J. Abbott Miller, a partner in the international design consultancy, Pentagram, specializes in exhibit, interactive and identity design. He has also designed numerous books for world-class cultural institutions.
I've found that many booksellers, when faced with the sometimes daunting task of deciding what to read next, have developed their own idiosyncratic "strategies." Often secret, until now.
So you've decided to have an ebook designer convert your book into ePub (iBooks/Nook/Kobo) and mobi (Kindle) formats. Great! What formats are best to send?
Years ago, the only way to get published was to type the manuscript, send it to a publisher, and hope for the best. But book publishing has changed significantly. There are more opportunities -- and many more pitfalls.
In Warren Lehrer's new book A Life in Books: The Rise and Fall of Bleu Mobley, he's created a tour de force of graphic design, illustration and writing.
Making those decisions in a vacuum is never a good idea -- it's too easy to waste time when you should have spent money or throw away money when a little time and effort would have done far more good. Hopefully this has helped you to approach these decisions a bit better prepared.
If you are a female author, you are much more likely to get a package that suggests the book is of a lower perceived quality. We're the high fructose corn syrup of literature, even when our products are the same.
Part of why I decided that I was a good candidate for self-publishing is that I have what is called a platform. Oh, that's one of the buzziest buzzwords around the self-pubbing world, your platform. Turns out that platform of mine is less of a high-dive springboard and more of a children's step-stool.
Do I ever doubt my decision to self-publish? Hell yeah. Just about every other Tuesday I wonder if I made the right choice.
Very often we don't realize how important and essential graphic design is to our everyday lives.
Google Books is more than a bag of words. It's full of anomalies -- digital and analog signs of use. Search through texts in the public domain and you'll find all kinds of distortion, color changes, misplaced autolinks, and, frequently, the hands of an employee.
I started this project because when I am 90 (if I live that long), I want to have a library in my house (if there are still books) where every book jacket is designed by me. That is my long-term plan.
We examine the role of the picture book in introducing children to the visual arts as well as language, and consider important issues such as the appropriateness of certain subjects and styles of illustration for children.
When we began to discuss the book cover for our latest Igniter release, Satan Is Real, we all agreed there's no need to design a cover from scratch when the perfect cover image was already created 50 years ago. To reinterpret this one would be a sin (yeah, I said it).
Tough guys with guns and sexy femme fatales, menace in the shadows and danger in the light, right hooks, and double crosses and deadly embraces: If you can imagine it appearing on a film noir movie poster or an old paperback cover, it's the sort of thing we love.
The Story of My Teeth, on every level, is obsessed with artifice and the slipperiness of identity. Now translated by Christina MacSweeney, in collaboration with Luiselli, the book mimics her own play with authorial identity. In the book, Gustavo Sánchez Sánchez, also known as Highway, claims to be writing a “dental autobiography,” though the question of whose words we’re actually reading later becomes complicated.
by no less than Chinua Achebe, to be a colonialist, ultimately racist piece of writing about Africa and indigenous peoples who are little understood