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John Mauceri
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John Mauceri is an American conductor, educator and producer. For seven years (2007-2013) he served as Chancellor of the University of North Carolina School of the Arts (Winston-Salem) and is the Founding Director of the Hollywood Bowl Orchestra. The former music director of the Teatro Regio (Turin, Italy), Scottish Opera (Glasgow), Washington (National) Opera, Pittsburgh Opera, the American Symphony Orchestra (Carnegie Hall), he has conducted most of the world’s leading orchestras and opera companies and has appeared on the stages of Broadway and Hollywood, as well as the most prestigious halls of academia . Among his many awards, Mr. Mauceri is the recipient of a Tony, a Grammy, an Olivier, two Emmys and Yale University’s Alumni Achievement Award. More information at johnmauceri.com.

Entries by John Mauceri

The Inconvenient Music -- Invisible and Unhearable

(0) Comments | Posted April 28, 2014 | 3:01 PM

On Friday morning, April 25, 2014, World War II was everywhere to be found in the arts section of our essential paper of record, The New York Times. A revived revival of Cabaret with old chum Alan Cumming gave us two armpits-full of Berlin in the run-up to the war....

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Music and Trauma

(0) Comments | Posted February 3, 2014 | 11:54 AM

On January 23, 2014, we learned of the death of Riz Ortolani, a composer whose name was unknown to me. He composed film scores-and who knows what other music he left behind? Most people in America do know one song: "More," otherwise known as the "Theme from Mondo Cane" --...

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Music and Trauma

(0) Comments | Posted February 3, 2014 | 11:00 AM

What is the appropriate response to trauma?

Today, January 31, 2014, we learned of the death of Riz Ortolani, a composer whose name was unknown to me. He composed film scores -- and who knows what music he left behind? Most people in America do know one song: "More," otherwise...

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Classical Music 101: Epilogue

(1) Comments | Posted December 2, 2013 | 4:00 PM

Before investigating the apparent disappearing audiences for classical music, we might attempt to assess the 20th century itself when it comes to classical music. Having spent the last 20 years of that century encountering composers and connections, I never knew anything about --even though I had committed my life to...

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Classical Music 101b: There's Nothing to Worry About

(0) Comments | Posted November 22, 2013 | 9:40 AM

The question that remains, and which I shall attempt to answer, is "What happened to classical music?"

That is both easy and hard to explain. The easy part is that the great traditions of Western classical music continued throughout the 20th century and seemingly will as long as music is...

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Classical Music 101a:Why There's Nothing to Worry About

(2) Comments | Posted November 11, 2013 | 9:55 AM

I want to offer a few general thoughts about music - what we call classical music and what it actually is - free of politics and free of esthetic evaluations--and the latter frequently acting as a mask for the former.

So, let me start with a definition of the term...

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Wagner, Texas and Myth

(3) Comments | Posted July 31, 2013 | 3:36 PM

There's a new production of Wagner's mega-operatic cycle, The Ring of the Nibelungs, opening this week at the Wagner Festival in the small town of Bayreuth where Wagner was given the land and the monies to build his dream theater and his home by the incredibly generous and possibly unhinged...

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Century-ism a Century Later

(1) Comments | Posted May 10, 2013 | 1:44 PM

Perhaps you have noticed that 2013 is the centenary of the premiere of Stravinsky's The Rite of Spring. Next year there will be much thought given to the one hundredth anniversary of the outbreak of World War I.

One hundred is a good number, since it parses time into...

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Oklahoma!@70!

(0) Comments | Posted April 1, 2013 | 4:26 PM

Tonight, as I write this, I am thinking of an event that took place 70 year ago right now. People were slowly wandering in to the St. James Theater. As Agnes DeMille remembered, "The audience was a regular Theatre Guild opening night: spotty, dull, jaded. I had eight front row...

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Verdi by the Numbers

(2) Comments | Posted February 16, 2013 | 11:51 AM

A small blip in the history of opera occurred this week in Bilbao, Spain. It occurred a few seconds after the curtain came down on the dress rehearsal of Verdi's 1855 French opera, les Vêpres siciliennes. The invited audience was cheering the singers, the orchestra, and the chorus. As I...

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Merry Christmas, Walt!

(4) Comments | Posted December 21, 2012 | 1:25 PM

Merry Christmas, Walt!

During this Christmas Season, I could not help but notice that The New York Times' default metaphor for anything a critic finds objectionable in the arts is none other than Walt Disney. It is as if Uncle Walt was the anti-Christ of Art. When his name appeared...

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Who's Your Favorite Living Composer?

(3) Comments | Posted November 13, 2012 | 3:35 PM

Who's your favorite living composer?

That seemed to be a fairly innocuous question, posed two weeks ago to a group of high school music students at the University of North Carolina School of the Arts over lunch in the cafeteria. The question was prompted by a high school senior's description...

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Music and the DNA of War

(0) Comments | Posted October 31, 2012 | 2:06 PM

New York's 2012-2013 classical music season got off to its official start recently with three concerts. Alan Gilbert and the New York Philharmonic performed a program that included the Schoenberg "Piano Concerto," and Riccardo Muti and the Chicago Symphony performed Carl Orff's Carmina Burana on one program and a second...

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What's Killing Opera?

(7) Comments | Posted August 22, 2012 | 3:37 PM

In a purposely-provocative piece in the New York Times ("How Hollywood Villains Are Killing Opera" -- August 17, 2011) Zachary Woolfe writes passionately about the doldrums in which opera finds itself these days in America. Mr. Woolfe should probably extend that geographical embrace to the world. While America...

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