We all have one. Some of us have two or three. It may be a movie. It may be an actor. But there's no doubt there is some film-related icon that you just don't get. Everybody else loves it, or him, or her, but not you.
In "The Monolith" -- and imagery royalties here might be due to Arthur C. Clarke and Stanley Kubrick for this episode set about a year after the release of 2001: A Space Odyssey -- Don Draper has gotten back through the door of the ad agency he founded. And he is showing up.
Peter Hyams has been making movies for over 40 years. A native New Yorker, Hyams has the distinction of being one of the only directors who also serves as his own cinematographer on his films, a hyphenate that has caused him some controversy among cameramen.
Gravity is only 91 minutes long but is so short on ideas that it keeps repeating itself. A cloud of orbiting malevolent debris keeps trying to kill our heroes. They keep jetting off to a new refuge and finding, so to speak, no room at the inn.
I imagine it's been a long time since the New York Philharmonic played with so much chatter going on in the audience. But the screening of 2001: A Space Odyssey was more like a pops concert than their usual fare.
In just the past few weeks I've found out the classic science fiction film Outland was slated for a remake. Then afterwards I checked further info about the remake of the film that starred Sean Connery, which all pertaining articles seeming to corroborate two facts.
Trumbull takes his UFO hunting as serious as his movie making. He owns an ex-military hummer that is kitted out with high-tech video equipment for the express purpose of filming a UFO. UFOTOG, the movie, is about a man using this sort of equipment to film a UFO.
While The Master, like 2001, has meditative and metaphysical leanings -- areas that tend to unnerve audiences -- it was greeted, unlike 2001, by many rapturous reviews describing its wondrous surprises and consummate craftsmanship.
The exhibition has been making the worldwide rounds, from Rome to Melbourne to Hollywood, and the show is always a variation on a theme (for the most part) with the brother and sister involved every step of the way.
While being able to create a black hole, or recreate the Big Bang with the Hadron Collider sounds like super fun experiments, what if we're really able to create a black hole in an underground laboratory in Switzerland?