In the "You Can Touch My Hair" exhibit, the Others, black female participants, consent to the ogling in hopes of deconstructing the curiosity for mutual education. The exhibit and the exhibited are forced to confront each other's questions about race.
I will give Spike Lee his props. I will give John Singleton his respect. But directors such as Tyler Perry and many others who continue to profit from such slander and stereotype of the black population should be held responsible for such backlash that comes from Django.
The film is a well-acted, directed and a cinematic and aural feast, yet Tarantino's Django remains hotly debated among black intellectuals. And when it comes to why this is such a lightning rod, I have a theory.
"When I listen to music today, it feels like there is a lot of soul missing in soul and R&B music. I think technology, in a lot of ways, has become a crutch for people who really aren't as talented as they appear to be," Benét said.