is too smart and too well-read for that. But it's a sign of our rapidly evolving times that even a previous skeptic like the New York Times' Roger Cohen -- who less than two years ago published columns headlined<a href="http://www.nytimes.com/2009/07/06/opinion/06iht-edcohen.html" target="_hplink"> "A Journalist's 'Actual Responsibility'"</a> and <a href="http://www.nytimes.com/2009/09/10/opinion/10iht-edcohen.html" target="_hplink">"New Tweets, Old Needs"</a> -- recently called Morozov's book<a href="http://www.nytimes.com/2011/01/28/opinion/28iht-edcohen28.html" target="_hplink"> "dead wrong."</a> What's accurate and insightful, of course, lie somewhere in the middle.<br />
<br />
"Wildly overdrawn claims about social media, often made with weaselly question marks (like: 'Tunisia's Twitter revolution?') and the derisive debunking that follows from those claims ('It's not that simple!') only appear to be opposite perspectives. In fact, they are two modes in which the same weightless discourse is conducted," <a href="http://pressthink.org/" target="_hplink">Jay Rosen</a>, the noted media critic and professor at New York University, wrote me in an email recently. "Revolutionary hype is social change analysis on the cheap. Debunking is techno-realism on the cheap.  Neither one tells us much about our world."<br />
<br />
Rosen continued: "Almost everyone knows it's not as simple as saying Twitter or Facebook 'cause' revolutions. Almost everyone knows it's foolish to discount social media and peer to peer communication as new and potentially disruptive forces. Grown-ups trying to puzzle through what is actually happening will have to leave the sandbox in which the debunkers and their straw man playmates throw headlines at each other."<br />
<br />
A key driving force in this new equilibrium is the role of the media -- and, more specifically, the rise of <a href="http://www.huffingtonpost.com/jose-antonio-vargas/future-of-news-knight-new_b_614814.html" target="_hplink">the "me" in media</a>, allowing <a href="http://www.huffingtonpost.com/jose-antonio-vargas/haiti-rebuilds----the-bir_b_428688.html" target="_hplink">any educated and literate global citizen</a> with an Internet connection or mobile phone to tell his or her own story, in many instances bypassing traditional journalists and in other ways deliberately aiding them. It's difficult to imagine Al Jazeera's invaluable coverage of the Eygptian protests without social media, for example. But in addition to Al Jazeera, <a href="http://www.youtube.com/citizentube" target="_hplink">CitizenTube</a> -- YouTube's well-curated politics and news page -- is posting raw and visceral footage from people on the ground in Egypt.]]></content>
    <link href="http://i.huffpost.com/gen/245198/thumbs/s-EGYPT-ME-IN-MEDIA-mini.jpg" type="image/jpeg" rel="enclosure"/>
</entry>

<entry>
    <title>Following the Tweets</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/following-the-tweets_b_806408.html"/>
    <id>tag:www.huffingtonpost.com,2011:/theblog//3.806408</id>
    <published>2011-01-09T12:42:35-05:00</published>
    <updated>2011-05-25T18:25:24-04:00</updated>
    <summary><![CDATA[Being a news junkie takes on a whole new meaning -- and a lot more time -- in the age of Twitter. I first read about the Tucson shootings from Twitter, as tweet after tweet streamed on my iPhone.]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[Being a news junkie takes on a whole new meaning -- and a lot more time -- in the age of Twitter.<br />
<br />
I first read about the Tucson shootings from Twitter, as tweet after tweet streamed on my iPhone. At one point, after retweeting some messages, speculation was so high that I myself tweeted late yesterday afternoon: "Let us let facts -- all of which we don't have -- before rushing to conclusions. Lot of projection going on. #Giffords."<br />
<br />
Here's <a href="http://twitter.com/#!/joseiswriting" target="_hplink">a link</a> to my stream, and it is just that, a stream of thoughts, mostly retweeted messages from all corners of the chattering Web.]]></content>
</entry>

<entry>
    <title>Bearing Witness, A Tweet At A Time</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/bearing-witness-twitter_b_795680.html"/>
    <id>tag:www.huffingtonpost.com,2010:/theblog//3.795680</id>
    <published>2010-12-13T06:34:51-05:00</published>
    <updated>2011-05-25T18:20:30-04:00</updated>
