If imitation is truly the sincerest form of flattery, then Vettriano should be quite pleased, as should dozens of other artists -- even amateurs like Sir Winston Churchill -- because Henty has made a career out of selling fakes of their works.
Art and Craft bears witness to the stigma of mental disorders and the difficulty individuals with these illnesses experience in receiving treatment by others that is respectful, without blame for their condition or judgment of the way in which they present themselves.
There is another chapter to Ken Perenyi's life that was omitted from his autobiography, and that is the chapter of how he used his ill-gotten gains to rescue a child from sex slavery and, as the FBI closed in on his forging escapades, found himself an unexpected parent to a Ghanian child.
New dirt, more scandals. They pour out of a book that profiles the curators, city planners and barons of American high society, anyone with oversized egos, through a dual thread that captures the history of New York City and the United States.
A couple of recent books illustrate our fascination with the arcane world of art forgery. Perhaps, in this Internet age, when so little seems to be truly original, the subject of how to produce a master forgery that will fool all the experts seems particularly relevant.
Like a method actor who lives the role he plays with such intensity and focus that he begins to instinctively move and think like the character he is playing, an art forger needs to channel his ancestral muse so that he can envision a convincing -- and compelling -- fabrication.
What to do with counterfeit art is determined on a case-by-case basis, often dependent upon whether or not the owner knew that it was a fake. Proving fraud, intentional deception, is often quite difficult.