Is "Miami Vice," with its two Everymen climbing corporate ladders and swaddling themselves in status symbols, a kind of corporate art - the moody twin of Soviet socialist realism?
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When Dick Cheney told us that Lamont's win might "embolden Al Qaeda types," the message was the same as Hezbollah's.
Why has the unrest of the times found no strong expression in the culture, except perhaps in the blogosphere? Partly, I think, we are demoralized to see history repeat itself as farce.
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