What do L. Ron Hubbard, H.G. Wells, G.K. Chesterton, Lord Dunsany, Alice in Wonderland, M.C. Escher, John H. Conway, Roger Penrose and Oprah Winfrey have in common? The same thing as Isaac Asimov, Vladimir Nabokov, and Salvador Dali.
We need more and more information. We have an insatiable urge for fantasy, and its possibilities. And we want it in a new garb. Books today have turned the casualty, as a result of this. Why did libraries lose charm, when we still have our reading habits intact?
As female filmmakers, we've been told to accept small stories, low budgets, and modest expectations. But what if we have much larger visions? What if we want to make blockbuster movies with heroines who are full of valor, keen intelligence, and a desire to change the world?
Johnny Depp made a name for himself by playing eccentric characters, each more interesting than the last. Lately he's exchanged that legacy for one that's saturated in populist fare and dull executions. What happened to the old Johnny Depp?
The lesson we all can take from the vision of those who foresaw this week is that often in quests for social justice, what seems impossible at first becomes inevitable later. And it's those who are willing to bear the brunt of being told that their ideas are impossible that move us forward.
It's every screenwriter's nightmare. To be in the office of one of Hollywood's most powerful producers, pitching all of your script ideas. Only to then have that mover-and-shaker repeatedly say "Nope. Not interested." But that's exactly what happened back in 2009 to poor Mitchell Kapner.
This is one of the best reasons I've heard yet for why the Obama administration should release the legal memos written to justify its overseas targeted killings of terror suspects, regardless of whether any court ever orders it to.
Yes, We're Open is filled with many San Francisco-centric jokes that will resonate with hipster haters ("I'm going to a bacon party at an art gallery"). As Luke's hapless friend Brett, H.P. Mendoza gets to wear one the worst neckties ever seen onscreen in the history of cinema.
In recent decades, movie musicals that began as full-length animation features and original movie musicals have become multi-million dollar stage vehicles drawing audiences into theatres in cities around the world.
New Yorkers have made an art out of running. From running up bar tabs to running down pedestrians; from running into ex-boyfriends to running out of patience. But the decision to run or not to run the Marathon -- that was the question.