    <summary><![CDATA[On Twitter, do you follow people on whose lives -- whose fundamental set of realities -- are completely different than your own? Or have you created a digital echo chamber, following people who already share your interests and already think the way you do?]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[Online, using social media, we can become <a href="http://www.huffingtonpost.com/jose-antonio-vargas/the-web-is-flat----the-wo_b_422394.html" target="_hplink">each others' witnesses</a>.<br />
<br />
Take <a href="http://twitter.com/#!/EricSheptock" target="_hplink">Eric Sheptock</a>, a former crack addict and now  homeless advocate who is the subject of <a href="http://www.washingtonpost.com/wp-dyn/content/article/2010/12/12/AR2010121203509_pf.html" target="_hplink">a remarkable story</a> in today's Washington Post, written by Nathan Rott. It's one of the most insightful and nuanced articles written about social media this year -- a must-read for anyone who questions the value of social networks such as Facebook and Twitter.<br />
<br />
On Twitter, everyone is their own news channel, their own personally written and publicly shared newspaper. Which makes me wonder: do you follow people on Twitter whose lives -- whose fundamental set of realities -- are completely different than your own? Or have you created a digital echo chamber, following people who already share your interests and already think the way you do? <br />
]]></content>
</entry>

<entry>
    <title>Mark Zuckerberg -- Our First Millennial CEO</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/zuckerberg-millennial-ceo_b_794384.html"/>
    <id>tag:www.huffingtonpost.com,2010:/theblog//3.794384</id>
    <published>2010-12-09T10:46:59-05:00</published>
    <updated>2011-05-25T18:20:30-04:00</updated>
    <summary><![CDATA[Like all influential and complex entrepreneurs, Facebook co-founder Mark Zuckerberg is many things to many people. But he is, first and foremost, our young century's first Millennial CEO.]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[Like all influential and complex entrepreneurs, Facebook co-founder <a href="http://www.huffingtonpost.com/news/mark-zuckerberg" target="_hplink">Mark Zuckerberg</a> is many things to many people. But he is, first and foremost, our young century's first Millennial CEO.<br />
<br />
That's a fact that's been glaringly omitted -- not to mention profoundly misunderstood -- in everything that's been written and reported about Zuckerberg this year. And due to the continued rise of Zuckerberg's company (users spent more time on <a href="http://www.huffingtonpost.com/news/facebook" target="_hplink">Facebook</a> than on <a href="http://www.huffingtonpost.com/news/google" target="_hplink">Google</a> this year); the critical drum-roll for Aaron Sorkin and David Fincher's <a href="http://www.huffingtonpost.com/2010/09/24/mark-zuckerberg-social-network_n_738530.html" target="_hplink"><em>The Social Network</em></a>; and largely because Facebook is closing the gap between our virtual and real lives, all the while serving as an online Rorschach test of sorts; there's been a mountain of interest in and a non-stop flood of all things Zuck, including the <em>60 Minutes</em> segment that aired this past Sunday. <br />
<br />
Though at times the TV interview played like <a href="http://paidcontent.org/article/419-how-mark-zuckerberg-fooled-60-minutes/" target="_hplink">a free infomercial</a> for Facebook, which unveiled its newest site re-design during the segment, it offered some insights. There was the obligatory exchange about Facebook's stance on user privacy, and a nod towards the most interesting story in Silicon Valley -- the battle between Google and Facebook. (Note to reporters and editors: it's not just a business and tech story; it's a story, at bottom, about changing human behavior.) But the most striking nugget in the broadcast came courtesy of Kara Swisher, editor of the Silicon Valley staple <a href="http://allthingsd.com/" target="_hplink">All Things Digital</a>.<br />
<br />
Three years ago, Swisher famously referred to Zuckerberg as the "Toddler CEO." A Harvard drop-out, with no managerial experience to speak of and a shyness that easily came across as cockiness, Zuckerberg worked through a revolving door of senior executives. Facebook was unstable. "The kid," as the old guard called him, was not up to the job.  No one thinks that anymore -- certainly not in the Valley. Swisher told <em>60 Minutes</em>' Lesley Stahl: "The toddler's a prodigy, as turns out."<br />
