THE BLOG
05/14/2014 09:41 am ET | Updated May 14, 2014

'Coachella Walls': Date Farmers Raise Profile of 'Anonymous Worker'

Seriously, like Coachella is NOT even like in Coachella. It's like in Indio. True story.

The annual concert festival that brings legions of middle class to somewhat affluent feathered fringed bikini babes and awesome face-painted dudes dropping acid while texting and buying merch? And which apparently features big name indie music at some point over two weekends in April? That's not here. That town is called Indio, California.

Here in Coachella, California, the "City of Eternal Sunshine," no one shoots YouTube videos about "How to Survive Coachella" with hints about SPF 55 sunscreen sticks and personal-sized hand sanitizer. Here you will find a mostly rural, agricultural, family-oriented community which struggles with poverty regularly. They also pick a lot of your food.

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Coachella Walls Poster at a local farm. (photo © Medvin Sobio)

That's why Armando Lerma and Carlos Ramirez, artistically joined as The Date Farmers, began an "arts-driven community revitalization project" on March 31st, recognized in California as Cesar Chavez Day.

Inviting solidly remarkable street art and mural-painting talents to show some camaraderie with the working men and women in this community, the first annual Coachella Walls has now made its mark in the Historic Pueblo Viejo District of downtown. Here also is the recently opened Date Farmers Art Studios, which they hope will serve as the city's first art gallery and artist residency.

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Armando Lerma of The Date Farmers keeps and eye on the rambunctious fans. (photo © Medvin Sobio)

Thematically joined to honor Chavez and the Anonymous Farm Worker, the festival invited a group of muralists and contemporary artists with Latin American cultural influences in their work, including artists like El Mac (Arizona), Nunca (Brazil), Saner (Mexico), Andrew Hem (Cambodia), Liqen (Spain), Albert Reyes (Los Angeles), Vyal Reyes (Los Angeles), Sego (Mexico), The Phantom (Los Angeles), Jim Darling (Texas), and more.

According to the organizers, "Despite supplying the region with close to half a million dollars a year in vegetable crops, many of the farm workers in the Easter Coachella Valley continue to live in unsafe and unhealthy conditions." With murals, luck and a whole burlap sack of talent like this, Coachella Walls aims to bring awareness to these issues and others related to the life of the worker here.

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The Date Farmers (photo © Medvin Sobio)

Medvin Sobio was contacted by the Date Farmers to help produce and curate the public art project, and he shows us some of the images that came out of this very first annual event. Coachella Walls is funded by the city of Coachella's public arts fund and is curated by Sobio, the director of The Academy of Street Art in Los Angeles. Our thanks to Medvin and the Date Farmers for sharing these images with us.

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The Date Farmers at work on "Casa de Trabajador"(photo © Medvin Sobio)

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The Date Farmers (photo © Medvin Sobio)

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The Date Farmers (photo © Medvin Sobio)

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Armando and Carlos assessing the progress. The Date Farmers (photo © Medvin Sobio)

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The Date Farmers (photo © Medvin Sobio)

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Albert Reyes (photo © Medvin Sobio)

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Albert Reyes (photo © Medvin Sobio)

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Andrew Hem (photo © Medvin Sobio)

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Andrew Hem with Carlos Ramirez of The Date Farmers (photo © Medvin Sobio)

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Andrew Hem (photo © Medvin Sobio)

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Andrew Hem (photo © Medvin Sobio)

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Andrew Hem (photo © Medvin Sobio)

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El Mac (photo © Medvin Sobio)

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El Mac (photo © Medvin Sobio)

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El Mac chats with Andrew Hem. (photo © Medvin Sobio)

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El Mac. Carlos Ramirez of The Date Farmers snaps a shot. (photo © Medvin Sobio)

Says El Mac about this painting on his blog, "It's not intended to represent any one specific person, but rather many people, especially the "anonymous farm worker". Farm workers in this country have been marginalized despite producing the very food we all need for survival. The Coachella valley is an important region for farming, and has been the setting for many of the struggles by the UFW to to improve workers' rights since the 60s..and you can feel this history there."

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El Mac (photo © Medvin Sobio)

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Nunca (photo © Medvin Sobio)

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Nunca "The Band" (photo © Medvin Sobio)

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Nunca "The Band" (photo © Medvin Sobio)

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Nunca "The Band" (photo © Medvin Sobio)

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This article is also posted on Brooklyn Street Art.

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