Does Disney's Beauty and the Beast need to undergo digital conversion to the 3D format in order to lure audiences back into the theater? It shouldn't, not really. Beauty is a certified classic, the first animated film to net a "Best Picture" Oscar nom and the one that re-energized the Disney animation division. To think that it has to go through a "It's the film you've known and loved, back on the big screen where it belongs... now with candy," process in order to get butts into seats says more about the current theories of film marketing than it does about what was lacking in the movie itself.
Nevertheless, Beauty and the Beast is back, and Cinefantastique Online's Steve Biodrowski, Lawrence French, and myself have strapped on the 3D goggles to determine whether the film prospers or suffers from the tweaking, as well as discussing how the film maintains its stature some twenty years later, and examining how the contributions of the songwriting team of Howard Ashman and Alan Menken permanently transformed animated storytelling.
Plus: Steve delivers his capsule judgement on the apocalyptic thriller The Divide, and the CFQ team discuss their reactions to the animated short Tangled Ever After. Plus: What's coming in theaters.
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