In late 2012, CNN Films approached me about directing a documentary. We discussed a number of potential subjects, and eventually settled on Hillary Rodham Clinton. The film would be ambitious, controversial, and highly visible. But I felt that it was important, that I was qualified to do it, and that I could be fair. CNN gave me complete control ("final cut") over the theatrical version, and a generous budget.
And then the fun began. The day after the contract was signed, I received a message from Nick Merrill, Hillary Clinton's press secretary. He already knew about the film, and clearly had a source within CNN. He interrogated me; at first I answered, but eventually I stopped. When I requested an off-the-record, private conversation with Mrs. Clinton, Merrill replied that she was busy writing her book, and not speaking to the media.
Next came Phillipe Reines, Hillary Clinton's media fixer, who contacted various people at CNN, interrogated them, and expressed concern about alleged conflicts of interest generated because my film was a for-profit endeavor (as nearly all documentaries and news organizations are). When I contacted him, he declined to speak with me. He then repeated his allegations to Politico, which published them.
CNN and I decided to publicly confirm the film project to clear the air. Immediately afterwards, the chairman of the Republican National Committee announced that the Republicans would boycott CNN with regard to the Republican presidential primary debates in 2016. Shortly afterwards, the entire RNC voted to endorse this position. This did not surprise me. What did surprise me was that, quietly and privately, prominent Democrats made it known both to CNN and to me that they weren't delighted with the film, either.
Next came David Brock, who published an open letter on his highly partisan Democratic website Media Matters, in which he endorsed the Republican National Committee's position, repeating Reines' conflict of interest allegations and suggesting that my documentary would revive old, discredited Clinton scandal stories. Coming from Mr. Brock, this was rather amusing. David Brock began life as an ultraconservative "investigative journalist," quotation marks very much intended, spreading scandal with little regard for truth. He first attracted attention with The Real Anita Hill, his nasty (and factually wrong) hatchet job on the woman who, during Clarence Thomas' confirmation hearings, said that Thomas had sexually harassed her. Years later, he apologized and switched to the Democrats.
When Brock published his letter about my film, I got in touch with several prominent Democrats who knew Hillary Clinton. I told them that this campaign against the film and against CNN was counterproductive. They conveyed this message to Mrs. Clinton personally, along with my request to speak with her. The answer that came back was, basically, over my dead body.
None of this deterred or even greatly bothered me. I flew to New York and had a two hour meeting with CNN's President Jeff Zucker and his senior staff. They were great. They asked me how I was holding up -- I said fine. They pledged their support, expressed dismay that things were so nasty, and told me to go forth and make my film. I did so.
In June, I attended a dinner for Bill Clinton, which was educational. Clinton spoke passionately about his foundation, about African wildlife, inequality, childhood obesity, and much else with enormous factual command, emotion, and rhetorical power. But he and I also spoke privately. I asked him about the financial crisis. He paused and then became even more soulful, thoughtful, passionate, and articulate. And then he proceeded to tell me the most amazing lies I've heard in quite a while.
For example, Mr. Clinton sorrowfully lamented his inability to stop the Commodity Futures Modernization Act, which banned all regulation of private (OTC) derivatives trading, and thereby greatly worsened the crisis. Mr. Clinton said that he and Larry Summers had argued with Alan Greenspan, but couldn't budge him, and then Congress passed the law by a veto-proof supermajority, tying his hands. Well, actually, the reason that the law passed by that overwhelming margin was because of the Clinton Administration's strong advocacy, including Congressional testimony by Larry Summers and harsh public and private attacks on advocates of regulation by Summers and Robert Rubin.
Wow, I thought, this guy is a really good actor. And I also saw one reason why Hillary Clinton might not be thrilled about my movie. I discovered others. In Arkansas, she joined the boards of Walmart and Tyson Foods. One of the largest donors to the Bill, Hillary, and Chelsea Clinton Foundation is the government of Saudi Arabia. The Clintons' personal net worth now probably exceeds $200 million, and while earned legally, both the money's sources and the Clintons' public statements indicate a strong aversion to rocking boats or making powerful enemies.
It was not always thus. When Bill Clinton became President, he and Hillary initially attempted courageous reforms: allowing gays to serve in the military, a carbon tax, health care reform. But they got their heads handed to them: Colin Powell went on television telling America that if gays served in the military, morale would suffer. And the Clintons also learned about money, because back then they had none. When they were mercilessly hounded by Kenneth Starr and Congressional Republicans, culminating in impeachment, their legal bills soared and the Clintons fell many millions of dollars into debt. (To be sure, Bill Clinton poured gasoline on the fire by lying.) It is very clear that the Clintons then decided never to be at anyone's mercy again. And since Bill Clinton first became Governor of Arkansas, the cost of Presidential campaigns has gone from $66 million (both parties combined, in 1976) to an estimated $5 billion for 2016, when Hillary will run. So more than ever, the Clintons need money and the people who supply it.
I would have loved to explore all this. But when I approached people for interviews, I discovered that nobody, and I mean nobody, was interested in helping me make this film. Not Democrats, not Republicans -- and certainly nobody who works with the Clintons, wants access to the Clintons, or dreams of a position in a Hillary Clinton administration. Not even journalists who want access, which can easily be taken away. I even sensed potential difficulty in licensing archival footage from CBN (Pat Robertson) and from Fox. After approaching well over a hundred people, only two persons who had ever dealt with Mrs. Clinton would agree to an on-camera interview, and I suspected that even they would back out.
This, of course, was the real consequence, and probably the real intent, of the announcements by the RNC, Philippe Reines, and David Brock. Neither political party wanted the film made. After painful reflection, I decided that I couldn't make a film of which I would be proud. And so I'm cancelling. (Not because of any pressure from CNN -- quite the contrary.) It's a victory for the Clintons, and for the money machines that both political parties have now become. But I don't think that it's a victory for the media, or for the American people. I still believe that Mrs. Clinton has many virtues including great intelligence, fortitude, and a deep commitment to bettering the lives of women and children worldwide. But this is not her finest hour.
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