<br />
And the prodigy, unlike any other CEO of his stature, is growing up right in front of our eyes. I <a href="http://www.newyorker.com/reporting/2010/09/20/100920fa_fact_vargas" target="_hplink">profiled</a> Zuckerberg earlier this year for the <em>New Yorker</em>. After the profile was published and posted online, I received numerous Facebook messages, tweets and emails from readers, asking questions ranging from "<em>Did he really turn down that much money?</em>" (yep, he did, a few times) to some variation of "<em>...but what really makes him tick?</em>" As a Millennial myself, I can tell you that who Zuckerberg is cannot be divorced from the generation he represents. <br />
<br />
A Millennial describes someone who was born between the late 1970s and the early 1990s. Members of this generation are prone to blur the line between work and home, between their personal and professional lives. Bureaucracy saddled with hierarchy is sneezed at; what's preferable is a more flattened, individually focused yet collaboration-oriented working environment. Having an impact is just as valued, if not more so, than making money. There's something that seems downright Barney-ish about all of this. <em>"I love you / You love me / We're a happy family,"</em> so goes the lyrics to the show's most famous song. Nevertheless, this disposition represents a fundamental change, and an emerging reality, for many businesses within and outside the tech industry. Experts say Millennials comprise the fastest growing group in the workplace.<br />
<br />
Facebook is the first major Internet start-up whose core group of founders and key executives are Millennials, from Chris Hughes, who left Facebook to work as <a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/08/19/AR2008081903186.html" target="_hplink">director of online organizing for Barack Obama's presidential campaign</a> and now serves as founder and CEO of <a href="http://www.jumo.com/" target="_hplink">Jumo</a>, <a href="http://www.huffingtonpost.com/jose-antonio-vargas/jumo-chris-hughes-social_b_789690.html" target="_hplink">a social network for the social sector</a>, to Sean Parker, <a href="http://www.vanityfair.com/culture/features/2010/10/sean-parker-201010" target="_hplink">the perennial entrepreneur</a> who's the co-founder of Napster, Plaxo and <a href="http://www.facebook.com/causes" target="_hplink">Causes</a>, an online advocacy and fund-raising application within Facebook. Hughes is 27 years old; Parker just turned 31. Though Facebook won't reveal the median age of its employees, the engineering brainpower inside "The Bunker" -- as Zuck calls his company's headquarters in Palo Alto -- skews younger than other comparable tech companies in the Valley, which is populated by CEOs from the Baby Boomer and Generation X generations. From a creative standpoint, Facebook has become a Millennial hub. <br />
<br />
"I'm speaking in generalities here, of course, but Gen Xers are largely pragmatists. Boomers are idealists. Millennials combine the two: Let's think of idealistic things to do, but let's think of pragmatic ways to get them done using people, interacting with a community," <a href="http://www.millennialmakeover.com/Bios.htm" target="_hplink">Morley Winograd</a> told me. Winograd is the co-author of the forthcoming book <em>Millennial Momentum: How A New Generation Is Remaking America</em>, which will be published next year. "Mark Zuckerberg is, right now, the most high-profile entrepreneur of this Millennial generation."<br />
<br />
Born in 1984, Zuckerberg is a digital native who grew up in the Internet era, unencumbered by the analog world, the broadcast world, whatever we call the pre-digital age. The Internet -- not television -- has been at the center of his life. He was in middle school when Google was launched, and in high school by the time Wikipedia went live. He could always instant message someone.  Everything, and everyone, was a click away, laying the foundation for how he envisions the Web. <br />
<br />
