There are many, many ways to play the fool, and Scott and Zelda tried more than a few of them. In the early 1920s life was all fun and games for the world's best known flapper and her writer husband -- and being famous, it often seemed, was nothing more than a lark.
When I received a last-minute invitation to attend an intimate discussion with Dave Matthews and Beezy Bailey on their new collaborative exhibition at the Robert Miller Gallery, instead of sending in a RSVP, I responded, "You had me at Dave Matthews."
In Andy Warhol's Exposures he named a chapter "The Best Family," and he began his introduction to the Beales by writing, "I think the best family in the world is the Kennedy-Onassis-Bouvier-Beale-Radziwill family."
New York is unapologetic and doesn't wait for anyone. It's a city that creates and a city that happens. New York doesn't need anything or anyone and perhaps that's exactly why you still crave it so much, because of it's idyllic unattainability.
When Mera Rubell met her future husband Don, a medical student, the two quickly discovered that they shared two powerful passions -- for each other and for art. Together, they built not just a business empire but one of the most important private contemporary art collections in the world.
As a graphic artist obsessed with branding, I took one of the most recognized peices of pop art, Andy Warhol's Soup Can, and replaced the text on the can with quotes by people like Helen Keller, Confucious and Napoleon Hill.
Wayne Koestenbaum's shift from writing desk to easel, from mind to matter, from written word to glittering images, can be admired in his first solo exhibit at White Columns, where his unabashed sweeping series of colorful male nudes make a convincing case for risktaking.
Art Basel, Art Basel Miami Beach and Frieze London are arguably the most important art fairs in the world but it seems Paris is carving out a place for itself in the contemporary art arena. The city of lights isn't just about dead artists anymore.
Here's a strong argument against homophobia: Shutting the door on collaborating with LGBT people can hinder your artistic and professional development. Just take it from Futura, a graffiti artist who wished he'd been open to working with Andy Warhol in the '80s.