Americans associate bottom-up challenges to Deng Xiaoping with images of the massive 1989 protests. But those demonstrations were not the first acts of dissent Deng had to deal with by any means once assuming the reins of power in China. More than a decade before the June 4th Massacre, right after his Reform era began, came the "Democracy Wall Movement" -- named for a Beijing area where critics started putting up posters (some of which warned of Deng becoming a dictator) in 1978.
The term "democracy wall" had been used for comparable spaces back in the 1940s (when Chiang Kai-shek's authoritarianism was being attacked) and again during 1957's "Hundred Flowers" campaign. The 1957 precedent is particularly relevant because Deng responded to criticism in the late 1970s much as Mao Zedong had some twenty years earlier, first welcoming it as a healthy form of expression, then cracking down.
The Democracy Wall Movement of 1978-79 was not a single, coherent, organized struggle with a clear agenda but rather a constellation of activities by groups inspired by varied ideas. When remembered in the West, it tends to be simplified: treated as a liberal democratic project, even though the language of many posters was infused with Marxist and Maoist concepts and ideals. There is more to keep in mind about Democracy Wall than the name of the unusually liberal Wei Jingsheng, who gained fame through crafting a powerful manifesto, "The Fifth Modernization," which said Deng's call for "Four Modernizations" (of agriculture, industry, education, science and technology, and education) left something out: democracy.
Today, however, focusing on Wei makes sense, since his famous poster went up exactly 30 years ago. Interestingly, Wei didn't present democracy (the "fifth modernization") as an abstract good but as a pragmatic necessity. Without it, he wrote, great obstacles would block China's material development. The fact that this year's first protests were the anti-Maglev "strolls," which I've discussed elsewhere (including in my just published Global Shanghai, 1850-2010), underlines the gulf separating 1978 from 2008.
There's certainly a connecting thread tying Wei's poster of thirty years ago to middle-class demonstrations like the Shanghai ones that started brewing eleven months back: a desire for more transparent and responsive government officials. But to worry about the damaging impact of a form of state-of-the-art technology is very different from talking about a lack of democracy holding back China's material progress.
This piece appeared earlier under a different title at the China Beat.
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