Larissa Archer
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Larissa Archer is a writer and theatre worker in San Francisco. Her website is www.larissaarcher.com.

Blog Entries by Larissa Archer

The Messiness of Love, Family and Identity: Q&A With Lysley Tenorio

(0) Comments | Posted May 23, 2012 | 2:42 PM

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The people of Lysley Tenorio's story collection, Monstress (Ecco), are straddlers. Most obviously, they straddle cultures. Filipino immigrants in America pine for their native land or wish, often hopelessly, to assimilate indistinguishably into the culture of their adopted home. Life in the...

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Soaring Through the Air, Writhing on the Ground: Bad Unkl Sista's First Breath, Last Breath

(0) Comments | Posted May 15, 2012 | 5:14 PM

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Photo by Mike Estee

I could tell the performance I was about to witness late last month was extraordinary even before entering the auditorium, just from watching the audience trickle into Z Space in San Francisco. There was a man who had somehow fused...

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Robert Moses' Kin Does it Again

(0) Comments | Posted March 27, 2012 | 5:57 PM

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Photo by RJ Muna

Weekends are short and the list of culturally enriching events is long. With all the concerts, readings, exhibits and shows going on, how do you decide what to fit into your all-too-brief respite from the workweek? Well, attending a...

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Speak, Memory: Restaging the Past in Todd Hido's Silver Meadows

(2) Comments | Posted March 1, 2012 | 11:59 AM

2012-02-28-Untitled10096.jpgUntitled # 10096, 2011, chromogenic print, courtesy of Stephen Wirtz Gallery


The press release for Todd Hido's recent exhibit Excerpts from Silver Meadows describes it as a "metaphorical reckoning with his own past," and indeed many of images look as they might in...

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The Staying Power of Joan Baez: A Night at Yoshi's

(2) Comments | Posted February 16, 2012 | 10:56 AM

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Joan Baez with her son, Gabriel Harris, on the cajon and Marianne Aya Omac. Photo by Jamie Soja

As diverse as the music performed in concerts is, so are the appearances of the audiences. James Mollison documented a spectrum of what he calls the...

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Artist Unbound: Francesca Woodman at SFMOMA

(0) Comments | Posted January 18, 2012 | 5:00 PM

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Francesca Woodman, Polka Dots, Providence, Rhode Island, 1976; gelatin silver print; 5 1/4 x 5 1/4 in. (13.3 x 13.3 cm); courtesy George and Betty Woodman; © George and Betty Woodman

There are things in that paper which nobody knows but me, or ever...

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Asian Art Museum's "Maharaja" Overlooks Crucial Cultural Questions in India (PHOTOS)

(6) Comments | Posted November 9, 2011 | 11:30 AM

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Jagat Singh II of Mewar and his Rani celebrating Teej, 1790


Any exhibition on the wealth of a nation's royal class is an exhibition of the inflated amour-propre of men with money and armies at their beck. Well-fed bluebloods wrap themselves in...

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Lines Ballet's Resin Breaks Down Ballet's Conventions

(2) Comments | Posted October 31, 2011 | 11:24 AM

Resin, the showcase of Lines Ballet's fall season, exemplifies what makes the company a treasure for San Francisco and the world of dance. Set to the music of the Sephardic tradition (songs of the Jewish diaspora into Yemen, Spain, Morocco, and Turkey), Resin makes one wonder why more choreographers have...

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Brothers at Rayko Catalogs Life Off the Grid

(0) Comments | Posted October 10, 2011 | 5:08 PM

It is tempting to regard a life that takes place "off the grid" of modern culture -- sans TV, sans cellphone, sans facebook, sans travel -- with pity, as if the person living this way was "left behind" or just doesn't know what he's missing. The temptation to belittle this...

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On Not Marrying

(19) Comments | Posted September 12, 2011 | 10:34 PM

This post originally appeared on TheGloss.com.

Marriage has always held a place in the image of myself that seems so far away, I almost believe I will have to be a completely different person by the time it happens, the way a child must imagine herself to...

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No Gimmicks at Fraction Magazine Group Show

(0) Comments | Posted August 31, 2011 | 6:04 PM

For the lay observer, a group show often has the advantage of a clear theme, a unifying idea behind the curation that primes the viewer to look for certain common elements throughout the exhibit, and to interpret the work with some particular concept in mind. In Fabricated Realities,

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