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Audra McDonald: The Best Singer You Don't Know (But Should)

Posted: 05/07/2012 9:00 am

Inspired by one professor's infectious enthusiasm for Emily Dickinson, Obsessed is a HuffPost Culture series exploring the idiosyncratic, all-consuming passions of public figures and unknowns alike. Through a mix of blogs and interviews, these pieces will highlight the elusiveness of whatever it is you just can't live without -- whether it's blue jays, Renaissance fairs, fan fiction, or in the case of David Lynch, coffee. If you have an obsession to share, drop us a line at culture@huffingtonpost.com.

Who is Audra McDonald?

In a fairer, more purely artistic world -- one in which popularity is directly proportional to talent -- such a question would border on heresy. You may have seen McDonald briefly in movies (blink and you'll miss her in the latest Woody Harrelson flick "Rampart") or recognize her from television, where she most recently starred in the "Grey's Anatomy" spin-off "Private Practice" for four seasons. You may have seen her on the concert stage, where she's as fluent and lauded tackling Brecht and Poulenc for opera houses as she is swinging Ellington and interpreting Sondheim for symphonies and orchestras. You may be familiar with McDonald's barrier-breaking work on Broadway, where she has blazed the trail for color-blind casting while drawing comparisons to Barbra Streisand (McDonald "is the closest thing that the New York music theater world has produced in nearly four decades to a meteoric talent with a promise comparable to that of the young Streisand," writes Stephen Holden of the New York Times) and Meryl Streep ("If movies were as color-blind as they should be, McDonald, with her incredible skill, soul, and purpose, could easily become her generation's Meryl Streep," writes Hilton Als of the New Yorker).

A professional performer for two decades, McDonald is the most critically acclaimed singing-actress of her generation. She's the best singer you've probably never heard of.

Luckily for those of us who've closely followed her eclectic career -- I've obsessed over McDonald since 1998, when I found her debut CD under the "Easy Listening" section at Tower Records and after repeated listenings told a sales clerk that the CD was in the wrong section -- McDonald's name has been in the headlines like never before.

Last week, the four-time Tony Award-winning actress (two for musicals, two for plays, all for featured roles) was nominated for her leading role in "The Gershwins' Porgy and Bess." Barring any surprises, she'll win her record-tying fifth Tony, putting the 41-year-old performer in the company of considerably older theater giants Julie Harris and Angela Lansbury, both 86. That piece of good news was preceded by even better news: Aretha Franklin, the closest thing America has to a musical poet laureate, placed McDonald atop her highly publicized wish-list of actresses to play her in a still-in-the-works biopic. More familiar names have been attached to the role, including Oscar winners Halle Berry and Jennifer Hudson. But Franklin saw a recent performance of "The Gershwins' Porgy and Bess" and praised McDonald's stage presence and voice.

And what voice. It's often described as inherently operatic and technically pure, which can be attributed to her Julliard training. But that categorization is too simple, too easy. Hers is arguably one of the fullest and most versatile voices in music today. Covered throughout, it can go low or aim high, with a belt, a swing, a tone, a soul, all its own. It's a voice that defies "Easy Listening" because it challenges the listener. It's a singular voice singularly serving whatever emotion -- or emotions -- it mines. Like an athlete adjusting to a playbook, like a writer wrestling with structure, it's a voice always in search of a soul. No wonder Franklin, the Queen of Soul, was impressed.

YouTube "Audra McDonald" and find out who she is. Watch the seven videos below and add your own favorite McDonald video.

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Add McDonald's interpretation to other classic versions of this aria-turned-pop war horse, recorded by the likes of Nina Simone and Billie Holliday. Heartbreaking, and in the opera/musical's storied history, simply definitive.
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Follow Jose Antonio Vargas on Twitter: www.twitter.com/joseiswriting

Inspired by one professor's infectious enthusiasm for Emily Dickinson, Obsessed is a HuffPost Culture series exploring the idiosyncratic, all-consuming passions of public figures and unknowns alike. T...
Inspired by one professor's infectious enthusiasm for Emily Dickinson, Obsessed is a HuffPost Culture series exploring the idiosyncratic, all-consuming passions of public figures and unknowns alike. T...
 
 
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01:05 PM on 05/21/2012
I am a fan of Ms. McDonald, having seen & heard her some years ago. Not only has she a beautiful voice, but a physical beauty & stage presence which is equally spellbinding. While it is commendable that she has chosen to record many songs from the lesser know songwriters, I wish she would select more songs from The American Songbook collection. Having been priced out of going to Broadway musicals, I am unfamiliar with the context of the songs from these newer shows, thus not understanding the the backstory of the song being sung. As of person of some 70 years of age, give me Porter, Berlin, Rogers & Hart, etc., as well as Sondheim, and I will be grateful. Why a music producer has not put together a songbook of at least 4 or more CDs of her singing the American standards is beyond me. It worked for Neil Diamond & Rod Stewart; can you imagine what it would do for her name recognition?

