Eric J. Henderson
GET UPDATES FROM Eric J. Henderson
 
Eric J. Henderson is a fine art photographer: He shoots exclusively with a 1950 Kodak Brownie Hawkeye he found in 2003 at a sidewalk bazaar on 125th St. at Park Avenue in Harlem. A self-taught artist from that moment on, his work since has including appearances in GQ magazine as featured global artist for Bombay Sapphire Gin, a debut exhibition at The Studio Museum in Harlem with his work earning a “standout” nod from the New Yorker magazine, and collaborations with such entities as Starbucks, the World Bank and various non-profit organizations that have taken him to Brazil, France, Morocco, and across the US, teaching the Brownie camera (and giving away over 30 at last count… to both adults and youth.)

His 18+ year history prior to the camera was in business and philanthropy, earning an MBA from Thunderbird (including a year at ESADE-Barcelona) and then going on to develop, through consulting and writing, a distinct reputation for uncovering the unexpected, particularly in marketing and on topics from social media to branding, and strategy. He has advised numerous organizations, such as the Aspen Institute-Socrates Society, Living Cities, and the Harvard Kennedy School. Fluent in Spanish and Portuguese (and defending well in Catalan), he has also published frequently, including for AdAge and Time Warner publications, writing on business, politics, and advertising, bringing to Huffington Post a varied experience and a photographer’s view on a new angle from which to consider “Art, The Arts and Policy.”

Blog Entries by Eric J. Henderson

Art in Earnest: Harlem-Based Artist, Tyson Hall

0 Comments | Posted April 6, 2012 | 10:55 AM

I recently sat in a talk hosted by the Aspen Institute and led by Howard Gardner and Ellen Winner. As the room wrestled with the dog-yeared question of why Art suffers in taking up its proper space (i.e., any space) in public education, I...

Read Post

Solving the Scenario: Asad Raza, Art Producer

0 Comments | Posted January 31, 2012 | 2:15 PM

The credits roll and you notice the name of the producer. Stock-in-trade for a film, but what about that role in the world of art? A profile of Asad Raza. An Interview with Hans Ulrich Obrist with notes from artists.

2012-01-29-asad2small.JPG
Asad Raza, Buffalo, New York
...
Read Post

Hip Hop and the (Near) Future

0 Comments | Posted December 27, 2011 | 12:26 PM

On being futuristic and tangible at once: "Ness" and EYE2025*

The Scene

Some artists strain to look deeply into the future to escape the perceived orthodoxy of the present.
Others might enjoy the2011-12-27-cropB.JPG close-up view, one that Chesterton would love, finding nothing "so...

Read Post

A Skeptic Queries "The Artist as Urbanist"

0 Comments | Posted October 5, 2011 | 10:54 AM

Interview and Photo Shoot With Artist, Alexis Laurent

2011-09-30-ALaurent_04.JPG

I am currently leading a game/simulation called Urbanology...

Read Post

The New View From Atop Manhattan's Museum Mile: Africa

0 Comments | Posted July 26, 2011 | 12:08 PM

110th & 5th Avenue, New York City, Harlem.

Harlem Meer is in the foreground. The scene makes for an instant city pastoral: a thicket of trees, the Dutch pond, and a museum... behind me. At this lazy hour of 5th avenue traffic, I can manufacture a scene in Beacon,...

Read Post

To See Certain Things... Zoom

0 Comments | Posted February 19, 2011 | 9:01 PM

A comment on Middle Eastern art through the lens of Art, The Arts, and Policy

To see certain things, we squint. In response to a glare, we omit the details of a scene by nearly closing our eyes and looking through the shade of brows and lashes to...

Read Post

Art, the Arts, and Policy

0 Comments | Posted November 20, 2010 | 2:07 PM

I'd like to use this space to revisit a three-way intersection: Art, the Arts, and Policy. It's familiar enough to create an easy deception, often driven by the summary cliché, "Art has Power." We also count on a solid history from agit prop to banned books and persecuted artists to...

Read Post