"Mark was a blank slate in some respects. Looking at the context of this digitally interconnected world, the world that he grew up in, he was able to say, 'Ah, if this is the way the world is' -- all of us online, all of us with connecting with each other -- 'then this is how Facebook should be,'" <a href="http://nextagenda.com/offerings/speaking/bio" target="_hplink">Peter Leyden</a>, a tech entrepreneur who was one of the founding editors of <em>Wired</em> magazine, told me. "The ramifications and consequences of everything he's doing are huge, because the world that he's in charge of -- what, more than 500 million users on Facebook -- is growing. Steve Jobs at 26 and Bill Gates at 26 were not dealing with the kind of pressure that Mark Zuckerberg is dealing with right now."<br />
<br />
We are living in the third era of the consumer Internet. <br />
<br />
The first era saw the rise of portals like AOL, CompuServe, Prodigy in the late 1980s and 1990s -- essentially confined spaces where users read the news, joined moderated forums and participated in chat rooms. The second era broadened and deepened our browsing experience; in the past decade, Google and its algorithms have helped us navigate this new world. The third era -- the one we're living in, the one we're trying desperately to understand -- is an Internet that's built on people. Facebook did not invent this; the arrival of the social Web pre-dated Facebook, of course. But it's a cultural and technological shift that Zuckerberg and his team have tapped into and effectively capitalized. <br />
<br />
Everything is better with your friends, Zuckerberg likes to say, and he envisions the Web as becoming more and more social, because we, as people, are inherently social. <em>We share</em>. <em>We tell stories</em>.<em> We make friends</em>. To that end, Facebook is creating, and has succeeded in creating, a Web of its own, launching products and applications in which people's relationships are at the core of the user experience. <br />
<br />
Some three years ago, at the inaugural event called f8 (rhymes with fate), Zuckerberg declared that Facebook -- then with 24 million members, less than half whom were in college -- was more than a social networking site. Facebook is a platform, he said, a distribution channel similar to iTunes and an operating system like Windows. Offering a set of tools -- application programming interfaces, or APIs -- Zuckerberg opened up Facebook and its members to third-party developers to create applications. To many Facebook users, that meant games such as <a href="http://www.facebook.com/FarmVille" target="_hplink">FarmVille</a>, where Facebook users play with their friends in tending crops and growing a farm, and more serious-minded applications such as <a href="http://www.facebook.com/causes" target="_hplink">Causes</a>. FarmVille is owned by the Zynga, which was created in 2007. The 1,300-person company has a reported revenue upwards of $500 million.<br />
<br />
Almost three years later -- when Facebook boasted more than 400 million members -- Zuckerberg upped the ante at his third f8, in April. In addition to being a platform, Facebook introduced the Open Graph, which includes features such as social plug-ins that make the Web a more personalized experience. Users reading articles on HuffPost, for example, can see which articles their Facebook friends have read, shared and "liked." Previously, at the second f8, in July 2008, Zuckerberg unveiled Facebook Connect, allowing users to sign onto third-party sites, gaming systems and mobile devices with their Facebook identity, which serves as a sort of digital passport. This year, <a href="http://www.amazon.com/" target="_hplink">Amazon</a> -- the Web's largest retailer -- integrated Facebook Connect, syncing an Amazon shopper's account with his/her Facebook account. Zuckerberg was particularly proud of this integration because he admires Jeff Bezos, Amazon's founder and CEO.<br />
<br />
Taken together, Facebook Platform, Facebook Connect and the Open Graph present a fundamentally different Web in which being social and being public are the norms. There's something really efficient at work here; naturally, I'm more likely to read an article that my friends have read, in the same way that I'm more likely to visit new restaurants or watch movies recommended by friends. As <a href="http://www.henryjenkins.org/" target="_hplink">Henry Jenkins</a>, the noted media scholar and author of <em><a href="http://www.amazon.com/Convergence-Culture-Where-Media-Collide/dp/0814742815" target="_hplink">Convergence Culture: Where Old and New Media Collide</a></em>, told me: "We've talked about intelligent agents for years but no program has ever been built that is as useful as a friend who knows what I'm interested in and has contacts or sources I don't know." This is why Google, with its still-dominant algorithms, has reason to worry as Facebook's social graphs expand and the Web grows more and more social. Think of it this way: Google is to e-mail as Facebook is to text messaging. But there's also something potentially sinister and dangerous going on here, entrusting our information -- our names, our photos, our relationships -- to a company that profits (handsomely and increasingly) from our identities.<br />
