Our 'hero' -- Riggin (literally and figuratively) -- is haunted by the voice of his iconic movie character, Batman, er, Birdman. He is often in the throes of human despair. Or he experiences what might be called the 'magic realism' of levitating, flying and causing much mischief.
Leonard Bernstein's musical comes alive anew in Betty Comden and Adolph Green's version, directed by John Rando.
Is this the best fall theater season in years? I think so. While I don't do reviews really, I felt the need to discuss this amazing season we're having. It would kick last season's butt in almost any competition.
When I was young I refused to sleep with or flirt with men-in-charge for roles in the theatre. I did it on principle. I had some pretty high moral standards for myself as a young actress, and I was NOT going to sell myself out on some casting couch. That was 25 or so years ago.
The Bronx is still up and the Battery is still down, but the rest of this delightful new Broadway revival of On the Town has been given a facelift tha...
The premise itself will bring a chuckle, if you get it. A former movie action star, Riggan Thomson (Michael Keaton), wants to win back his legitimacy as a serious actor. So he has not only written a stage adaptation of Raymond Carver short stories, he's directing it and playing the lead role.
Forget about the fact that you're supposed to be focusing on the art form on the stage. Forget about the fact that you -- and the people sitting next to you -- have spent hundreds of dollars to see/hear the show. Having super noisy snacks is more important.
"You have to stand your ground and be who you are and find acceptance -- if not in others, than in yourself. That's the road to happiness...and as Oscar Wilde said, and is quoted by [the character] Lola: 'Be Yourself: everyone else is already taken.'"
So striking is the production design, so remarkable is Alex Sharp's performance as Christopher Boone, we enter into the literal, mathematically precise mind of a 15-year-old autistic English boy with chilling accuracy.
Backstage gossip and entertainment in-jokes abound, but the show has a beating heart beneath its tongue-in-cheek humor as Realbuto learns the hard way that the realities of adulthood often don't match our dreams.
The Book Doctors met Lee Wilson at a Pitchapalooza (think American Idol for books) at a fantastic bookstore called pages: a book store, in Manhattan Beach, California. She was so warm, funny, passionate and professional. And she had excellent posture! Turns out that was no accident.
I love the fall theater season. First, fall is my favorite time of the year in the city. Second, the fall theater season is chock full of new offerings, but the pressure to see them right away is less than it is with spring offerings, as the Tony Awards isn't as imminent.
The premise of Love Letters, a chamber piece now on Broadway, is simple: Two people begin writing each other at age 8. Over the next 50 years, from the late 1930s onward, two upper-class WASPS chart their personal voyages via letter.
I never heard of a life hack until recently. I thought it was what my Grandpa Henry was doing almost constantly by the age of 80 after he smoked two packs of cigarettes his whole life. Or maybe what our first cat, Brownie, was doing under the bed when she would leave us little fur encrusted gifts. Mmmmmm. Life Hacks.
There's a lot to like at the front and the end of You Can't Take It With You at the Longacre Theater, but there's a lot to work through in the middle.
Many plays have a familiar source of drama and intrigue: Get a family to reunite for whatever the reason and all of the passion and suppression will find its way out there. But Donald Margulies's The Country House takes this format to new heights. And director Daniel Sullivan knows exactly how to squeeze out every last bit of tension and relief.