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In Good Company, 2012, acrylic and spray paint on
In Good Company, 2012, acrylic and spray paint on photograph, 21″x 24"
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Configuration (2012) 
7ft x 2ft x 2ft each 
Bloo
Configuration (2012) 7ft x 2ft x 2ft each Blood, preserved on plexiglass, UV resin, blood dust http://www.JordanEagles.com
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The Art of Translation, 68 x 92 in., Oil/Canvas, 2
The Art of Translation, 68 x 92 in., Oil/Canvas, 2013, dougargue.com, edelmanarts.com
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Chamber 6 - Ledge, 48 x 60
Chamber 6 - Ledge, 48 x 60", Light jet print Image courtesy of the artist and Cooper Cole Gallery, Toronto
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Decoded
Decoded
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Daisy in front of Trailer (from Hitchhiker / Till
Daisy in front of Trailer (from Hitchhiker / Till Death do us Part), 2005, 125x123cm, Edition of 5, C-Print mounted on aluminum, based on a Polaroid part of the ongoing art-project 29 Palms, CA "Till Death Do Us Part" is the story of two young lovers, Margarita and Cristal - lonely souls escaping the abuse of reality into each other. Daisy McCrackin is Cristal, the gender confused, love hungry, desert born waif.
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Pieter Hugo
From the series Permanent Error
Al H
Pieter Hugo From the series Permanent Error Al Hasan Abukari, Agbogbloshie Market, Accra, Ghana, 2009 Digital C-Print © Pieter Hugo, Courtesy Yossi Milo Gallery, New York and Stevenson Gallery, Cape Town The subjects, of Hugo’s portraits are young men sent by their families from impoverished outlying villages, are photographed full-figure and directly engaged with Hugo’s medium-format camera. With each portrait, Hugo draws the viewer into the conditions imposed on this slum community and their effects on individuals. Collectively, the photographs expose consequences of the West’s consumption of ever-new technology and its disposal of outmoded products in poor countries ill- equipped to recycle them.
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Banda de la Arbol, 2010, gouache on tinted paper,
Banda de la Arbol, 2010, gouache on tinted paper, 19" x 24" This painting-on-paper, from my series Mujeres y Camaradas, shows me and my girls in Frida Kahlo-inspired wardrobe and make-up (including uni-brows and 'staches). I started this project in Mexico City and then continued it on the streets of Los Angeles. The colossal, sculptural roots of this old ficus tree in front of a classic mission revival style house just north of San Vicente in Santa Monica (or Brentwood?) attracted me. The title means "Band [or Gang] of the Tree". I imagine us as well-put-together outlaws, and I see the tree as a fort -- a place to protect and be protected by.
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A, ink on rives paper. 46
A, ink on rives paper. 46"x20" http://cnp-la.org/event/post-la
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Bolanzoh (detail) 62 x 29 x 27 inches 
Reclaimed
Bolanzoh (detail) 62 x 29 x 27 inches Reclaimed taxidermy, Twigs, Fabric, Feathers, Foam, Paper, Cork, Faux hair, Yarn, Beads, Plastic, Metal, Etc. on Wooden Panel
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