Many plays have a familiar source of drama and intrigue: Get a family to reunite for whatever the reason and all of the passion and suppression will find its way out there. But Donald Margulies's The Country House takes this format to new heights. And director Daniel Sullivan knows exactly how to squeeze out every last bit of tension and relief.
I wrote I Am Harvey Milk for you. I wrote it for anyone who has ever had to hide or keep secret their true nature. I wrote it for me so that I might get a step closer to understanding my own gay life, my own gay wounds, my own gay joys.
It's hard to beat kittens and fireworks as sure-fire crowd pleasers and the new Broadway revival of You Can't Take It With You has both along with the...
From the creative juices flowing inside the private Ateliers to the magical world of Broadway to Hell's Kitchen, these four inspiring and uber-talented individuals let their passions guide the direction of their life's work.
As bad as things can seem these days for musicals on Broadway -- as vacuous, as child-centric or adult-nostalgic as most Broadway musicals distressingly are at the moment -- the good news is that there are Broadway ticket buyers also paying to see Hedwig. Which is extraordinary.
I am happy Gentleman's Guide won the Tony Award. I didn't care ahead of the big night (unlike the previous year, when I desperately wanted Matilda), but, sitting there with a full house, I was happy for it and the audiences who will leave laughing.
Being raised in the entertainment business -- her parents were showbiz legends Lucille Ball and Desi Arnaz, after all -- may have helped Arnaz hone her career path, but at 63, she is definitely her own woman -- creativity and all.
Rock stars come and go, however one is about to make his triumphant, albeit low key return -- which will be the absolute reverse manner in which he forged his legendary larger-than-life Big Apple debut in the waning days of Nixon's America and Watergate.
Take me, for instance. Just because I have been with Allstate since the Beatles broke up, or at least Wings, have drunk the same coffee since my first hangover and haven't had a new hairstyle since my senior prom... Well, I wouldn't say I'm stuck in my ways.
I write when I'm inspired and publish only when I'm ready. I don't read comment forums and I block communication from harassing strangers. I connect with at least one close friend per day, preferably in person. I sing constantly, loudly, and usually only for myself (or dogs). I'm doing the best that I can and trying to greet each new day with wonder and gratitude.
As rehearsals continued for the upcoming Broadway revival of On the Town, New York City audiences had a more immediate opportunity to celebrate Leonard Bernstein's first musical about sailors on leave in the Big Apple.
Brilliantly acted by Michael Cera as Warren, Kieran Culkin as Dennis, and Tavi Gevinson, as Jessica Goldman, the object of Warren's fantasies, and flawlessly directed by Anna D. Shapiro, Lonergan's wonderfully crafted 1996 play captures all the agony and the ecstasy, but mostly the agony, of post-pubescent youth.
As I reflect on the life and career of Joan Rivers, I think about the women in the entertainment business who were the firsts and broke new ground. We'll learn about just a few of these pioneering women in this blog post.
Well, I know we all have stories about our careers. Maybe you have a few little ditties and water cooler stories to tell. The following is one of mine...
In You Can't Take It With You, things don't go quite as smoothly for the Sycamore family while entertaining their daughter's fiancé and his parents, but what ensues is -- to say the least -- extremely funny.
I met Joan Rivers once in my career. It was the mid-aughts. There was a rumor that she had written a new play that she wanted to bring to Broadway. I needed the scoop!