Two exhibits of my work, Oil and Water and Re/Viewing the American Landscape are currently on view at Blue Water Fine Arts in Port Clyde, Maine. I've been spending summers painting in Maine for close to forty years and exhibiting there for over thirty.
It does not come as a surprise that in times of the 'selfie', portraiture as an artistic genre seems to be a casualty. The thing is that painting portraits takes far too long. We just cannot hold our attention for that long.
Do you consider long and hard before purchasing a piece or do you buy on impulse? Does your collection have a particular historic or geographic focus or does it follow the whims of your personal taste?
How subjects are depicted within art -- through coloration and composition -- allows us an honest glimpse into society's view of them, especially in the case of marginalized or underrepresented populations.
The onset of winter in Los Angeles feels more like spring anywhere else. After a few days of long-awaited rain, the hills were starting to show new green growth for the first time after a scorching dry summer.
Henry Varnum Poor, grandnephew of the money man who founded Standard & Poor's, was a painter of landscapes, portraits and still lifes, as well as an accomplished, if self-taught, ceramicist (and self-taught architect).
Although I grew up in New York and have lived there for many years, I have a summer studio in Maine. Every summer I pack up and go to paint following the tradition of so many of America's painters from Winslow Homer to Alex Katz.