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Laverne Cox
Laverne Cox is an actress, producer and transgender advocate who made television history when she became the first African-American transgender woman to appear on an American reality show, with her appearance as a finalist on VH1's I Want to Work for Diddy. The show won the GLAAD Media Award for Outstanding Reality Program. Laverne’s popularity subsequently led her to star in, co-create and co-produce her own show called TRANSform Me, making her the first African-American trans woman to produce and star in her own television show. TRANSform Me was nominated for a GLAAD media award for Outstanding Reality Program. As an actress Laverne has had guest starring roles on Law and Order, Law and Order: SVU and HBO’s Bored to Death. She can be seen in the forthcoming independent films Musical Chairs (directed by Susan Seidelman), Carl(a), Grand Street and The Exhibitionists. Her other film credits include Uncle Stephanie, Bronx Paradise, The Kings of Brooklyn and Daughter of Arabia. Laverne continues to be an advocate for transgender representation in the media. Laverne is passionate about telling stories in the media that reflect the full depth, diversity and humanity of transgender experience.

Entries by Laverne Cox

Singer Sir Ari Gold Talks About His Childhood and Being a Sex Symbol, And He Goes 3D for His Latest Video

(0) Comments | Posted July 1, 2013 | 8:57 PM

Ari at 7 years old:

Ari all grown up and in 3D:

Given the recent release of his remix retrospective, Play My F**kn Remix, and the 3D version of the video for its lead single, "Play My F**kn Record," I wanted to talk to recording artist Sir Ari Gold about, among other things, childhood and what it means for him to look back on his career at this point.

Laverne Cox: In preparing to talk to you, I re-watched your performance on The Joe Franklin Show when you were 7 years old. What do you think 7-year-old Ari Gold would think of you today?

Sir Ari Gold: I think he would be proud of me and how far I've come, but also proud because in some ways I haven't changed -- as you were saying to me over the phone.

Cox: There's a consistency. We are who we are. But I definitely think you've evolved.

Gold: One of the things that always strikes me about that performance (at this point, the memory of watching the video is stronger than the memory of how I felt in the moment) is in that last moment. The VHS tape has a glitch on it, and in that glitch I'm bowing, and in my bow this little bit--

Cox: You're so shy.

Gold: My shyness comes out.

Cox: It's beautiful.

Gold: After doing this four-key-change "Yankee Doodle Dandee/Give My Regards to Broadway" medley, my shyness, at the very end, comes out. It's interesting also because the idea to do that song was not mine, obviously, at 7 years old. "Yankee Doodle Dandy" and "Give My Regards to Broadway," especially "Yankee Doodle Dandy," are like these all-American songs, and I was never considered all-American. So here it is, this gay boy, this orthodox Jew boy, singing these songs that I'm not. I was not a Yankee Doodle dandy at all. Well, maybe the dandy part.

Cox: Interesting.

Gold: There was lots of gay knowledge there already at 7.

Cox: What does that mean, "gay knowledge"?

Gold: As far as being different, feeling more feminine-identified, already being obsessed with things that were sort of these gay markers: The Wizard of Oz, The Magic Garden. (I'm not sure if my Wonder Woman obsession happened yet.) So yes, he'd be proud of me. He'd be proud of the fact that I embrace my femininity but found a way to get in touch with my masculinity. He'd be proud that I've accepted my sexuality. I've became, in many ways, what that 7-year-old probably didn't think was possible.

Cox: That's powerful. That little kid who was working all the time in show business, got rave reviews in The New York Times for playing Winthrop in The Music Man, sang with Diana Ross, and did all these cartoons for Cabbage Patch Kids and Jem, would be surprised that you're still working in the entertainment business?

Gold: No, no, no! Not surprised I'm still performing and doing that but surprised at being a sex symbol.

Cox: What's this "sex symbol" thing? What does that mean for you? I mean, watching the "Play My F*ckin Record" video, you're in your underwear. You're running around the town naked. I was thinking about that in relationship to that little kid.

