I have been reading a bunch about Mirror Neurons and contemplating Visionary Art lately and the combination has led to some profound insights. Mirror Neurons are neurons that fire while doing AND observing an act. Perhaps this is why we enjoy watching a musician and the expressions, feelings they exhibit while playing, but it brings us back to a very basic concept in human evolution and growth which involves modeling. When you observe profound art you are potentially firing the same neurons as the artist, creating new neural pathways within yourself, or both. Visionary Artists depict transcendent moments and if you haven't had an epiphany lately, you may want to take some time and explore this genre of art.
The inspiration for this article came about two weeks ago while at The Symbiosis Gathering in Oakdale, Ca. There were multiple stages of music, yoga workshops, large sculptures, native sweat lodge, and an overall immersive environment that induced ecstatic inspiration, but the Visionary Art was the most delicious dessert for my eyes. Watching artists collaborate and improvise on murals while surrounded by dancers, hoopers and live music nurtured an experience of feeling connected within the cosmic soup of creation. It was visual jazz, musicians do it all the time but we rarely share that experience with painters.
I strolled the artists booths looking at their art, but they usually weren't there. They were set up with their easels throughout the festival creating. Emma Watkinsons work absorbed me into a dream like a sponge wiping up a glass of spilled reality. Her watery brush-strokes and swirls combine with ancient motifs and geometric patterns in a symphony of colors. Just looking at her work caused me to contemplate the relationship between timelessness, eternity and the present moment. It tickles the imagination to ponder a world where everyone focused on the highest potential for humanity to live in a balanced relationship between masculine and feminine expression.
Randal Roberts was consistently at his booth painting and talking with friends. His work is adorned with paisley scrolling bursts of colorful waves, but what stood out most was the way he riffed on familiar ideas. His interpretation (or remix as he calls it) of Sir Frederic Leighton's Flaming June allows the observer to see something old and familiar with brand new eyes. Indeed, when we change the way we look at something we somehow change the thing we are looking at. How might we apply this concept to the troublesome aspects of our current global problems? Could we change the world with one slight shift in perspective? I think so...
Painting by Randal Roberts
Well, Jessica Perlstein is at least a few steps ahead of us on the idea. Anyone who has ever read Starhawks, The Fifth Sacred Thing will be excited to learn that Jessica has contributed illustrations to the upcoming film. When I looked at her art, my mind invited me to walk right into the canvas. I'm glad I didn't because I may have hurt myself. I asked her about her creations and she simply said, "I wanna live in these places, I'm just hoping that the right team of people will see these paintings and make them real." Her vision for San Francisco in the future (below) is enough to make anyone want to stick around and see it happen.
I was drawn to Miles Toland as he painted through the day and under The Equinox Full Moon at The Cove Stage. Elegance rolled off of his every brush stroke. I felt grounded to see him work with the grain in the wood as he fleshed out the faces of two radiant women born of the stars (a photo of one of them is below). My own neurons were firing with endless possibility as I walked between stages and artists, dreaming of collaborative bliss while the evening breeze blew across the water that surrounded the festival.