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Cameron Sinclair

Cameron Sinclair

Posted: April 9, 2009 07:54 AM

For the past twenty years the voice of the architecture profession has mainly been drowned out by the computer generated sky-piercing towers of luxury. Year after year some of the biggest names in architecture tried to out do each other in what is technically feasible with oddly named styles of 'deconstruction', 'blobitecture' and 'ribbon architecture'. This constant craving to create jewels of desire in the urban fabric left the general public wondering what on earth we do. Now, with the global economy in tailspin, these exercises in object making have come to a crashing halt. For many of us, we couldn't be more thankful.

An architecture of excess vs. an architecture of relevance

In December 2008 New York Times architecture critic Nicolai Ouroussoff began his weekly column exclaiming 'Who knew a year ago that we were nearing the end of one of the most delirious eras in modern architectural history?' For the vast majority of design and construction professionals this era ended long ago. It's as though the New York Times were the last to offer a eulogy at a funeral that long since took place.

The fact is, there has been a split forming in the profession for quite sometime. While some in the industry pushed the boundaries of how to build, a new younger group of professionals began to question why we build and who to build for. This week Architecture for Humanity turned ten and we were stunned to realize we had over 40,000 professionals as part of our network over that time - most of whom are part of this later group. We've hit a point where the architecture of excess and the architecture of relevance are set to collide. Given the global crises around us, I know which side I'm rooting for.

Why? Let's take a step back. On a global level 1:7 people live in unplanned settlements, favelas, refugee camps or internally displaced camps. Close to 5 billion people live in inadequate living conditions and have little access to education, health care and adequate sanitation. Almost none of these communities utilize the services of design professionals. For those of us that work in this arena we are being swamped with requests for help from the camps in the eastern Congo to the hoovervilles in southern California. The desire for well built, sustainable structures is immense and young professionals seeking meaning are finding themselves drawn to providing their expertise to these communities. There is immense opportunity for architects to work in the service of humanity rather awkwardly trying to define it or worse impose a solution on it.

This evening I was set to debate Zaha Hadid on ethics in architecture at the Barbican in London. I had flown in specially and in the run-up to tonights' debate I imagined it to be a sort of Ali vs. Foreman fight over the role of the architect within the built environment and how we, as a profession, can act and react to the current economic downtown.

In the circles of the cultural elite I know I'm stepping on very thin ice. Given that she is the first female Pritzker Prize winner I've been told more than once that 'one cannot criticize her'. While Ms. Hadid has certainly made a lasting impact in the architectural discourse, the physical structures created have been on occasion environmentally unsound, exclusive in nature and at times ethically dubious. They fight for attention, piercing the fabric of the city instead of weaving it into a stronger and more interconnected environment.

As for our debate tonight sure enough, as is her reputation, she pulled out and sent an understudy. So much like the scenario that played out in the Ali/Foreman duel, our one on one debate is currently postponed.

Update: The debate itself was not as focused as it could be, mainly as the panel questioned what is 'good design', what is 'ethics', what does 'change the world' mean. Not that this was a bad thing. It was clear that we were along way off from agreeing the framework of the debate but it lead to five different viewpoints all of which were valid. I was surprised to see how many presentations did not have people in the images or even completed structures.

What was apparent is that most of the panel was more concerned about personal ethics (even morality) rather than as a collective. It was more how I see myself in the situation not how I see the profession and its' ability to adapt to current changes in our environment, our politics, our economy or our culture. I felt the constant self referencing to morals and morality was more of a red herring but interesting to debate. As this level we are all personally challenged on a daily basis, especially those who have to decide between taking a less than desirable job in order to keep the firm afloat.

I'm sure if anything gets written about this panel it would be our ability to agree to disagree, that having no conclusion is a good thing and the couple of interesting comments said in the heat of the moment. I did think some of the audience questions was as insightful as many of our answers.

Also there is a nice followup by Francis Anderton who suggests this debate is irrelevant. However the idea that this is a black and white matter is simply not the case. Certainly, as she clearly points out, many 'big name' architects have done socially responsible work - although far less than the sort of requirements laid out in the medical or legal profession. The debate is not about replacing one ism with another, it is about investigating what happens in the vacuum left with a global downturn in the economy. Will architects retrench to just super-rich clients or become more theoretical while we ride out the recession OR is there a role to play for the expanding the profession into realms that are more relevant to the current climate.

