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Karen Clark
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Karen Clark uses a multitude of sources; political propaganda, photographs of modern warfare, historical art and sculpture, ancient Islamic design, and other found imagery, with which she re-imagines, combines and carefully constructs into new works using digital manipulation and painting.

Her photo montages can be seen at the Los Angeles Center for Digital Art through December 7, 2013. www.lacda.com and on the web at www.karenclarkstudio.com

Entries by Karen Clark

Karen Clark on the ImageBlog

(0) Comments | Posted January 3, 2014 | 6:31 PM

Mythical creatures, 2013, photomontage, 25 x 25 inches, archival inkjet print. From a 16-century Persian tapestry. This work will be shown in an exhibition at the Los Angeles Center for Digital Art November 14 - December 7, 2013, Visit LACDA and Karen Clark Studio.

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Karen Clark on the ImageBlog

(0) Comments | Posted December 9, 2013 | 10:33 AM

Slave of the Portal, 2013, photomontage, 25 x 25 inches, archival inkjet print. This is a re-imagining of a 17th century Persian carpet. I kept the inscription, which was signed, 'The work of the slave of the portal, 946 A.H.’ This work will be shown at the Los Angeles Center...

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Karen Clark on the ImageBlog

(0) Comments | Posted November 25, 2013 | 5:06 PM

The gods are always on their side, 2013, photomontage, 25 x25 inches, archival inkjet print. From a design made for the king of France. This work will be shown at the Los Angeles Center for Digital Art November 14—December 7, 2013, www.lacda.com www.karenclarkstudio.com

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Karen Clark on the ImageBlog

(0) Comments | Posted November 13, 2013 | 10:36 AM

Mother, 2013, photomontage, 20 x 23 inches, archival inkjet print. In this piece, I warped and molded 17th century Islamic brass instruments into this feminine icon. ‘Mother’ will be shown at the Los Angeles Center for Digital Art, November 14—December 7, 2013, www.lacda.com www.karenclarkstudio.com

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Future, Meet Past: A Midcentury Remodel Comes to Life

(4) Comments | Posted March 24, 2011 | 9:49 AM

2011-03-23-IMG_15363.jpg How often does a building designer get the opportunity to renovate his very first project forty-nine years later? For Bill Morrow, it was like stepping into a time machine, only this time with greater knowledge, a bigger budget, and more materials to...

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