<br />
But whatever the motivation -- Zuckerberg, <a href="http://www.newyorker.com/online/blogs/newsdesk/2010/09/zuckerberg-the-philanthropist.html" target="_hplink">a budding philanthropist</a> who today pledged <a href="http://www.huffingtonpost.com/2010/12/09/zuckerberg-joins-the-givi_n_794241.html" target="_hplink">to give away at least half of his fortune</a>, insists it's not financial -- the future of Facebook, the way it will continually evolve and rapidly iterate, will be based on how Zuckerberg sees the world: how we express ourselves and how we connect with each other. <br />
<br />
On Facebook, everything is a relationship, and our relationship with our first Millennial CEO is just beginning.]]></content>
    <link href="http://i.huffpost.com/gen/226882/thumbs/s-FACEBOOK-mini.jpg" type="image/jpeg" rel="enclosure"/>
</entry>

<entry>
    <title>Chris Hughes' Jumo: A Social Network for the Social Sector</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/jose-antonio-vargas/jumo-chris-hughes-social_b_789690.html"/>
    <id>tag:www.huffingtonpost.com,2010:/theblog//3.789690</id>
    <published>2010-11-30T09:30:16-05:00</published>
    <updated>2011-05-25T18:15:22-04:00</updated>
    <summary><![CDATA[Jumo offers an unprecedented hub for non-profit groups and organizations and announces the arrival of a major player, and possibly a game changer, in an industry that in the past has struggled to innovate and collaborate. ]]></summary>
    <author>
        <name>Jose Antonio Vargas</name>
        <uri>http://www.huffingtonpost.com/jose-antonio-vargas/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://www.huffingtonpost.com/jose-antonio-vargas/"><![CDATA[If everything goes according to Chris Hughes' plan, Nov. 30, 2010 will be remembered as a critical and celebrated moment for the multi-billion dollar nonprofit and charitable industry.<br />
<br />
Earlier this morning, Hughes launched his latest project, <a href="http://www.jumo.com/" target="_hplink">Jumo.com</a>, which the Facebook co-founder describes as a "social network for the social sector." Jumo means "together in concert" in the African language of Yoruba, and Hughes' nonprofit, non-partisan venture is a bold declaration that the nonprofit world has finally gone social. The site looks a lot like Facebook (where your homepage is filled with a news feed from friends and groups you like), and feels a little bit like Twitter (where you follow the nonprofit groups that interests you) and aims to do for charitable institutions what Yelp has done for salons, restaurants and other businesses: put people and their experiences front and center. <br />
<br />
At its most basic, Jumo offers an unprecedented hub -- a thorough and diverse online directory -- of nonprofit groups and organizations. Some 3,500 groups representing a wide array of social issues (poverty, environment, education, gay rights, etc.) are indexed on the site as of today, and all major geographic areas around the world are represented. At its most bold, it announces the arrival of a major player, and possibly a game changer, in a nonprofit industry that in the past have struggled to innovate and collaborate. Supporting an organization is not just limited to giving money and volunteering time. It also means promoting the group within your own social network and, when necessary, providing feedback and engaging with the organization.<br />
<br />
"Most every site that's out there focuses on donations. And, don't get me wrong, donating to organizations, especially right now, is really important. But Jumo is taking a very different approach. It's not just about how much money are donating to this or that group. It's about what kind of relationship you are building with that organization," Hughes told me early Sunday evening, as he sat in the conference room of Jumo's headquarters in Manhattan's SoHo district. He turned 27 last Friday and, like his small  and agile staff, he spent most of his Thanksgiving weekend preparing for today's unveiling. <br />