PS, did I mention how stunning I think she looks???
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HUFFPOST SUPER USER
LaurieAnn
Charity is NOT a substitute for justice.
01:25 PM on 05/10/2012
One of the very, very few advantages of being a life-long resident of the San Joaquin Valley is having been able to follow Audra's career since she was a pre-teen in the Junior Good Company Players.
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enlighteninglad
Still My Bleeding Heart
11:08 AM on 05/10/2012
The perfect combo - Audra McDonald and Stephen Sondheim.

http://www.youtube.com/watch?v=CQo95f1cqDA
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enlighteninglad
Still My Bleeding Heart
11:02 AM on 05/10/2012
She was on Stephen Colbert's show. She's pretty well known. She didn't even need the Colbert bump.
08:10 PM on 05/09/2012
AUDRA is wonderful she has the voice of an angel..God given..talent
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HUFFPOST COMMUNITY MODERATOR
Gronkie
Radical Independent
02:05 PM on 05/08/2012
I've been a fan for 20 years, and after 4 Tonys, I don't think she's exactly unknown, but I agree that she should have wider recognition.
09:53 PM on 05/07/2012
Over the years I've become increasingly grateful for Ms. McDonald's commitment to the ideal marriage of words and music. But with "Porgy and Bess," she has lent her presence to a production which is ethically flawed. At issue is the title change to "The Gershwins' 'Porgy and Bess,'" a claim for credit that is a travesty. DuBose Heyward first wrote the story as a novel, then as a play, and finally as the opera's libretto (or "book"). He also created lyrics to several of the arias (or "songs") which instantly spring to life in the mind's ear whenever "Porgy and Bess" is mentioned. According to the historian Lehman Engel, Heyward was solely responsible for "Summertime," "My Man's Gone Now," and "A Woman is a Sometime Thing," and he collaborated with Ira Gershwin on "I Got Plenty O' Nuttin' " and "Bess, You is My Woman Now." So it's disappointing that Ms. McDonald defended the alterations in this revival, particularly the title change to spotlight the Gershwins. I can appreciate the commercial advantages in name recognition, but omitting DuBose Heyward from the new title gives the impression that his voice in the final mix was negligible, perhaps even sub-standard. I still cherish Ms. McDonald, but I hope her future collaborations will be restricted to people who are less involved in committing "sins of omission" and more with giving "credit where credit is due."
02:46 AM on 05/08/2012
The Gershwins owned the rights! Audra is a performer, not a producer, writer, or director. Not sure how she can be held responsible for the title.
06:56 AM on 05/08/2012
I didn't mean to imply that she was responsible for the title or that the avarice and mendacity of the Gershwin estate was in any way her fault. But you may recall a kerfuffle generated last year by a published letter from Stephen Sondheim re. this upcoming revival in which, among his many objections to projected alterations to the book, the issue of the "new" title came up. As far as I could tell, his take on the matter was that of a noted writer protecting the work of a respected colleague whose greatest claim to posterity was being denied. I happen to believe his reaction was understandable and entirely just, but Ms. McDonald's quotes at the time on what he wrote indicated that she was too deep into the insular bubble-world of pre-production to see the bigger picture. My disappointment may have been disproportionate due to my deep respect for her artistry, and in retrospect, perhaps all I wish is that she'd indicated a sense of sympathy for the way in which the man who created those characters in the first place was not given the respect of his rightful place at the table between the Gershwin brothers.
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HUFFPOST SUPER USER
SeanMartin
Everything in moderation.
06:57 PM on 05/07/2012
Not a single mention of what was arguably her best role, in 100 IN THE SHADE.

Sorry, dude. Turn in your Audra Fan Club card.
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HUFFPOST SUPER USER
SeanMartin
Everything in moderation.
02:43 AM on 05/08/2012
Sorry, 110 IN THE SHADE. Slip up while writing.
reciprocat
On November 6, 2012...God blessed America
12:41 PM on 05/08/2012
too late! turn in your card! :-P
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06:33 PM on 05/07/2012
I know that she's a great singer
05:32 PM on 05/07/2012
Audra McDonald is very well known on television (Private Practice, Colbert Report, Annie, PBS) with numerous Tonys, Drama Desk Awards and a Grammy. There is another singer who has been producing wonderful music for over thirty years and very few people in America know of her....Joan Armatrading.
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HUFFPOST SUPER USER
HexonT3
01:26 AM on 05/08/2012
I so agree with you about Joan Armatrading! Wow!
reciprocat
On November 6, 2012...God blessed America
12:42 PM on 05/08/2012
Hooot hooot!

J.A. all the way!
:-D
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HUFFPOST SUPER USER
Stephenacs
Executive and Leader, Musically Inclined, Intellec
05:29 PM on 05/07/2012
I have loved this woman since I saw her in Toronto in Ragtime the week it closed prior to moving to Broadway. She is a magnificent artist, performer and translator of the songwriter's vision. She is musically progressive and brilliant at her craft. Thanks for raising awareness of her amazing talent!
08:42 AM on 05/21/2012
I was first introduced to her with Ragtime, too. Just, WOW.
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me again
I'm not wrong....
05:01 PM on 05/07/2012
Who are you kidding, she's very well known.
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WhatchaTalkinBoutWillis
To Whom Much Is Given Much Is Expected...
04:04 PM on 05/07/2012
Go 'head girl!!! Simply beautiful! Now THIS is singing! Thank you, Mr. Vargas. Ms. McDonald's "Down With Love" rendition was absolutely brilliant! Talented, indeed! I've definitely been 'missing out'!
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12:44 PM on 05/07/2012
What a jewel! Someone has been keeping her in their private collection instead of sharing her with the world.
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dblueII
Share the kibble.
12:34 PM on 05/07/2012
Huh???????????
Audra McDonald is super famous.