The argument was never about starachitect vs. non-starachitect but how we adapt and change as a group of professionals that is dedicated to improving the physical environments that we call life. There is no 'architecture with a big A' there is only architecture and how we practice it matters not just for the state of the world but the survival of the practice.

 

Follow Cameron Sinclair on Twitter: www.twitter.com/casinclair

 
 
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06:57 PM on 04/24/2009
This is a crude swipe at Zaha Hadid. I don't think that Hadid is untouchable, but this article does not represent a level of discourse that matches her work. If you are going to accuse her of being "occasion environmentally unsound" or "ethically dubious", then some evidence is called for. Such damning critique is not supported by the assertion that her buildings "fight for attention, piercing the fabric of the city" - a remarkably subjective and superficial complaint. Furthermore, the value you attribute to "weaving (the city) into a stronger and more interconnected environment" is the sort of vagueness that blurs the environmental debate, rather than bringing it closer to resolution.

Zaha Hadid is no saint, but I don't blame her for not showing up to be abused by Mr. Sinclair. He appears to be looking for a straw man to knock down and perhaps thought a straw woman would be an easier target.

Mr. Sinclair presents himself as having a faint grasp of the profession of architecture and it's theorization. He shows little understanding of the fading power of the architect, as opposed to that of the client or developer, of cities and planners. He also has poor grammar and spelling - can we expect more from a self-proclaimed leader of society, please? The whole Ali vs. Foreman reference is so self-agrandizing and narcissistic, I don't even know where to start with it...
03:30 PM on 04/14/2009
the critique is too simplistic. framing the discourse as poles of relevance or excess will result in nothing productive and is ultimately self-serving. I respect Cameron's project but he is just as ambitious as Zaha; the Ali/Frazier quip proves this. Defining your own approach in a negative manner (ie. I define what I do as an opposition to what someone else does) may give your career a boost but I think it is a weakness; albeit a completely predictable one. In some cases it seems like Cameron is embarrassed that design is actually at the core of architecture. Focusing on this debate too much will be counter-productive.
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Lorianne
ama vitam
02:14 PM on 04/14/2009
Great article. Thank you Mr. Sinclair for saying what needs to be said.
12:35 PM on 04/13/2009
Using architecture for personal expression is like using drinking water for massage -- just another trend making me sick after the personal bathroom/shower nobody needs for everyday use with plenty of public swimming-pools around to go for a wash and a swim twice a week.

Oversized homes are echoing over-powered cars which in turn are echoing the frustration due to poor individual mobility with cars, since roads are only built to where the State allows you to go. This was started after WWII, when governments learnt that control of the airspace was needed for power enforcement, otherwise they could as well have promoted personal aircraft.

It's time for a flying Model T, enabling people living on top of each other in cities to spread far beyond the green belt, with homes like birdnests, i.e. spheres, and like nature does when it plants a home-size volume into the landscape, i.e. on a slim stem.

No architects needed for spherical homes and other types of buildings accommodating this simplest and most effective of all shapes. No footprint on the landscape by neither roads nor homes, and instead of ever bigger cars for safety in case of collision, ever smaller aircraft for swift collision avoidance.

Add it all up in terms of spared materials and engineering resources, and you are then allowed to speak about real change for a sustainable future for our children.
02:18 AM on 04/11/2009
Why would Cameron Sinclair, the humanity starchitect, even agree to debate Zaha Hadid in the first place? Why would he enjoy pointing out that she is a problem to her face? Is she really a problem? Has Zaha Hadid made the world a less safe and more inhumane place? Only someone mainly interested in creating a spectacle with himself at the center of it would take pleasure in this sort of rudeness and then compare it on his blog to an Ali and Frazier fight that did not take place. So disappointing. Did Cameron imagine himself to be Ali or Frazier? Blogging this type of personal thought is embarrassing.

Sinclair and Hadid are engaged in two very different activities - I suspect Sinclair knows this - and if I were Hadid, given Sinclair's attitude that seeks to create one thing by destroying something else, why stick around, or even show up, to be insulted?
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Cameron Sinclair
04:41 AM on 04/11/2009
It is not about pointing out a problem, it is was debate set up by the Barbican in London to talk about ethics in architecture. Why wouldn't I debate any design professional on the ethics of (and in) architecture

The Ali/Fraser comment it is what is known as a humorous metaphor, in what some circles we call a joke. Prior to the event the fight was classed as an underdog (Ali) vs. the clear favorite (Foreman) yet fate played a heavy hand in the outcome. As she didn't show it was like when Fraser pulled out and postponed that event. In the profession we tend to take ourselves way, way to seriously and it is no wonder the general public scratch their heads when we are off waxing lyrical about 'role of architecture'.

