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The Integration Of Sexually Dimorphic Dysmorphia I
The Integration Of Sexually Dimorphic Dysmorphia Into Space acrylic on canvas 72”x55 inches 2012 Private Collection
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Rorschach, 2012. 27
Rorschach, 2012. 27" x 26" x 10" Mixed media (polyester foam, resin, wood, paint and flock)
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Chamber 7 - Windowsill, 48 x 60
Chamber 7 - Windowsill, 48 x 60", Light jet print Image courtesy of the artist and Cooper Cole Gallery, Toronto
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John, 2008 
Ilfochrome Print 
Loretta Lux, Court
John, 2008 Ilfochrome Print Loretta Lux, Courtesy Yossi Milo Gallery, New York Lux’s photographs of children are not portraits in the traditional meaning of the word. Rather, she sees them as imaginary portraits which deal with the idea of childhood as a paradise lost. The carefree, innocent childhood ideal is explored in the photographs as an imaginary kingdom, one which is created more by the projection of adult ideals and concerns.
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The Sitter, 16 by 12 inches, oil on linen, 2011
The Sitter, 16 by 12 inches, oil on linen, 2011
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The Feeding, India ink, photo printed on cotton pa
The Feeding, India ink, photo printed on cotton paper, 4 x 6 2012 From my five years of research I have found that many images were taken of women nursing. Some are constructed in order to look as if the mother and child were participating in a sexualized act. I wanted to take this supposedly intimate moment that is captured for the camera and make it hyper by creating organisms that seem to cloak, intrude, cover and protect the mother and child all at the same time.
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Plaza, Havana Cuba 40” x 40”
Plaza, Havana Cuba 40” x 40”
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And So It Goes, 2012, 36 x 36”, oil on canvas
And So It Goes, 2012, 36 x 36”, oil on canvas
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The Bell, 2012, 60 x 72 inches, oil on canvas, Cou
The Bell, 2012, 60 x 72 inches, oil on canvas, Courtesy of the artist and David Kordansky Gallery
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Qusuquzah Standing Sideways, 2012 C-­‐Print 
5
Qusuquzah Standing Sideways, 2012 C-­‐Print 50 x 60 inches Edition of 3 and 2 Artist’s Proofs Courtesy of Mickalene Thomas, Lehmann Maupin Gallery, New York, Susanne Vielmetter Los Angeles Projects, and Artists Rights Society (ARS), New York
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