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D. Dominick Lombardi
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D. Dominick Lombardi is an artist, art writer and curator. He is represented by Kim Foster Gallery in Chelsea, New York. Feature articles and reviews of his art have appeared in many publications including Sculpture magazine, ARTnews, The New York Times, Time Out New York, NY ART BEAT, The M magazine, Post Road Magazine, WHITEHOT and Zing.

Lombardi's features and art criticisms have been published in The New York Times, ARTslant, Art in Asia (S. Korea), Public Art and Ecology (China), Art Experience NYC, Sculpture, Sculpture Review, d’ART (U.S. Editor), Art Papers, Art Lies, ARTnews, & magazine, Art New England and culturecatch.com among others.


As a curator, Lombardi has presented, in a variety of museums and galleries across the U. S. such shows as 'Eye on the Storm,' ‘Monkey Spoon,’ ‘Anonymous,’ ‘Nature Calls,’ ‘Suspect Reason,’ ‘Fear is a Four Letter Word,’ ‘Speaking in Strings: Ken Butler and Kurt Coble,’ ‘Over the Top - Under the Rug,’ ‘One Night Stand - The Sex Show,’ ‘The Waking Dream,’ ‘The Tradition of Icons,’ and ‘Champions of Modernism: Non-Objective Art of the 1930s & 40s and Its Legacy.’

Entries by D. Dominick Lombardi

Ethereal / Real at Causey Contemporary

(0) Comments | Posted January 6, 2016 | 8:43 PM

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Hyun Ju Park, Untitled no. 9 (2008), Sumi ink, hair and nails on panel, 24 x 32 x 2 inches

It's not very often, when I walk into a gallery, that I feel a strong sense of calm curiosity. The work of

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Moses Hoskins: The Real Deal

(0) Comments | Posted December 29, 2015 | 10:05 AM

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Moses Hoskins, Untitled (1995), wood, masonite, sutures/staples, paint and drawing media, 30 x 40 inches

I was first introduced to Moses Hoskins by Eileen Costello, Ph.D. in 1995. He resided in NYC for seven years at that time, having...

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Behind the Scenes: Anna Ortiz

(0) Comments | Posted December 22, 2015 | 9:40 AM

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Anna Ortiz, Panorama (2015), oil on canvas, 28 x 28 inches

In this, the fifth of a series of interviews that focus on Local 829's Scenic Artists who sculpt and paint in a variety of ways the sets we see on...

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Jeanne Tremel: Active Dreams and Contemplative Art

(2) Comments | Posted November 10, 2015 | 5:35 PM

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Jeanne Tremel, untitled (160), watercolor, gouache and ink on paper, 11" x 10", 2015

A sculptor, painter and installation artist, Jeanne Tremel reveals that elusive space between visual perception and what the mind and body feels and experiences both consciously and...

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Behind the Scenes: Bradley Rubenstein Plus Post HEAD Reflections

(0) Comments | Posted October 20, 2015 | 8:03 PM

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Bradley Rubenstein, Camera Scenic, Day 28 Demolition, photo credit: Anne Marie Fox, 2014

This is the fourth of a series of interviews that focus on Local 829's Scenic Artists' "behind the scenes" talent who sculpt and paint in a variety of...

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Susan Breen: The Elemental Substance of Nature

(0) Comments | Posted July 14, 2015 | 11:31 AM

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Susan Breen, Still Life IV, 24" x 24", oil on canvas, 2015, courtesy of Woodward Gallery, NYC

In recent times, few painters have made substantive strides in the field of floral and still life painting. One such artist is Susan Breen....

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Behind the Scenes: Michelle Mackey

(0) Comments | Posted April 24, 2015 | 4:00 PM

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Michelle Mackey, Dirt Jetty, 14" x 16", latex and gouache on duralar, 2013. Photo via John Berens (all images courtesy of the artist)

This is the third of a series of interviews that focus on Local 829's Scenic Artists, the "behind...

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Behind The Scenes: Roman Turovsky

(0) Comments | Posted December 30, 2014 | 9:36 AM

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Roman Turovsky, Stadt 46 (2010), oil on linen, 24 x 36 inches

This is the second of a series of interviews that focus on Local 829's Scenic Artists, the "Behind the Scenes" talents who sculpt and paint in a variety of...