<br />
"A relationship is built over time," Hughes continued. "Maybe you start volunteering. Maybe you do start to give money. Then maybe you tell all your friends and family and co-workers about it. You personally feel a sense of ownership, and the technology enhances that relationship."<br />
<br />
In other words, the era of a quarterly e-mail blast from the charitable organizations you support -- if you even get an e-mail blast -- is not just antiquated in the age of Facebook, Twitter and YouTube, it's downright inadequate. Just as politicians need to meet voters where they're at, just as news organizations need to adapt to a more social network-based news distribution model, so, too, do nonprofit groups. <br />
<br />
From an organizational stand-point, Jumo has been about a year in the making. Hughes announced a soft launch <a href="http://www.huffingtonpost.com/jose-antonio-vargas/jumo-chris-hughes-faceboo_b_503720.html" target="_hplink">in mid-March</a>. He's raised more grant money since (about $3.5 million from groups such as the Omidyar Network and the Knight Foundation and other individual donors) and subsequently hired more staff. He now has a staff of eight and plans to hire more people, including a monetization director. Even though Jumo is itself a nonprofit group, Hughes -- who invested some of his money and as executive director does not draw a salary -- wants his organization to be self-sustaining. Revenue will come from two sources: tips on donations (similar to the peer-to-peer philanthropic group Donors Choose), where users can decide what percentage, if any, Jumo gets from each donation; and from sponsorships, though Jumo did not partner up with any group for the initial launch. <br />
<br />
Since summer, one of Hughes' busiest employees has been Kristin Resnansky, Jumo's outreach director. A former hedge fund analyst, It's Resnanky's job to interface and interact with hundreds of organizations that are featured on the site -- "the seed list," as the 35-year-old called it. She assured groups that they don't have to do anything to be a part of Jumo -- no extra work needed. All information on specific nonprofit groups are culled from their Web sites and their social networking presence. After today's launch, she added, any group that is mission-driven can join Jumo, may it be a tiny non-governmental organization in Kenya or a double- and triple-line business (a business that draws profit but has strong social impact).<br />
<br />
But, really, the idea for Jumo -- for launching a social networking site devoted to philanthropy and charity -- had been knocking around Hughes' head since the end of the 2008 campaign, when he worked as <a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/08/19/AR2008081903186.html" target="_hplink">director of online organizing for Barack Obama</a>. He's done his research, traveling around the world, particularly Africa, and learning from experts such as Jeff Sachs, the Columbia University professor; Susan McCue, founding president and former CEO of the <a href="http://www.one.org/us/" target="_hplink">ONE Campaign</a>, who serves on Jumo's board; and Jeffrey C. Walker, the veteran business executive who co-founded JP Morgan Partners and serves as chairman of <a href="http://www.millenniumpromise.org/" target="_hplink">Millennium Promise</a>.<br />
<br />
His days at Harvard, sharing a room with <a href="http://www.newyorker.com/reporting/2010/09/20/100920fa_fact_vargas" target="_hplink">Mark Zuckerberg</a> and helping launch Facebook, taught Hughes that the Internet is getting more and more social -- we're sharing more information, trivial and serious, than ever before. His time at the Obama campaign, working on the 11th floor of high-rise in downtown Chicago, proved that organizing online complements on-the-ground mobilization. <br />
<br />
He was ready to start something new -- on his own. <br />
<br />
"I feel more ownership over Jumo," he said simply.<br />
<strong><br />
CLICK BELOW FOR A SLIDESHOW ABOUT JUMO AND ITS STAFF.</strong><br />
<center><br />
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]]></content>
    <link href="http://i.huffpost.com/gen/223292/thumbs/s-SSHOT-mini.jpg" type="image/jpeg" rel="enclosure"/>
</entry>
</feed>