When Tom Sergeant (Bill Nighy) drops in on Kyra Hollis (Carey Mulligan) totally unannounced in the revival of David Hare's 1995 play Skylight, at Wyndham's, he's clearly there to fan the embers of a six-year affair that ended two years earlier.
For a change of pace, today I'm offering you a series of random theater-related thoughts. None of which could take up a post on its own, but together they seem worthy.
What happens to a musician when desperation overshadows inspiration? The atmospheric new film Inside Llewyn Davis, written and directed by Joel and Ethan Coen, tracks a grieving folk singer-songwriter in search of his Muse -- or any Muse.
Inside Llewyn Davis (2013) Oscar Isaac (Drive), Carey Mulligan (An Education), Justin Timberlake (Love Actually), Ethan Phillips (The Island), Adam D...
After being outsiders, the Coens are in the strange position of having critics seemingly tripping over each other to lionize whatever they do -- and I feel like that's what might be happening with their latest film Inside Llewyn Davis.
We are awash in films examining the Beats and the roots of the generation shift that occurred from the late 1950s through the 1960s - but none with a clearer eye than Joel and Ethan Coen's Inside Llewyn Davis.
Inside Llewyn Davis is a compassionate reminder of how hard it is to be an artist, and of the great legacy musicians leave behind. At the end of the day, when a civilization is assessed with the clarity of historical perspective, it is the arts that most define it: architecture, painting, plays, philosophy, music.
For the most part, I've avoided the psycho killer sub-genre as that would merit its own piece. Instead, I've focused on films that betray mental illness in somewhat subtler, but no less striking, ways.
The fundamental error most movie critics have made in their reviews of Baz Luhrmann's The Great Gatsby is the fact that they have critiqued the movie only against the so-called "great American novel" itself.
Arguably the most glamorous red carpet event of all, the Cannes Film Festival wrapped up last week just in time to inspire gorgeous looks for summer weddings, poolside soirees and glam cocktail parties.
Baz Luhrmann's The Great Gatsby, adapted from F. Scott Fitzgerald's literary classic, takes place in the summer of 1922, in an era of debauchery and decadence. These hotels evoke images of Gatsby's seductive revelries.
Cannes is as much about food and gifts as it is about films.
I walked away from this movie wishing I could thank Baz Luhrmann in person for inviting us to his decadent party, but also with the urge that I need to throw out my current wardrobe and chop off my long hair for a new look.
Whether you want the perfect authentic complement to your 1920s influenced wedding gown or simply want to make a strong, chic statement with your makeup, this 1920s look is a sophisticated way to ensure all eyes are on you during your big day.
With a cast of largely baby-faced actors, Jay-Z as an executive producer, and a soundtrack weighted towards hip hop and electronic music, is The Great Gatsby more for younger fans of Luhrmann's more boisterous previous films like Moulin Rouge! and Romeo + Juliet?
After four wildly different tries at bringing F. Scott Fitzgerald's much-admired tome The Great Gatsby to the silver screen, I'm starting to think it may simply be unadaptable.