The aim of this piece is to dissuade the reader (and, who knows, maybe some of the media?) from reducing Tunisian artists to the role of trouble makers or indicators of the political climate.
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In the Arab world today, and much of the developing world, hip hop has once again come to represent the empowerment of the disenfranchised.
“The People Want The Downfall Of The Regime. The People Want The Downfall Of The Regime.”
Syrian-American hip-hop artist Omar Offendum’s new...
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