Gold: Well, I think it means a lot. You said you wanted to talk about childhood, and you were bullied. I was also bullied a lot, and I never felt accepted by the other boys. My sexuality felt wrong -- not desirable. So to be able to become that object of desire, I'm always struck by what makes somebody decide to go the path of being transgender, or the path that I went on. I felt more identified with female things and stuff, and I was bullied and saw the masculine and the male as the object of desire but, somewhere along the line, made the choice to become that object. And somewhere for you--

Cox: I tried to become like the women I admire, but I just don't desire women sexually.

Gold: Right. When I say "choice," I don't mean "choosing," but that's the fascinating part. When do these things happen so that they become who we are?

Cox: I do believe that when we get older, we become more of ourselves, at least ideally. I think it's wanting to be a girl vs. knowing you are a girl. For me as a trans woman, I very much knew that I was a girl.

Gold: I didn't think that I knew I was a girl. I just knew that I wasn't like the other boys, and I liked things girls liked.

Cox: I am blessed enough to have trans women of color writing to me to tell me that my work, pursuing my dreams publicly, has inspired them. I imagine that in the 13 years since your first album was released, you've inspired lots of folks to be truer to themselves.

Gold: There was a comment online that said, "I love Ari Gold. He made me realize I could accept my religious identity and sexuality at the same time," referring to my "My Favorite Religion" video, even though that video, in a lot of way, seems controversial or blasphemous.

Cox: How does that comment make you feel, that you made someone feel comfortable embracing their religion and their sexuality, like really taking that in?

Gold: A friend of mine read my charts one time, and I'm moon, moon, moon -- triple moon.

Cox: So "moon, moon, moon" means?

Gold: It means that I'm highly reflective, that people reflect their shit onto me. And that made a lot of sense to me. I think I get a lot of positive but also negative response because of that. In some ways I feel I'm this very typical, archetypal gay man. So, therefore, a lot of the internalized homophobia can get shot onto me because of what I represent.

Cox: So then why is that hurtful, if you say that in many ways you're a typical, archetypal gay man?

Gold: I'm trying to elevate us and myself. I get really angry when people say, "Oh, he thinks just cause he's gay, we're supposed to like it." Not at all! You should like it because it's a good song or a good album, or you like my voice and you like the genre and mediums I'm working within. But if you also want to hear stories and see themes that are glaringly absent in pop music, then support my work so that the industry sees there is a need for LGBT stories in all mediums. I work extremely hard as an independent artist, doing all this shit myself, essentially, to produce quality work. And since the beginning, my whole thing has been, "Look, we can be our own pop stars."

Cox: I think that's why my inner-child work is so important. How do I feel about Laverne at my core when the cameras turn off? When there are no fancy directors or red carpets, when I am home alone and my wig is off, no makeup, how do I feel about Laverne? How do you feel about Ari?

Gold: There are times when I really enjoy being home, when I don't shower and I do what I call "simmer in my own juices."

You can download Ari's Play My F**kn Remix

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Transgender Freedom Riders: The Fight for Transgender Equality in New York State

(11) Comments | Posted April 24, 2013 | 7:13 PM

On Tuesday, March 12, I woke up at 4:30 a.m. to meet with a group of representatives from Housing Works who, every Tuesday from January to June, travel to Albany, N.Y., to speak with New York state legislators to encourage them to pass the Gender Expression Non-Discrimination Act (GENDA). It's...

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KOKUMỌ: Transgender Recording Artist and Activist Talks About Her New EP and What Empowerment for T.G.I. People of Color Means

(5) Comments | Posted March 27, 2013 | 12:35 PM

Album cover photo by Kiam Marcelo Junio

Speaking with Chicago-based transgender activist and recording artist KOKUMỌ, I feel as if I'm truly speaking to one who is anointed, one who has a strong sense...

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'Speculum Orum,' M. Lamar's New Video, Grapples With Black/White Relationships and Confronting History (VIDEO)

(7) Comments | Posted February 15, 2013 | 1:08 PM

Director: Stephen Winter; DP: Ned Stresen-Reuter; co-star: Eriq Cephalopunx Tyler

With the upcoming release of his album Speculum Orum and the video for its title song, I wanted to talk to M. Lamar about...

