Writing is like vomiting, I learned: Just get it all out, and don't worry about what comes out. I needed a lot of words for my first book, Burn Zones.
Since I made that decision to leave the workforce and drive my own professional writing business, doors have just opened. Doors to the kind of opportunities that are helping to shape my future as a writer.
I think it was (author) Francine Prose who said publication is like the calm before the calm--that you think so much will happen and it doesn't. But when my first book came out (Tea, Algonquin Books, 2000), what I wasn't prepared for was the magnitude of what it felt like internally.
Sometimes authors who audit their statements find mistakes. "I once found a $700.00 error on my royalty statement from my publisher that I noticed after scouring the numbers. My publisher apologized and said it was obviously an error and quickly corrected it, but would he have noticed if I hadn't looked carefully?"
It is in the literary world, and an important one. There is an ongoing dilemma in the writing world--Should writers write what they feel passionate about or write for the masses? Since first considering crossing genres from contemporary romance into LGBT romance, I learned that this question is driven by much more than sales.
Where authors are concerned, impatience leads to wishful thinking, which feeds these five delusions I see new authors suffer from, when they allow impatience to distort their path to successful publication.
The work of top creatives isn't dependent upon motivation or inspiration, but rather it follows a consistent pattern and routine. It's the mastering of daily habits that leads to creative success, not some mythical spark of genius. Here's why...
Entrepreneur, restaurateur, family man - I recently had lunch with Steve DiFillippo, the man behind the award-winning empire known as Davio's Northern Italian Steakhouse, with restaurants throughout Massachusetts, Pennsylvania, New York, Atlanta, and now expanding into California
"A silent character." That's how Jamie Ford, author of Hotel on the Corner of Bitter and Sweet, describes the Panama Hotel, the titular National Treasure that grounds his bestselling novel. But the Panama is far from silent.
Meryl Moss is the founder and president of Meryl Moss Media, which just celebrated its 22nd anniversary. Meryl and her dedicated staff of publicists work with authors, both new and established, to advance exposure of their books to a wider audience in traditional and unique ways.
Prior to departing on a trip home to Australia to visit family, I fell into the web (or should I say tapestry), of Indie author, Prue Batten. Prue resides on a farm in eastern Tasmania with her husband. She writes historical fiction and fantasy.
When someone visits your site, they will often wonder what they think you do VERSUS what you actually do. Over time, this messaging needs to be consistent.
Events at this year BookExpo America (BEA) showcase how Inkubate powers the traditional publishing pipeline with its interactive platform
Ah, yes: "platform." If you're an Indie author you know this term well. It might even be a four-letter word to you. This concept crept into the industry a few decades ago and has now become a major player.
Reading widely and writing book reviews either on your blog or at online bookstores serves your career and your colleagues well. But have you ever read a book review that was totally unhelpful?
Some writers will enter into alternate minds better than others, but the success of the attempt will depend upon talent and technique, not gender. Authors are as unique as the characters we create.
The Story of My Teeth, on every level, is obsessed with artifice and the slipperiness of identity. Now translated by Christina MacSweeney, in collaboration with Luiselli, the book mimics her own play with authorial identity. In the book, Gustavo Sánchez Sánchez, also known as Highway, claims to be writing a “dental autobiography,” though the question of whose words we’re actually reading later becomes complicated.
by no less than Chinua Achebe, to be a colonialist, ultimately racist piece of writing about Africa and indigenous peoples who are little understood