Jesus arrives as a gay man of today in a modern city with "The Passion of Christ: A Gay Vision," a controversial series of paintings. The paintings and the new book that I wrote about them have been attacked as blasphemy by conservative Christians. But we refuse to concede Jesus to those who act like they own the copyright on Christ, then use him as a weapon to dominate others.
With the decision pending in just a couple of weeks on Library #14 for President #44, the binding force of these successive projects is the fact that there is not and never should be a single political narrative. Such shifting values rely instead on the bedrock of freedom to sustain the dynamic bonds of the social contract it upholds.