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Resonance and Memory: The Essence of Landscape

(0) Comments | Posted December 19, 2014 | 5:28 PM

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J.J. L'Heureux, Ross Ice Shelf 1 (2014), photograph, 32 x 144 inches

It is difficult to pinpoint the exact date the landscape became a primary subject for artists. Wikipedia places the earliest "pure landscape," which is a work of art that has an...

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Jina Chung Sets Up Her Content With Humor

(0) Comments | Posted December 15, 2014 | 6:54 PM

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Jina Chung, The Poop Tale (2009), f.r.p., mosaic tiles, 60 x 60 x 48 inches and 36 x 36 x 24 inches, Installation Seoul City Museum

Jina Chung can best be described as an artist who champions a sort of Post Pop- Conceptual-Dada...

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A Conversation with Gloria Garfinkel

(0) Comments | Posted December 8, 2014 | 4:48 PM

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Gloria Garfinkel, Kimono Hanabi # 6 (1992), etching collage, image: 34.5 x 28 inches, paper: 40 x 34 inches

Gloria Garfinkel's art can be seen as a celebration of life where vibrant colors, dynamic shapes, viewer participation and the pure joy...

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Bong Jung Kim Gets Right to the Point

(0) Comments | Posted December 1, 2014 | 9:05 AM

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Bong Jung Kim, Trace (2013), mixed media on canvas, 38 X 74 inches

Bong Jung Kim has a very deliberate and consistent way of working. His intention, which is navigated through bold combinations and contentious juxtapositions of symbols, mixes metaphors as he vies...

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Behind the Scenes: Tom Hooper

(0) Comments | Posted November 18, 2014 | 10:43 AM

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Tom Hooper, The Ecstasy of St Teresa (2012), mixed media, 30 x 40 inches

This is the first of what I hope will be a series of features or interviews that focus on the 'Behind the Scenes' talent that transforms, in a variety...

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Rob Mango Speaks Out

(0) Comments | Posted November 11, 2014 | 3:35 PM

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Rob Mango, Krishna Passing the Wheel of Fortune on the River Ganges 1993, oil with mixed media on canvas, 46 X 34 inches

Rob Mango, artist and denizen of Tribeca, NY and former medal winning track star has been running through the streets...

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An Interview With John David O'Brien

(0) Comments | Posted October 28, 2014 | 3:41 PM

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AO-1 (2014), 35 7/8 x 35 7/8" (91 x 91 cm.), acrylic paint, ink and medium on silver halide Lambda Durst; prints on Fujicolor Crystal Archive matte paper and mounted on 3mm Dibond panels.


John David O'Brien's art is like jazz...

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Repurposing With a Passion

(0) Comments | Posted July 14, 2014 | 6:58 PM

In 2011, when I was writing for the now defunct Shanghai-based publication Public Art and Ecology, I wrote an article about the global trend toward repurposing materials in the fine arts. The article was accepted for publication but the magazine ran into undisclosed difficulties and was unable to publish their...

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Near and Far

(1) Comments | Posted June 19, 2014 | 2:16 PM

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(Above) Sandra Gottlieb, October Waves No. 16 (2013), archival digital c-print on Fuji paper mounted on Sintra, 20 in X 24 in (courtesy of the artist)

The works by two very different artists currently on exhibit at BCB ART establish a...

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Cherry Blossom Special

(0) Comments | Posted May 15, 2014 | 4:52 PM

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Seong jin An, Sakura-Sakura (2014) 42.5 X 63.8 inches, injet print, face mounted on Plexiglas, image: courtesy of the artist

When you first encounter the photographic works of Seong Jin An at the Tenri Cultural Institute Gallery, you see images of...

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A Vacation on Mars With God

(0) Comments | Posted December 5, 2013 | 9:15 PM

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Flatland XIV, 2013, paper burnt with propane torch, 76 x 52 inches (193 x 132 cm). Image courtesy of the artist.


A Vacation on Mars With God is a curious title for an exhibition. It implies that God exists, and that...

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Earthward Bound

(0) Comments | Posted November 11, 2013 | 7:51 PM

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Thomas Frontini, Near the Glacier (2013) oil on panel, 33" x 45" (courtesy of the artist)


The Skylight Gallery offers two intimate spaces that are connected by a narrow hall situated at the top of an even narrower stair....

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