When Paint Your Wagon was first done and record companies still actively scoured upcoming scores for chart-topping possibilities, the ones selected were "I Talk to the Trees" and "They Call the Wind Maria."
Somehow it should seem appropriate that Inventing Mary Martin is as corny as Kansas in August. But the kind of corniness prevalent in conceiver-writer Stephen Cole's revue, at the York, tributing one of Broadway's great musical comedy leading ladies, is never welcome.
More than anything the script is presenting a woman's world. With only women on stage, he suggests that families are, possibly more often than not, women's domains. If this is what he has in mind, he realizes his intentions extremely well.
As popular as P. G. Wodehouse and his creations, suave manservant Jeeves and first-prize twit Bertie Wooster, have been for almost 100 years, they've apparently never toddled onto a West End stage until -- wait for it! -- now.