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Drag Artist Peppermint's 'The Mayans' Parodies Azealia Banks' '212' -- End-of-the-World Style! (VIDEO)

(0) Comments | Posted December 20, 2012 | 8:30 PM

In honor of the end of the Mayan calender, New York City drag and recording artist Peppermint does her own take on the Azealia Banks song "212." Pep's version is called "The Mayans." Enjoy!


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Trans Womanhood on Trial: Transmisogyny in the Assault Trial of Former FDNY Firefighter Taylor Murphy

(19) Comments | Posted December 11, 2012 | 5:46 PM

Violence against transgender people is a serious and pervasive issue. Far too many trans people, and particularly trans women of color, have been targeted in violent attacks. So reading about the trial of former New York City firefighter Taylor Murphy, who is accused of assaulting his ex-girlfriend, model Claudia Charriez,...

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CeCe McDonald: Survivor and Leader

(2) Comments | Posted November 26, 2012 | 4:33 PM

This year I spent Transgender Day of Remembrance on the set of Orange Is the New Black, an original series for Netflix in which I play Sophia Burset. A large part of me felt that I should have been at events memorializing those we have lost this year to anti-trans...

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Mila Jam: Girl Power 2012 (VIDEO)

(5) Comments | Posted August 23, 2012 | 4:52 PM

Flo Rida has one of the top songs in the country right now. It's called "Whistle." But may I suggest another song that'll really have you dancing? I like to think of it as the girl-power alternative. (Yeah, I said "girl power." The Spice Girls just closed the Olympics. Girl power is back.) The song is brought to you by independent recording artist Mila Jam. It's also called "Whistle." It's one of those infectious pop ditties that, once you hear it, you can't get out of your head. At least I can't. Mila sings:

All the boys keep calling me.
They can't stop whistlin',
Whistlin', whi-whistlin'.
The boys keep on whistlin'.
They lovin' it and feelin' it and can't stop whistlin',
Whistlin', whi-whistlin'.
The boys keep on whistlin'.

It's one of those songs that makes you feel good about being a girl, those moments when you know you're looking and feeling good, 'cause all the boys are whistling, but it's so not about them. They're not worth our time, anyway, Ms. Jam suggests. "I admit I never, ever look a mess. Damn, I look good in this dress," she sings. Her call for us to put our hands on our hips and roll our necks is a fun dance move that also serves as a kiki rebuff of unwanted advances. Girl power 2012!


I had the pleasure of seeing Mila Jam perform live for her legions of gay fans earlier this month in a concert she did at the New York City hot spot Industry. Mila Jam is one of those artists you have to see live. Get thee to a Mila Jam show. Someone said to me after her concert that night, "Years later, when she's a huge star, we'll say we were at Industry when she blew the roof off the place and announced to the world that she ain't playing." She closed the show with "Whistle" and premiered the music video for the song. The video is effective in relating Mila's girl-next-door sex appeal and the female empowerment of the song. But the magic, energy, and charisma of seeing Ms. Jam perform that song live, dancing full-out with precision choreography and several backup dancers, cannot be replicated precisely in video. You had to be there. Mila Jam has mastered the art of singing live and dancing full-out at the same time, perhaps due to her musical theater background. She performed for years in the international touring company of Rent.

What was most impressive about Jam's Industry concert is that she can go from full-scale production numbers, with dancers and choreography, to simply singing all alone onstage. She's just as compelling doing both. The emotional high point of the show was a tender ballad Ms. Jam penned, called "Lions." When she sang, "We're fighting like lions and growling at each other," it was clear that Mila Jam has experienced real pain. I was brought to tears by her rendition of that song. Her voice has a delicate sweetness. Her vocal tone is like honey, but the voice is also powerful and packs a punch. Mila Jam is an artist and performer that the world should know.

For more info on Mila Jam, go to

You can download "Whistle" at

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Voter Suppression and the Transgender Community

(13) Comments | Posted August 9, 2012 | 11:23 AM

One of the first things I did when I turned 18 was register to vote. Growing up in Mobile, Ala., I was raised by a single black mom who grew up in the segregated South. I was made very aware of the fact that my ancestors literally died so that...

