Years ago, the only way to get published was to type the manuscript, send it to a publisher, and hope for the best. But book publishing has changed significantly. There are more opportunities -- and many more pitfalls.
In Warren Lehrer's new book A Life in Books: The Rise and Fall of Bleu Mobley, he's created a tour de force of graphic design, illustration and writing.
Making those decisions in a vacuum is never a good idea -- it's too easy to waste time when you should have spent money or throw away money when a little time and effort would have done far more good. Hopefully this has helped you to approach these decisions a bit better prepared.
If you are a female author, you are much more likely to get a package that suggests the book is of a lower perceived quality. We're the high fructose corn syrup of literature, even when our products are the same.
Part of why I decided that I was a good candidate for self-publishing is that I have what is called a platform. Oh, that's one of the buzziest buzzwords around the self-pubbing world, your platform. Turns out that platform of mine is less of a high-dive springboard and more of a children's step-stool.
Do I ever doubt my decision to self-publish? Hell yeah. Just about every other Tuesday I wonder if I made the right choice.
Very often we don't realize how important and essential graphic design is to our everyday lives.
Google Books is more than a bag of words. It's full of anomalies -- digital and analog signs of use. Search through texts in the public domain and you'll find all kinds of distortion, color changes, misplaced autolinks, and, frequently, the hands of an employee.
I started this project because when I am 90 (if I live that long), I want to have a library in my house (if there are still books) where every book jacket is designed by me. That is my long-term plan.
We examine the role of the picture book in introducing children to the visual arts as well as language, and consider important issues such as the appropriateness of certain subjects and styles of illustration for children.
When we began to discuss the book cover for our latest Igniter release, Satan Is Real, we all agreed there's no need to design a cover from scratch when the perfect cover image was already created 50 years ago. To reinterpret this one would be a sin (yeah, I said it).
Tough guys with guns and sexy femme fatales, menace in the shadows and danger in the light, right hooks, and double crosses and deadly embraces: If you can imagine it appearing on a film noir movie poster or an old paperback cover, it's the sort of thing we love.
It is in the nature of small presses to appear, fill a certain need--often political or cultural in nature--and then vanish.
I recently asked my online friends how they choose their next book to read. Authors, take note of what drives readers to pick up your book. What can you learn from these responses?
by Tessa Hadley
Published on March 4th, 2014
by Helen Oyeyemi
Published on March 6th, 2014
by Lorrie Moore
Published on February 25th, 2014
by Molly Antopol
Published on February 3rd, 2014