The New York City Ballet has returned with all its relevance, strong and modern. The dancers are not "stingy." They are not "holding back." They exist in the "now," "right now." Balanchine would be proud.
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It's challenging to savor, or even comprehend, Stern's marvelous images (the most successful ones are based on triangular configurations, so explains the film) given how Laumeister races through them.
In the recent documentary about Alice Neel made by her grandson Andrew Neel, Neel said about her paintings, "I go so out of myself and into them [the ...
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