Recently, on a TV news report, the reporter observed that when economic times get tough, movies inevitably take a turn to the "feel good" variety. During periods of gloom, audiences gravitate towards movies offering uplift and hope. You go in feeling bad; you come out feeling better. That's the theory.
The reporter used Slumdog Millionaire as an example of the prototypical "feel-good" movie for our current hard times. I saw Slumdog Millionaire. But let me go somewhere else first. A small digression. I will return shortly.
I wasn't around for The Great Depression, but I've seen many of the movies made during those, arguably even worse, at least so far, hard times. This is not meant to be a comprehensive survey of Depression-era movies. I know Warner Brothers in particular made a number of gritty gangster pictures, but even those had a positive, albeit an inverted positive, message.
Gangster movies were, "Don't do that" movies. You could tell they were "Don't do that" movies, because in the end, the head gangster was always gunned down in a hail of bullets. The unmistakable message: If you don't want to be gunned down in a hail of bullets...don't do that.
The Depression did have its darker offerings. The Good Earth. The Grapes of Wrath. But the era's entertainment mainstay was fluff. Lavish musicals, goofball comedies where rich people cavorted in ball gowns and tuxedos drinking "high balls," whatever they are.
A digression within a digression. This will be quick, I promise.
If I were desperately poor, but had somehow scraped up the dime, or whatever, to see a movie, I would have hated watching rich people partying on the screen, no matter how foolishly they were made to behave.
The subtext of these movies was for the audience to feel superior, their unspoken message: "They're wealthy but they're idiots." That wouldn't have been enough for me. "Enough" would have been, "They're wealthy, but there's poison in the caviar."
For me, there'd have been no satisfaction watching movies about wealth and privilege, then going home and eating my shoe.
But apparently, I'd have been in the minority.
There is one performer from that turmoiled period who really gets to me. Shirley Temple -- the cinematic icon of Depression-era cheerfulness. A curly-headed, chubby-cheeked, multi-talented dynamo, Shirley Temple embodied the "never-say-die" spirit of a nation on its knees. (My favorite Shirley Temple movie: The Little Princess.)
She'd lose her position. She'd lose her father. She'd lose her dog. Nothing could stop her. Shirley Temple would always bounce back. With a smile and a giggle and a "Keep you chin up, the good times are just around the corner."
Back to today.
I am known (by those who know me) for refusing to patronize dark and/or violent movies. Faced with diminishing movie-going options, at least by my entertainment standards, I was looking forward to the "feel-good" movies of today. (I'm sorry millions of people had to lose their jobs so I could get to see one, but what are you gonna do?)
Which brings me to what I've heard called the "feel-good" movie for our time -- Slumdog Millionaire.
A young boy sees his mother murdered before his eyes, toughs it out on the murderous "mean streets" of Mumbai, is recruited into a gang of urchin criminals whose leader deliberately blinds one of its young members (blind street singers make more money) by pouring acid into his eyes, loses the girl of his dreams to prostitution, his brother and later, a sadistic mob boss, he finally gets a break appearing on a television game show, where his life's experiences fatefully provide him with all the answers, but he's suspected of cheating so he's brutally tortured by the police.
Oh me, oh my. Something has happened to the "feel good" movie.
The "feel good" of today movie has stuff in it that makes me, at least, feel disgusted.
The question then is:
Where do I go to feel good?
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