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Carol Ann Duffy, Britain's new poet laureate, published a poem last week to commemorate the death of Henry Allingham and Harry Patch, two of the last surviving British veterans of the First World War (the men were a whopping 113 and 111 years old, respectively). The effort is Duffy's first official poem as laureate, a dicey proposition given all the negative attention that has recently surrounded the position. Her predecessor, Andrew Motion, couldn't wait to retire from the post, and his uninspired efforts helped spur The Times Online to offer that "The gap between the public poem and the greeting card was closing rapidly."
Given such a climate, Duffy's poem is a surprising success. Not only is "Last Post" accessible, and a fitting tribute to those who served in World War I, but it is also simply a damn good poem with rich imagery, cinematic movement and poignant ending. Here's the full text:
Last Post
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If poetry could tell it backwards, true, begin
that moment shrapnel scythed you to the stinking mud...
but you get up, amazed, watch bled bad blood
run upwards from the slime into its wounds;
see lines and lines of British boys rewind
back to their trenches, kiss the photographs from home-
mothers, sweethearts, sisters, younger brothers
not entering the story now
to die and die and die.
Dulce- No- Decorum- No- Pro patria mori.
You walk away.
You walk away; drop your gun (fixed bayonet)
like all your mates do too-
Harry, Tommy, Wilfred, Edward, Bert-
and light a cigarette.
There's coffee in the square,
warm French bread
and all those thousands dead
are shaking dried mud from their hair
and queuing up for home. Freshly alive,
a lad plays Tipperary to the crowd, released
from History; the glistening, healthy horses fit for heroes, kings.
You lean against a wall,
your several million lives still possible
and crammed with love, work, children, talent, English beer, good food.
You see the poet tuck away his pocket-book and smile.
If poetry could truly tell it backwards,
then it would.
The poem, notably, makes a nod to Wilfred Owen, one of Britain's best known (and loved) war poets. Owen, who was killed just a week before World War One ended, broke from the literary tradition of glorifying battle. In a letter home to his mother, he wrote, "All a poet can do today is warn." Duffy quotes Owen's poem "Dulce et Decorum Est" (which I've included below) in her epigraph, and plays off of it again at the end of the first stanza." The Latin line, originally from Horace, was well known to Englanders at the time and was used as a sort of propaganda. It translates to "It is sweet and fitting, to die for your native land." The bitter irony with which Owen employs it is as clear as the horrors of war that he so expertly conjures up. Here's the poem in full:
Dulce et Decorum Est
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.
Gas! Gas! Quick, boys! - An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime . . .
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie; Dulce et Decorum est
Pro patria mori.
Poetry can't "truly tell it backwards," as Duffy said. But, as Owen proved so powerfully, it can help take us there, and as Duffy demonstrates, it can help us to remember--together--those who actually were there.
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I wasn't aware of negative attention around the UK Poet Laureate position. Could someone give me a link, or is the author conflating the UK Poet Laureate with the Oxford Professor of Poetry?
There has never been a Great war, only great suffering caused by a few humans sick beyond discription and societies with humans lacking the courage to have stopped them or stop them..
Though lacking the courage is not a failing, only another tragic example of how the brutal and primitive human specie treats its' own.
The wilderness areas of the earth are the true areas of civilization remaining..
Not the human society.
The world needs more poets.
Every conflict is costly to ALL . The human cost including; the lasting damage to our collective soul, and that of successive generations. Material gains always negate any gain envisioned by the participants. The lasting resentments, that often lead to other wars by the same victors/vanquished, both of whom felt forced to arms. In an ever shrinking world with finite resources, and a rapidly expanding population, we can no longer afford the luxury of not learning from our mistakes.
In my estimation, despite over 10,000 years of what we refer to as civilization, we have not progressed one iota from the concept of a marauding Gangsters. One of the most infamous gangsters in history, Joseph Stalin is quoted as saying; 'They attacked us like gangsters' referring to Hitler's Operation Barbarosa.
'God' has been used to justify the killing of 'infidels' by ALL religions. How ironic that merciful 'Gods' have been USED to perpetuate pain and suffering on so many.
The motto 'Gott Mit Uns' was used by Nazi elite units during WW2, stamped on their belt buckles it translates to; God is with US!
All power comes with commensurate responsibility. We must learn to promptly recognize when we are wrong, and follow that acknowledgement with a just correction. This ability is VIRTUE, strength, and not a weakness. We need to overcome primitive emotions or perish. If the moral reasons don't convince us, consider the fact that avoiding WAR is always cost effective.
"Somme. The whole history of the world cannot contain a more ghastly word."
- German officer Friedrich Steinbrecher
Wilfred Owen’s war poetry is very powerful. Take, for example, Strange Meeting (“I am the enemy you killed, my friend”), Spring Offensive ("long famous glories, immemorial shames”) and Anthem for Doomed Youth (“each slow dusk a drawing down of blinds”). For more on the man and his work check out the Wilfred Owen Association’s website www.wilfredowen.org.uk
Sixteen - a runner who ran into a German trench and said hende halte. He didn't know what else to do. He captured six Germans and got a medal. I think the men he captured would have given him a medal too if they could have. Sixteen. His mother told him not to forget to wear his overshoes. But G.W. Bush's mother was smarter. She said no way and his father got him into a safe but fun job flying jets when he wanted to.
Time to turn the "Kitchener Wants You" recruiting posters face-to-wall.
Every generation fights for its own collection of lies.
Marvelous Comment marlovian!
What is Great about War? Do we 'have to' use Great for something that is ALWAYS AWFUL?
The Rich using Fear and Loathing for each others ambitions send the Children of the Poor and use anything Even their 'Gods' to convince their children to kill each other.
Revolting
Can WARS be GREAT? Why not the Great War of El Salvador or the Great War of Rawanda? or even even the Great Civil War.
World War I was one of the stupidest wars ever fought.
It was totally unnecessary. So, in that sense alone, it
was definitely NOT "great."
For the real thing: Rupert Brooke, Wilfred Owen, Siegfried Sassoon, Robert Graves.
This is a pretty nice poem, even if the "quote" isn't the only thing taken from elsewhere. The first stanza is pretty much a direct rip-off of Slaughterhouse Five (pp 76-77) via The Curious Case of Benjamin Button (about ten minutes in; practically identical).
I recommend Wilfred Owen's Dulce et Decorum Est
http://www.english.emory.edu/LostPoets/Dulce.html
Sad, we are still fighting wars. A nice collection of poetry at
http://ofthisandthat.org/Poetry.html
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