Huffpost Entertainment
The Blog

Featuring fresh takes and real-time analysis from HuffPost's signature lineup of contributors

Mike Farrell Headshot

The Gang that Couldn't Shoot Straight Strikes Again

Posted: Updated:
Print Article

The Hollywood-centric "Membership First" (MF) faction that has controlled the Screen Actors Guild's National Board for most of the last five years consistently uses tactics - misinformation, tough talk, over-promising and ineptitude - that undermine the union's credibility. Today, blustering and posturing instead of negotiating have clearly painted us into a corner. One would hope repeated failure might have caused a bit of light to dawn, but no; instead, with the country in the most catastrophic economic condition since 1929 and our entire industry reeling, they want you to vote for a strike.

A strike? Now? Don't we look foolish enough already?

Do they think it's a way to somehow save face?

Here's what it looks like to me:

After realizing their dream of controlling a majority of SAG's board, the MF-led leadership fired a bright, capable guy who had only recently been hired, insisting there would be no penalty. They were wrong; it cost us a bundle. Then, after searching for months for just the right replacement, they hired an Executive Director who spoke their language and had no experience in the business.

Their team in place, they set out to realize their agenda, which included bringing the agents back into the Franchise Agreement, getting a raise in DVD residuals, and realizing their long-sought dream of destroying our sister union AFTRA, the American Federation of Television and Radio Artists.

Their first step was a high-handed approach to the agents, insisting they could simply "promulgate" SAG's authority over all actor's contracts and take legal action if the ATA, the agents' organization, didn't toe the line. You may have heard the laughter. Needless to say, our leaders didn't broadcast the humiliating rejection that ensued, but, as you may have noticed, we still have no Franchise Agreement with the major agencies.

Raising DVD residuals (labeled a 'non-starter' by the AMPTP) had to wait until the '08 contract negotiations, so the next order of business was to Swift-Boat AFTRA and get it out of the way. Our leaders started by bad-mouthing the smaller union, criticizing its contracts and organizing methods. Then they tried to intimidate AFTRA into becoming the neutered bystander in the '08 negotiations with the AMPTP, claiming that the 50/50 deal made between SAG and AFTRA under the Phase One agreement almost 30 years ago was suddenly unfair. Using every trick they could think of, including attempting to muscle the NY and Regional Branches of SAG into line, they belittled and trash-talked AFTRA, pressing it to knuckle under. To their great surprise, AFTRA's leaders called their bluff, refusing to accept less than the equal partnership the long-honored agreement promised. Stunned by this surprisingly firm stand, SAG's leaders backed down, claiming they hadn't really meant it after all.

Subsequent disparagement and double-dealing by SAG leaders, however, resulted in AFTRA's losing patience with the process. Deciding their negotiating partners were not trustworthy, AFTRA broke away and moved to meet with the AMPTP on its own. Caught flat-footed again, SAG quickly claimed the right to negotiate with the AMPTP first. AFTRA agreed.

These talks, however, soon ground to a halt. Despite the fact that the WGA (Writers Guild) gave up on DVDs even before their strike and the DGA (Directors Guild) hadn't even brought them up, SAG negotiators placed the 'non-starter' DVD raise squarely on the table. If that wasn't trouble enough, they found themselves facing a complicated formula for New Media that both the DGA and WGA had already accepted. Unwilling to acknowledge the years-long research done by the DGA and agreed to by the WGA, SAG chose instead to rely on tough talk and strident demands and fell on its face.

With SAG and the AMPTP now at an impasse, AFTRA sat down, worked with the DGA/WGA template and succeeded in negotiating a deal that improved on what SAG had been reaching for before their talks exploded, leaving SAG's leadership with more egg on its face.

Still unable to see the rapidly fading light, SAG went back to the AMPTP and tried again to demand a deal that would have required the other side to renegotiate the agreements already reached with the DGA, WGA and now AFTRA. SAG would do anything, it appeared, but realize how wrong its approach had been. Instead, it took the most illogical step available and tried to torpedo acceptance of the AFTRA contract by its members, most of whom hold cards in both unions. This involved spending a reported $150,000 or so of SAG dues money on a failed "educational" effort to interfere with the legitimate action of a sister union. They blew it again -- the AFTRA contract was ratified -- and the SAG leadership succeeded only in making themselves, and by extension all of us, look like bullies, and worse, fools.

Without a contract and looking more desperate all the time, SAG continued to talk tough and settled for a months-long period of stasis, during which production staggered, awaiting some resolution. This past fall, some new non-MF members were elected to the SAG National Board, which, as the economy began to crash around us, then sent a Hail Mary to a federal mediator.

However, with the AMPTP sticking with its "final offer" and the same SAG negotiating team unwilling to move on anything, including the DVD increase, the mediator made a stab, failed, saw the light and quickly headed back to Washington.

So now they want a strike.

A strike when AFTRA, with a contract, is putting its members to work.

A strike when TV shows are already moving to sign with AFTRA.

A strike that will put the few casts and crews now working on SAG projects out on the street with millions of other Americans.

A strike that, by stopping production in the middle of a collapsing economy, will condemn SAG, already a laughing stock, to the halls of infamy.

Why would they even think of a strike?

Could it be because winning that vote, no matter how devastating a strike would be, is the only way this so-called leadership can save face, the only way they can salvage the pretense that they actually knew what they were doing all along?

And now we're paying for another "education campaign," this time one intended to explain how important it is that this strike vote succeed. Given recent history, I figure it'll probably have something to do with the threat from hidden WMDs. And I'm sure there will be the admonition that "you're either with us or with the terrorist AMPTP."

Well I, for one, am not anti-union. God knows, as a member for over 40 years, I'm not anti-SAG. But I am anti-idiocy.

I'm voting no.

Mike Farrell is a former 1st Vice-President of SAG.