In the debate her firm showed 9 slides of monochromatic large scale urban plans that were devoid of human beings, natural landscape and the intricacies of life. The 'imposing pre-architecture ideas' (as Jencks called them) are just the sort of thing that local communities react badly too. They had the opportunity to show some great work the firm has done (Maggie's in Fife) yet chose not to. Quite bemusing. As one employee pointed the firm creates and defines our culture which 'is as important, if not more, than providing clean water or basic shelter to communities in need'
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HUFFPOST BLOGGER
Cameron Sinclair
04:42 AM on 04/11/2009
(Part 2) You final point flat out wrong. No one has ever mentioned that she's made the world less safe or humane, if anything I had been upfront that she has made a remarkable change in the architectural discourse.The profession itself is highly subjective and the range of work is as broad as it is unique. The work of Zaha Hadid architects pushes the boundaries of what we can build. I am posing the question that once we've reached the edges of technological advancements do we that focus on who we build for and why are we building.

In a time when homes are being foreclosed, schools and health facilities and the number of natural and man made disasters are increasing we need to be training a profession that is relevant to the current state of the world not JUST for the few. There is always going to be iconic architects and iconic architecture but it's healthy to question the validity of their and our work in the large scale.
09:33 AM on 04/10/2009
The built environment is a snapshot of what a society values at a given point in time. The ideas and societal values that led to the desire to "objectify" buildings and make more sculptural in form than what I call 'rational' led to a lot of the stuff we've gotten in the last 20+ years. The only Hadid building I've experienced is the museum she did in Cincinnati, and it was an awful experience. The Geary Barcelona Guggenheim is for me a giant waste of titanium.
02:23 AM on 04/11/2009
I thought the Cincinnati building was a wonderful bringing of the street and sidewalk through and up into a museum. The ramps up and through the building were dynamic, and the contribution of the structure to its surrounds modulated, exact and observant. It convinced me that Zaha Hadid is an architect and to dismiss this work as purely formal is to only reaffirm Corbusier's dictum of eyes that can not see.
11:23 PM on 04/09/2009
The built environment arises from our collective consciousness, and so right now it embodies the desire for quick profits, competitiveness that comes from believing in scarcity, and childish "look-at-me" egos, all of which are based on the illusion of separation and inherent cause/independent arising (this is buddhist terminology, but extends through all spiritual traditions... all the way to particle physics). So we could also look at the possibilities for an architecture that embodies re-connection and integration: to one another, to the living planet we depend on, and to that unnamable Source from which everything arises.
03:51 PM on 04/09/2009
When I built the house I currently live in, I built a very modest (3 bedroom, 1 bath, 960 sf) house with lots of passive solar features and plenty of insulation. It's a really comfortable home with an average monthly utility bill of $60! Now I have a health crisis that necessitates me moving in with family, but guess what? I can't sell this house because it's too small! So much for conservation. Hummer houses rule!
11:05 PM on 04/09/2009
Take heart! I just sold a 1000sf 2-BR house with only ONE bathroom, no dishwasher, and a 1-car garage...... there ARE people who will see the value of your house.
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JustMyWords
10:30 AM on 04/10/2009
Amen! Trust me, there are people out there that would love to own a reasonably sized home - which does not mean 10,000sf LOL And I would kill for that utility bill!

The sad part is many of the young singles or couples that would see those houses as great starters are scared to even look for a home - all they hear is about what a bad housing market it is. It's a bad SELLER'S market, is all (I know, that's not a little thing if you're the seller). It's bad if you bought a house 3 or 4 years ago paying a premium price and the value has dropped. But if you've got good credit buying your first home, then it's definitely not so bad...
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livingplanet
03:50 PM on 04/09/2009
The best that architects can be is in helping build a heaven here on earth for the poorest of the poor. Guest what, a whole army of architects and builders have been doing so. Check out Gawad Kalinga (www.gawadkalinga.org) and ANCOP USA (www.ancopusa.org). GK means "to give care", while ANCOP stands for Answering the Cry of the Poor. The goal is to build 700,000 in 7,000 communities, in 7 years (GK777) for FREE for the poorest of the poor in the Philippines. The program has attracted so much support that it is now in Indonesia, Cambodia, Papua New Guinea, E.Timor, and entering India and Africa. See:

http://www.youtube.com/watch?v=AfCoysW3pEw
http://www.youtube.com/watch?v=yb1-sUkLoD8&feature=related

