Two new movies about the struggle for Women's Rights raise important questions. What are Civil Rights and how do they change over time? Who benefits from denying rights? What is the best way to secure rights?
After the film's abrupt ending, audiences may wonder why Pankhurst or suffrage martyrs such as Emily Wilding Davison were not the subject of this well-intentioned and well-crafted production.
Venice. Telluride. Toronto. Film festival season is in full effect with Oscar buzz already reverberating across the air waves and the internet. Every year at this time, movie makers all across the globe reveal new big screen narratives that reflect on, shape and shift culture.
Why are philosophical quotes so prevalent? You find them in classic ads, on social media, they start and conclude speeches. They are little bundles of truth that sum up complex situations and make us go: 'Ahh. Such words of wisdom.'
"Far from the Madding Crowd," a new film adaptation of Thomas Hardy's beloved classic, works its magic on multiple fronts. Helmed by Danish Thomas Vin...
La Grenouille experienced a British invasion yesterday for a lunch celebrating the film Far From the Madding Crowd, based on Thomas Hardy's beloved 19th century novel.
Breaking up may be hard to do, but getting back together is near impossible, though Bill Nighy and Carey Mulligan give it a game try with searing performances in a spirited and caustic revival of Skylight, David Hare's one-night stand of lovers' recriminations.
We cannot at this point state that the Stephen Daldry revival of Skylight will be the finest of the group, no, but it is likely to be near the top of the list. This is a smashingly good production of what might be David Hare's finest play.
When Tom Sergeant (Bill Nighy) drops in on Kyra Hollis (Carey Mulligan) totally unannounced in the revival of David Hare's 1995 play Skylight, at Wyndham's, he's clearly there to fan the embers of a six-year affair that ended two years earlier.
For a change of pace, today I'm offering you a series of random theater-related thoughts. None of which could take up a post on its own, but together they seem worthy.
What happens to a musician when desperation overshadows inspiration? The atmospheric new film Inside Llewyn Davis, written and directed by Joel and Ethan Coen, tracks a grieving folk singer-songwriter in search of his Muse -- or any Muse.
Inside Llewyn Davis (2013) Oscar Isaac (Drive), Carey Mulligan (An Education), Justin Timberlake (Love Actually), Ethan Phillips (The Island), Adam D...
After being outsiders, the Coens are in the strange position of having critics seemingly tripping over each other to lionize whatever they do -- and I feel like that's what might be happening with their latest film Inside Llewyn Davis.
We are awash in films examining the Beats and the roots of the generation shift that occurred from the late 1950s through the 1960s - but none with a clearer eye than Joel and Ethan Coen's Inside Llewyn Davis.
Inside Llewyn Davis is a compassionate reminder of how hard it is to be an artist, and of the great legacy musicians leave behind. At the end of the day, when a civilization is assessed with the clarity of historical perspective, it is the arts that most define it: architecture, painting, plays, philosophy, music.
For the most part, I've avoided the psycho killer sub-genre as that would merit its own piece. Instead, I've focused on films that betray mental illness in somewhat subtler, but no less striking, ways.