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Everybody's Trans: Gender Oppression Hurts All of Us

(28) Comments | Posted June 19, 2012 | 4:38 PM

When I was bullied as a child, called names, chased home from school, and sometimes physically attacked, it was because of my gender expression. The way I acted was way more feminine than how most of the people around me thought a boy "should" act. Though I was often told...

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Lorena Escalera: A Life That Mattered

(30) Comments | Posted May 15, 2012 | 5:37 PM

Several years into my transtion about a decade ago, I thought seriously about killing myself. Life was really hard. I wasn't passing as my true female self very well. I often was called a man as I walked down the street. I didn't think I would ever be accepted as...

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Beyond Second-Class Citizenship for Transgender People (VIDEO)

(3) Comments | Posted May 10, 2012 | 5:48 PM

I was so moved by and proud of President Barack Obama's history-making declaration yesterday with this sentence: "For me, personally, I think it's important for me to go ahead and affirm that I think that same-sex couples should be able to get married." This is great news. Marriage equality is...

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Jenna Talackova Can Compete, But the Fight Against Trans Injustice Rages On

(10) Comments | Posted April 9, 2012 | 6:08 PM

Many of the trans folks I have talked to were over the moon when Donald Trump announced on Friday's 20/20 that the discriminatory ban on trans women competing in the Miss Universe pageant would be lifted, not only allowing Jenna Talackova to compete but opening the pageant to trans women...

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Jenna Talackova: Call for Miss Universe to Adopt a Fully Inclusive Policy

(141) Comments | Posted April 5, 2012 | 3:59 PM

I was very moved when I found out that the Miss Universe organization would allow Jenna Talackova to compete, reversing their earlier decision to disqualify her because she is transgender. The organization's statement asserted that she will be allowed to compete only "provided she meets the legal gender recognition requirements...

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The Right to Dream: Jenna Talackova's Miss Universal Slight

(56) Comments | Posted March 30, 2012 | 1:16 PM

Do transgender people have the right to dream? This is what comes up for me most predominantly when I think about the recent disqualification of Jenna Talackova from competing in Miss Universe Canada because she is, in their words, not a "natural born female." She is transgender. Initially when I...

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Why My New Film, Musical Chairs, Is a Career Milestone for Me

(4) Comments | Posted March 27, 2012 | 2:15 PM

I have a movie opening in select cities nationwide this week. It's called Musical Chairs. I play Chantelle, an African-American transgender woman who is disabled. She's paralyzed from the waist down, but she maintains a fervent sense of humor about her situation and about life. Musical Chairs is a beautiful,...

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Acting While Trans: A Look Back at 2011 for Transgender Actors in the Media

(13) Comments | Posted December 23, 2011 | 1:07 PM

I started off 2011 by attending the Sundance Film Festival for the first time. I was only there for a few days but got to see the films Becoming Chaz and Gun Hill Road. I left the film festival feeling infinitely inspired as an actress, artist, and trans woman. I...

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Transgender Day of Remembrance 2011: The War Wages On

(10) Comments | Posted November 18, 2011 | 5:27 AM

The function of violence in this world, I believe, is to attempt to put people "in their places." I learned at an early age that violence toward me would be a potential consequence of me daring to step out of place, and I never knew my place when it came...

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Hung Up on Our Bullies: Internalized Transphobia

(50) Comments | Posted November 8, 2011 | 3:00 PM

There's a part of me that's always been envious of Jamie Clayton, who just made her acting debut on HBO's Hung, playing the transgender character Kyla. I have known Jamie for over 10 years. She was my first choice of co-stars for TRANSform Me, the makeover show I co-produced and...

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Gender Anti-Anxiety Medication

(49) Comments | Posted October 21, 2011 | 1:14 AM

Recently my brother was chatting with someone and mentioned his sister and that she's transgender. The first question this person asked upon hearing this information was, "Has she had the full surgery yet?" By "the full surgery" this person meant bottom surgery. They basically were asking my brother to talk...

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