The gay story this Oscar season is the lack of gay stories. The Academy didn't nominate a single actor who had played an LGBT character this past year in any of the four acting categories -- a rare occurrence in the past decade, happening only in 2008.
At this time last year, John Hawkes and Richard Gere were guaranteed Oscar nominatons (neither were nominated) and "Beasts of the Southern Wild" was the next "The Tree of Life" (it was; "Beasts" earned four nominations). From sea level here in New York, it doesn't seem like any of the films at the 2013 festival have popped quite like those.
Look, I get why rooting for Steven Spielberg can feel like rooting for the New York Yankees (and, no, let's not have that argument again), but I think he overcame his worst instincts in this movie and created what you might call a late masterpiece. It's not my favorite movie of the year, but it's the strongest candidate for Best Picture, in my opinion.
By the time Oscar night rolls around, we hope that our model will feature the most reliable picks anywhere -- supplementing the educated guesswork that constitutes most efforts at awards prognostication. (I say supplementing, not supplanting, because we are, after all, avid fans and practitioners of such guesswork.)
In this edition of Weeklings!, I uncover the Academy's idiocy with splintering detail -- even though I have an insane, eternal obsession with the Oscars. Love you, AMPAS! Even if you truly enjoyed Silver Linings Playbook.
"It's difficult to see a scenario where 'Lincoln' doesn't romp," wrote Tim Grierson and Will Leitch over at Deadspin following the Oscar nominations on Thursday morning. Which would be true, except for the "difficult" part. Because any Oscar discussion that doesn't allow for the possibility of "Silver Linings Playbook" winning Best Picture seems incomplete at best.
He above all would acknowledge the transcendence of profound classical language as symbolic of abiding American purpose befitting the founders' most basic intent even in ways contemporaneously inconceivable like abolition.
It's all over but the shouting. On Thursday, the 2013 Oscar nominations will be announced by Seth MacFarlane and Emma Stone. Finally! Ahead, some fearless forecasting of what to expect from the 85th annual Academy Award nominations.
Red Hook Summer is a disturbing and brave masterpiece. Clarke Peters deserves an Oscar, because he was directed into delivering an indelible performance by one of the most prolific American filmmakers in the last two decades; Spike Lee.
Happy New Year, Mike! We've entered the final countdown -- ballots are due on this week, meaning a lot of Academy Awards voters are going to have to learn how to use the internet.
A lot of people think that "Still Alive" might be a contender for an Oscar nomination. And I think they're right. The question is, can a song really have a chance to win Best Song if it's in a film whose total budget was slightly less than what it cost to replace broken windows in Skyfall?
Let's keep this short, as there are stockings to hang and reindeers to listen for: It's the night before Christmas, and the only thing stirring is controversy about Zero Dark Thirty and the nationwide opening of Les Miserables.
Welcome to For Your Consideration, HuffPost Entertainment's weekly breakdown of all things Oscar. Between now and Feb. 25, 2013, executive arts and en...
If I sound like a person who disrespects the impact of the Globes, that's because I am. The Globes mean nothing ever, especially in 2012, with the Oscar nominations being announced before the HFPA hand out their trophies.
Hello, Mike! After weeks of speculating, the first official Academy Awards 2013 precursor has arrived: The New York Film Critics Circle spent five hours handing out awards on Monday, a time-sucking act of futility that rivals the actual Oscar telecast. The big winners were "Zero Dark Thirty," Kathryn Bigelow, Daniel Day-Lewis, Rachel Weisz (!), Matthew McConaughey (!!) and Sally Field. While that list includes some surprises (see the exclamation points above), the big shocks, to me, are who and what didn't make the cut.
One last Argo vs. Lincoln vs. Les Miserables note: Can we imagine a scenario where one of them wins Best Picture and another wins Best Director? Like Les Miserables and Ben Affleck, or Argo and Steven Spielberg?