Co-written with Stuart Connelly
September 9, 2011 marks the 40th anniversary of the prison uprising at the Attica Correctional Facility in upstate New York. Forty-two men, mostly inmates, were killed in the armed retaking of the prison under the orders of Gov. Nelson Rockefeller. I was there, as one of the "observers" specifically requested by the inmates. I, along with Tom Wicker (then associate editor and columnist for the New York Times), Bobby Seale (chairman of the Oakland, CA-based Black Panthers), Bill Kunstler, noted civil rights attorney and others-tried to negotiate a peaceful non-violent settlement of the dispute.
Men -- and by extension, governments -- always make poor decisions under pressure. The story of the Attica Prison uprising is the story of pressure squeezing out the worst decision of all: the decision to take lives.
First a group of men yielded to this pressure.
Then their government did.
The uprising at Attica took place early on in the angry decade of the 1970s. This anger clearly and naturally flowed out from the end of the 60s, the direct result of a cocktail of disappointment -- part the simmering savagery of Vietnam, part the violent opposition to the Civil Rights Movement. Yes, real progress took place on the racial front, but it was nevertheless a battlefield. There may have been the "Summer of Love" in that decade, but both Kennedy brothers were slain, four little girls were blown up at the Sixteenth Street Baptist Church in Birmingham, Malcolm X was gunned down in Harlem, they shot Viola Liuzzio in a moving car in Selma, Alabama and they lynched civil rights workers Chaney, Schwerner, and Goodman in Philadelphia, Mississippi. My beloved friend Martin Luther King, Jr. was assassinated in Memphis, Tenn. on April 4th 1968. The country was nearly set afire in the rioting aftermath.
This was the America the new decade of the 70s had inherited. And despite the steps forward for equal treatment under the law, African-Americans were still being treated as second-class citizens. In the so-called correctional system, this was even more true. There continued to be an enormous disparity between the percentage of African-Americans in free society and the percentage of African-Americans in the inmate population of our nation's prisons.
I've been reflecting back over the years since Attica and questioning what lessons, if any, we had learned as nation from that experience. I began to think about the prison uprising within the context of America's struggle with violence and our traditional response of incarceration for convicted perpetrators of acts of violence against law-abiding citizens within our society. I remembered the sociological axiom that violence lies like molten lava beneath the surface of society, just waiting to erupt.
I discussed my Attica experiences with my friend and colleague Stuart Connelly -- writer, journalist, and co-author with me of a book earlier this year, Behind the Dream: The Making of the Speech That Transformed a Nation. As a result of our conversations, we decided to write a retrospective commentary on my experiences 40 years ago. Uprising: Understanding Attica, Revolution, and the Incarceration State is that commentary. The way we treat prisoners -- then as well as now-demand Civil Rights Movement -- level attention.
It certainly must have been the norm in many-if not most-other penitentiaries, but in Attica, prisoners were treated almost like animals. In that sense, the prison was a microcosm of the penal world in general. In the list of grievances that came to light during the uprising, we learned much about what we, as a society, were doing in the prison system, with our tax money and in our name, that we would find repellent. The incarcerated in Attica were given only a single roll of toilet paper a month, for example. Only allowed to take one shower per week. Not only were Muslims denied their constitutional right to hold religious services, but pork (explicitly forbidden by the Quran) was often the only protein served in the mess. Newspapers were kept out of the prison library. Magazines that had any information about prison reform or prisoners' rights were censored.
These were the pressure points that forced the inmates in Cellblock "D" to lose patience. They had been asking for a meeting with the man who could change the rules -- New York State Commissioner of Corrections Russell Oswald -- but as it became clear there was no interest in changing anything for a bunch of "sub-humans," the inmates took matters into their own hands. The prison rebellion in the upstate New York community of Attica resulted in a four-day standoff.
On the first day the inmates requested my presence there along with 10 other "observers." At the time I was a 40-year-old newspaper publisher. This sort of hostage-crisis monitoring was not my training, but these observers were asked to give voice to the inmates' grievances and help negotiate a peaceful settlement. If you know anything at all about the uprising at Attica, it is likely this: there was no peaceful resolution. I found no real chance for peace there. What I left Attica with, instead of success, was compelling insight into the desperation that can bring people to acts of madness, self-destruction, and amoral judgment. And what I've seen in the intervening years reminds me that Attica was only the beginning, the "tipping point."
The story of the Attica uprising has never before been told from the twin perspective, with the eyewitness vantage point of one inside (yet not incarcerated) braided with the contemporary social dissection of America's "state of mind" regarding its treatment of convicted criminals. It is a view that's instructional about the politics of power we deal with every day. There are lessons learned from my personal experience behind Attica's soaring, scarred walls that can and should be applied to today's incarceration philosophy.
Not many Americans are acquainted with the Attica uprising on any level of detail, as they may be with other battles for civil rights. It is perhaps best known to most through a pop culture filter, from the scene in Sidney Lumet's Dog Day Afternoon, supposedly an ad-libbed line by Al Pacino, as his trapped-at-the-scene-of-the-crime bank robber character tries to get the bystanders on his side by pushing to get the famous "At-ti-ca! At-ti-ca!" chant to catch on. But a more apt perspective on what went on at the heart of the uprising can be found in a later Lumet film, Network (1976). The scene also featured a chant, something so many of the dehumanized revolutionaries in upstate New York could have identified with:
"I'm mad as hell, and I'm not going to take it anymore!"
On its 40th anniversary, the rebellion at Attica is not merely a harrowing memory of desperate decisions, the struggle for control, the animal panic of cornered men, but a harbinger of things to come. In retrospect, the drifting cloud of teargas that ended the siege and started the bloodshed was a kind of smoke signal, pointing the way to dangerous trends in our very concept of justice: an incarceration society that punishes rather than rehabilitates and a new form of segregation.