Gawad Kalinga will hold its annual GK Global Summit on June 12-14, 2009 at the Boston Marriott Hotel. Check out http://www.gawadkalinga.org/globalsummit/

Less of Self, More for Others, Enough for All....Gawad Kalinga.
03:11 PM on 04/09/2009
The most special architectecture that I have seen during my travels through 97 countries are those homes and communities that seem to arise organically and timelessly out of their natural settings -- such as certain villages in West Africa and Greek Islands.
The professor who started 'Engineers Without Borders' said that he saw more from-the-heart smiles in some of those villages in one day -- than he saw in a whole year at the University of Colorado (ouch America!). He said being with those villagers helped him to be a better father, friend, etc.
It might be good for some of our modern world's young architects to visit those villages to not only offer assistance where needed (earthquake-proof, low-cost schools and clinics) -- but to also learn to trust the open-heartedness of others -- and, to become more open-hearted themselves. I promise you, this is something the modern world needs very, very much.

Bless
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Artos
Down with Tyrants
02:46 PM on 04/09/2009
Architecture in Modern times has indeed become lazy. It bears none of the warmth or charm that makes owning a structure from the past so desirable. Where is the finely done art work that once used to grace our buildings that made you remember them? They seem to have gotten lost in the mad rush for what has been termed simplicity. The tradesmen who built the older structures are long gone and their skills have been lost because they were no longer availed of. Todays structures are nothing but blatant testaments to mans need to demonstrate his phallic prowess. Ugly naked steel and concrete with no hint of warmth or a passion for life. Maybe this is all that is left to us as a legacy for the future.
02:20 PM on 04/09/2009
I've been reading Christopher Alexander's words on these issues for decades and actually live in the only house he designed in the Pacific NW. His work has none of the ego that creates structures that make their inhabitants nuts. Alexander goes for tranquility and beauty, for structures and areas that nurture their inhabitants. The combining of technology and architects' egos is a certain formula for buildings and environments that damage people rather than sustaining them. Maybe this Depression will indeed stop the madness.
01:56 PM on 04/09/2009
Personally, I would like to see architecture go back even further - to where it was built to actually be beautiful and meant to last. I'm SO sick and tired of the rush to put up what essentially look like crackerjack skyscrapers, without the glorious mosaics and hand done plasterwork and art deco trimmings of the past. It's like every new building they put up, especially government buildings, are all stuck in 1982 design land. GAG.
03:35 PM on 04/09/2009
Personally, I agree. Professionally, what you desire is not feasible. At least not in the current AEC environment.
12:12 PM on 04/09/2009
Well said Cameron!
Thank you for all you have done for our world that we will one day leave to our children.
11:34 AM on 04/09/2009
Five years ago the Boston Architectural College hosted Cameron Sinclair and other architects committed to designing for the underserved at a conference entitled "Shelter and Beyond." Andrew Cuomo gave the keynote speech. I co-curated and installed an exhibit that showcased Architecture-For-Humanity, Design Corps, Common Ground, YouthBuild, Shelter-For-Life, Habitat-For-Humanity, and Fenway CDC. With alumni and students we produced full-size mockups of building systems proposed by each organization.

Still inspired a year later, but finding few opportunities for designing innovative projects, effortlessdesign began an adaptive reuse of a deteriorated commercial building into two affordable townhouses, revitalized the commercial spaces, and made a commitment to using local suppliers and contractors. The project is located in a walkable neighborhood, on a regional bus route, and in area turning around from economic decline. (see www.econewbedford.blogspot.com)

This type of project requires a comprehensive will, especially in these economic times, that was developed in my architecture training and design/build practice. Cameron's critique of the architecture profession is a shot in the arm. So often this Smart Growth Mixed Use project is dismissed because of its scale. However it is truly architecture because it is completely bold; solving complex problems. Getting out there and producing community-based projects, creating jobs, and changing with the times is the role of the architect that will help the general public understand what we do.

Thanks Cameron for your ten-year effort and insightful analysis that means everything.