Fitch Ratings, a leading global rating agency that rates the credit of large businesses, municipal governments, and entire industry sectors (they must be very busy these days), has produced a short analysis of the effect of a possible SAG strike on the credit ratings of media conglomerates. Their conclusion: "limited impact ... over the short-term of six to nine months."
The analysis is less explicit on the effect of a long strike, but appears to suggest that it too would not have great effect on the conglomerates, but would hurt theatrical exhibitors and TV broadcasters. This seems contradictory: if the latter two sectors are affected, then so would be the upstream studios, and therefore their corporate parent conglomerates. Fitch estimates that studio and network operations account for roughly 20%-40% of conglomerate revenue, depending on the conglomerate, so it's hard to see why the effect would be immaterial. Of course, some impact would be diluted by a further shift to reality programming (which is either non-union or AFTRA).
Another question mark: Fitch says that it assumes that most 2009 films are already in the can. However, the general feeling in
Also unclear, and unmentioned by Fitch, is whether fall 2009 could be filled out by acquisitions from Sundance, Tribeca and
This all suggests that a strike might have to last 6-9 months, or perhaps more, before the studios might be willing to compromise on jurisdiction and residuals related to original productions for new media, the key roadblock. The cost of such a strike in lost wages would be enormous for actors, and, presumably, for the local economy, and the effect on SAG would be to further drive television production to AFTRA.
In contrast, the benefits of a strike would be sparse: a small increase in revenue over the next three years (a period during which original production for new media is not likely to generate much revenue), and less likelihood of having to fight a bad new media precedent in future negotiations (i.e., three or six years from now), when there may start to be significant new media revenue at stake.
The obvious question is, why not strengthen SAG through member organizing and inter- and intra-union fence-mending, then fight (and possibly strike) in 3 years, a time when the stakes may be meaningful, the economy may have improved, and actors and others won't be suffering from post-writers strike fatigue. That's a question to which SAG seems to have no convincing answers, and thus we careen towards a possible strike for no good reason.
Note: The Fitch analysis did not review GE (NBC Universal), because Fitch (for unknown reasons) does not cover GE, nor Sony, because it's not U.S.-based.
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Since no one replies to your posts jonathan, except me (why is that?) I'll tell you I just saw "flash of genius" with greg kinnear. you should see it. I suspect it will bore you, but it got to me. if you don't know, it's about the guy who invented the windshield wiper, had ford then rip him off after being told by ford that he had "won the windshield wiper competition," then spent 12 obsessive years, losing his wife to separation and the respect of his kids, and even spending some time in a mental institution as the result of a nervous breakdown, turning down first 250k in 70's money, then 1 million, and finally, on the eve of the lawyer's summations (he represented himself, aided by his then grown son) 30 million dollars to drop it. he said no, went to verdict, won 10 million, then 18 million from chrysler, and vindication, that ford had, in fact, stolen his invention and they had to admit it publicly and in a court of law.
it should be required reading for any and all arguing that sag should fold, take the deal, wait for next time, despite compelling evidence there won't be a next time, merge with aftra and become another entity than sag, and on and on and on.
you seem to repeatedly need to be shamed into being a human being counselor. what a shame.
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