Current standards set by the masses suggests that black men and women cannot artistically express anger, be imperfect, invoke rebellion, find humor in their woes, be unapologetically sexual, explore taboos, and re-appropriate the tumultuous barriers placed on us.
The fear that a love story featuring two Black actors is not engaging, believable or desirable is very real, and one that still defines the mindset of many studio executives, casting agents and producers.
In this documentary, Owino and Washington had 14 people brave enough to sit in the room with each other and talk candidly about their cultural and internal racial differences. "That is a great start... but we need more," Owino admits.
This year, many people are upset that Ava DuVernay, director of Selma, was snubbed, calling it racism... but the film itself was nominated. Is it racist to nominate the film but not the director? The bigger question is, does racism play a part in determining who gets nominated and who doesn't?
Spike Lee, the old guard of black indie filmmaking, gets his mojo back with this classy, urbane, bloodsucking art film that is a beauty to behold. Sophisticated, demented, eerie, erotic -- prepare to be shocked and flabbergasted.
Movies have power. Power to impact society and the choices we make. I want to entertain, but I also want to say something to the world. I want us to look up on screen and be inspired to want more for ourselves, to want to love, and to love ourselves.
The last time they worked together, Denzel Washington and director Antoine Fuqua conjured up Training Day. Now, the successful duo goes back to the well once more for another powerful and violent movie. Do they yield the same results?
Nearly 15 years later, Malcolm D. Lee is back with The Best Man Holiday, the much-anticipated sequel to a film that is as important to the canon of black film as it is to audiences that love the film and what it represents.
In "The Walking Dead," Warm Bodies and the upcoming World War Z, zombies are leaving deep footsteps in Hollywood. Now, black filmmakers are adding their own imprint to the zombie trek with the short film Danger Word.
As a man who grew up in an urban environment that is now attending college at a fine Ivy League institution, I would like to let you know that I am not aspiring to become the controlling, manipulative and reckless psychopath that you continue to depict such men of color in your films.
We're in America, so let's ask ourselves an honest question with regards to Django: What if a love story film set in slavery times about a Black man in search of his wife came out in the theaters today?
I will give Spike Lee his props. I will give John Singleton his respect. But directors such as Tyler Perry and many others who continue to profit from such slander and stereotype of the black population should be held responsible for such backlash that comes from Django.